Tag Archives: Mohenjo Daro

Streaming Video News: August 2, 2018

I updated my list of Bollywood movies on Netflix with twenty-two new additions to the catalog! About half of these titles were on Netflix years ago, but the rest — films like Highway, Mohenjo Daro, and PK — are available on the service for the first time. I’m excited that three more of director Vishal Bhardwaj’s movies have joined the catalog. Here are all the titles added today:

In other Netflix news, the streaming service announced that it’s begun work on a Baahubali prequel series based on Anand Neelakantan’s book The Rise of Sivagami. Woo hoo!

Advertisements

Bollywood Box Office: January 27-29, 2017

There was a decisive winner in the first Bollywood box office battle of 2017. Shah Rukh Khan’s Raees bested the collections of Hrithik Roshan’s Kaabil in North America by a factor of 3:1. During the weekend of January 27-29, 2017, Raees earned $1,742,565 from 289 theaters* ($6,030 average). Including collections from Wednesday and Thursday — both films opened on January 25 — Raees‘s total stands at $2,313,656.

Kaabil‘s total earnings since Wednesday are $781,064, with $631,923 of that coming from 253 theaters ($2,498 average) over the weekend.

The problem for Roshan isn’t that Kaabil failed to match Raees‘s earnings. It’s that this is the second consecutive box office showdown he’s lost. Last year, Roshan’s Mohenjo Daro finished second to Akshay Kumar’s Rustom despite opening in over 100 more theaters than Kumar’s film. In fact, Kaabil‘s opening weekend per-theater average of $2,498 is worse than Mohenjo Daro‘s $3,073 average. Even including earnings from Wednesday and Thursday, Kaabil‘s 5-day per-theater average is just $3,087. Given that Mohenjo Daro was widely derided as a flop, what does that make Kaabil?

Kaabil is going to earn more than $1 million here in the United States and Canada, which is good, but each battle lost diminishes Roshan’s perceived star-power. He’s not on the same level as the Three Khans, and last year’s battle shows him to be less popular here than Kumar at the moment. Even though Kaabil fared better in India relative to Raees, it still finished second. The scheduled Christmas, 2018 box office rematch between Roshan and Khan seems like another battle Roshan is destined to lose.

Other Hindi films still in North American theaters:

  • Dangal: Week 6; $77,817 from 30 theaters; $2,594 average; $12,255,617 total
  • OK Jaanu: Week 3; $131 from one theater; $351,054 total

*In the event that Bollywood Hungama’s North American theater figure actually counts Canadian theaters twice (as has happened in the past), the revised averages are $6,576 at 265 theaters for Raees and $2,772 at 228 theaters for Kaabil.

Sources: Box Office Mojo and Rentrak, via Bollywood Hungama

Bollywood Box Office: September 9-11, 2016

The two latest Hindi films to open in North America did quite well in their first weekend in theaters. Let’s start with the wider release of the two: Baar Baar Dekho, starring Katrina Kaif and Sidharth Malhotra. During the weekend of September 9-11, 2016, Baar Baar Dekho earned $609,640 from 143 theaters, an average of $4,263 per theater. Those numbers are significantly better than figures for Kaif’s other 2016 romance, Fitoor, which co-starred Aditya Roy Kapur. Baar Baar Dekho has already earned more than Fitoor did in its entire run ($513,879) despite the fact that it opened in twenty fewer theaters.

By a very different metric, the weekend’s other new release — the golf comedy Freaky Ali — also posted good numbers. Freaky Ali earned $42,637 from 42 theaters ($1,015 average). That may not sound like much, but Bollywood movies that open in fewer than 50 theaters in North America are lucky to earn $20,000 in their opening weekend. The second highest opening weekend gross among the Under-50 club this year was Mastizaade, which earned $28,529 from 46 theaters. A final tally for Freaky Ali in the $60,000 range would be commendable.

Naam Hai Akira didn’t fare nearly as well as the new releases. Its business fell by 88% from last weekend, with returns of just $15,364 from 66 theaters ($233 average). Ouch. Its total earnings after two weekends are $210,865.

Rustom continues its impressive run into its fifth week, earning $17,335 from sixteen theaters ($1,083). Total earnings of $1,900,485 rank Akshay Kumar’s Rustom in fourth place for the year, just ahead of Kumar’s Airlift.

Other Hindi movies still in North American theaters:

Source: Rentrak, via Bollywood Hungama

Bollywood Box Office: September 2-4, 2016

The action flick Naam Hai Akira posted opening weekend numbers that were okay, but a bit on the low side. During the weekend of September 2-4, 2016, the movie earned $131,735 from 87 North American theaters ($1,514 average). Including Monday’s Labor Day holiday, which is celebrated in both the United States and Canada (I had to look that up), Box Office Mojo reports total earnings for Naam Hai Akira of $166,658.

