Tag Archives: box office

Bollywood Box Office: May 24-26, 2019

May 24-26, 2019, was a bad weekend for Bollywood films in North America, both in terms of performance and available information. None of the popular resources reported box office data for either De De Pyaar De or Student of the Year 2.

The three Hindi films for which info exists all did poorly. India’s Most Wanted opened in 110 theaters and earned just $98,322 ($894 average), according to Box Office Mojo. The other new release — PM Narendra Modi — earned $52,643 from 49 theaters ($1,074 average), per Bollywood Hungama. And Photograph‘s second-weekend expansion into 123 theaters resulted in $130,750 in earnings ($1