The reason why Naam Hai Akira‘s numbers are slightly disappointing is that it opened in more than the median number of theaters for the year (85) but earned less than the median opening weekend gross (around $145,000). While that’s less than a $15,000 difference, Naam Hai Akira was way off when it came to the median opening weekend per-theater average of more than $2,000 per theater. Basically, the film didn’t warrant such a wide release. Somewhere in the 70-75 theater range would’ve been more appropriate.

Here’s where things get interesting. The four movies that have the 15th-18th (out of 34) widest opening weekend releases of 2016 in North America are Jai Gangaajal, Neerja, Naam Hai Akira, and Sarbjit — all movies marketed on the strength of their female lead character or actress. They all released within a range of 83-93 theaters. Neerja had a huge opening weekend and expanded into a total of 135 theaters the following week. However, the other three grossed less than the median in their opening weekends with underwhelming per-theater averages ($1,569 for Sarbjit and $1,277 for Jai Gangaajal). The sad fact is that most female-led Bollywood movies aren’t big enough draws here to justify the theatrical footprint they currently receive.

In cheerier news, Rustom has by now overtaken Airlift as the fourth highest earning Hindi film of 2016 in North America. 3-day weekend earnings of $68,932 from 33 theaters ($2,089 average) brought its total to $1,853,818 — less than $5,000 behind Airlift‘s total earnings.

Over the weekend, Happy Bhag Jayegi accomplished a feat I wrote about last week, becoming the eighth Bollywood movie of the year to double its opening weekend earnings over the course of its theatrical run. It earned another $25,775 from twelve theaters ($2,148 average), bringing its three-weekend total to $333,938.

In its second weekend, A Flying Jatt‘s business fell by more than 80% from its opening weekend. It earned $19,867 from 27 theaters ($736 average), bringing its total to $174,055.

Mohenjo Daro stuck around for a fourth weekend in eight theaters, earning $5,625 ($703 average). Its total stands at $1,237,504, surpassing Udta Punjab for eighth place for the year.

Sources: Box Office Mojo and Rentrak, via Bollywood Hungama

Opening September 2: Naam Hai Akira

The action flick Naam Hai Akira — starring Sonakshi Sinha — opens in the Chicago area on September 2, 2016. In India, the film is releasing as simply Akira. If you’re going to have a separate international title, why not make it in English in the hopes of attracting a wider audience, especially since the movie has such an evocative poster?

Naam Hai Akira opens on Friday at MovieMax Cinemas in Niles, AMC South Barrington 30 in South Barrington, and Regal Cantera Stadium 17 in Warrenville. It has a listed runtime of 2 hrs. 19 min.

Rustom carries over for a fourth week at the South Barrington 30 and MovieMax, which also holds over A Flying Jatt, Happy Bhag Jayegi, and Mohenjo Daro.

Other Indian movies showing in the Chicago area this weekend:

Bollywood Box Office: August 26-28, 2016

The opening weekend performance of A Flying Jatt in the United States and Canada wasn’t exactly super. From August 26-28, 2016, the Tiger Shroff movie earned $107,439 from 79 theaters ($1,360 average). Limited Thursday preview showings added another $3,286 to its total. Though not entirely unexpected — Hindi-film audiences tend to steer clear of indigenously produced fare deemed “kid-friendly,” despite the recent success of Hollywood kids movies in India — distributors had to have hoped for a bit more. Shroff’s April release, Baaghi, earned more than twice as much as A Flying Jatt in its opening weekend from just seventeen more theaters. This lackluster performance is shame because A Flying Jatt is really entertaining.

Happy Bhag Jayegi held over very well in its second weekend in North America, earning $52,933 from 33 theaters ($1,604 average). That’s a drop of about 64% from last weekend, which is the ninth best Week 1-Week 2 hold over rate for the year. Its total currently stands at $284,554. If Happy Bhag Jayegi is able to double the amount it earned in its opening weekend — and it needs less than $28,000 to do so — it will be just the eighth Bollywood movie to accomplish that feat in North America this year.

Rustom continued its impressive run, posting the weekend’s highest returns among the Hindi films still in theaters. It earned $139,130 from 74 theaters ($1,880 average). That brings its total after three weekends to $1,731,184 — fifth place for the year so far.

In contrast, Mohenjo Daro limped through its third weekend, earning just $16,342 from 21 theaters ($778 average). Its North American total stands at $1,227,519 — ranking it in ninth place despite getting the third widest release of 2016. It needs $7,320 to overtake Udta Punjab for eighth place.

Source: Rentrak, via Bollywood Hungama

Opening August 26: A Flying Jatt

Tiger Shroff plays a superhero in A Flying Jatt, opening in Chicago area theaters on August 26, 2016.

A Flying Jatt opens on Friday at MovieMax Cinemas in Niles and AMC South Barrington 30 in South Barrington. It has a listed runtime of 2 hrs. 29 min.

Last weekend’s new release, Happy Bhag Jayegi, only carries over at MovieMax. Construction projects at multiple Chicago area theaters will limit the number of screens available for the remainder of the year, so Bollywood movies aren’t going to stick around for as long as they would have in the past. If a movie interests you, plan on seeing it in the first week.

Rustom carries over at the South Barrington 30, Regal Cantera Stadium 17 in Warrenville, AMC Loews Woodridge 18 in Woodridge, and MovieMax, which also holds over Mohenjo Daro.

Other Indian films showing in the Chicago area this weekend:

Bollywood Box Office: August 19-21, 2016

Happy Bhag Jayegi turned in a perfectly respectable opening weekend in North American theaters. From August 19-21, 2016, the romantic comedy earned $156,110 from 77 theaters, an average of $2,027 per theater.

In its second weekend in North American theaters, Rustom extended last weekend‘s narrow victory over Mohenjo Daro by a large margin. Rustom earned $359,432 from 118 theaters ($3,046 average). Those earnings are down just 53% from last weekend — one of the best retention rates of the year. Rustom‘s total earnings stand at $1,444,888.

Mohenjo Daro didn’t hold up nearly as well. It earned $166,308 from 164 theaters ($1,014 average) in its second weekend, down about 77% from last weekend (which is almost exactly the median Weekend 1-Weekend 2 drop for 2016 releases). That decline is better than Fitoor‘s 87% plunge but worse than Fan‘s 74% drop. Mohenjo Daro‘s total stands at $1,145,847, putting it in ninth place for the year — not good enough for a movie that opened in more than 200 theaters.

Sultan held on for a seventh week in two theaters, earning $1,247 ($624 average) to bring its total to $6,191,282.

Source: Rentrak, via Bollywood Hungama

Opening August 19: Happy Bhag Jayegi

Diana Penty plays a runaway bride in the romantic comedy Happy Bhag Jayegi, the only new Bollywood film opening in the Chicago area on August 19, 2016. Penty’s co-stars include Abhay Deol, Jimmy Shergill, and Ali Fazal.

Happy Bhag Jayegi opens on Friday at MovieMax Cinemas in Niles and AMC South Barrington 30 in South Barrington. It has a listed runtime of 2 hrs. 6 min.

Mohenjo Daro carries over for a second weekend in seven local theaters: MovieMax, South Barrington 30, AMC River East 21 in Chicago, Regal Round Lake Beach Stadium 18 in Round Lake Beach, Marcus Addison Cinema in Addison, Regal Cantera Stadium 17 in Warrenville, and AMC Loews Woodridge 18 in Woodridge. However, most theaters are only showing Mohenjo Daro once or twice per day.

Rustom gets a second weekend in all six of the theaters in which it opened last week (and with more showings per day than Mohenjo Daro): River East 21, MovieMax, South Barrington 30, Cantera 17, Woodridge 18, and Century Stratford Square in Bloomingdale.

Other Indian movies showing in the Chicago area this weekend include:

Bollywood Box Office: August 12-14, 2016

The battle between Rustom and Mohenjo Daro has been decided in North America, with Rustom emerging the victor by a greater margin than it first appears. From August 12-14, 2016, Rustom earned $757,004 from 132 theaters ($5,735 average). During the same weekend, Mohenjo Daro earned almost as much — $728,236 — but in over a hundred more theaters (237, to be exact). That gave Mohenjo Daro a much lower per-theater average of $3,073.

To put these performances in context for the year, Mohenjo Daro released into the third highest number of theaters in North America, but its opening weekend gross was only sixth best and its opening weekend average a disappointing eleventh. On the other hand, Rustom released into the eighth highest number of theaters for 2016, but its opening weekend gross and average were both fifth best.

Both movies will wind up earning $1 million here, so at least Mohenjo Daro star Hrithik Roshan can hang his hat on that. It’s now a question of how widely the two film’s fortunes will diverge going forward, and anecdotal evidence from the Chicago area hints at a brighter future for Rustom. Last weekend saw Mohenjo Daro open in nine Chicago area theaters, compared to Rustom‘s six. Rustom is carrying over for a second weekend in all six of its original theaters, while Mohenjo Daro is down to seven. More importantly, three of those seven theaters are only showing Mohenjo Daro twice per day over the weekend, and another is only showing it once daily. So, despite the higher theater count, Mohenjo Daro gets only twenty showings across the Chicago area on Friday, while Rustom gets 22.

If Mohenjo Daro‘s showings are already being cut back dramatically, the movie could be down to just one or two theaters in Chicago by next weekend. If that plays out the same way in other metropolitan areas across the United States and Canada, Mohenjo Daro could have a lot of trouble going forward. Worst case scenario is a quick burnout like Fitoor earlier this year, which made 2/3s of its total earnings in its first weekend. A 1.5 multiplier would see Mohenjo Daro post total earnings just shy of $1.1 million, which would put it in tenth place for the year. That would be bad.

Other Bollywood movies still in North American theaters:

  • Dishoom: Week 3; $5,863 from nine theaters; $651 average; $803,195 total
  • Sultan: Week 6; $1,738 from two theaters; $869 average; $6,189,464 total

Source: Rentrak, via Bollywood Hungama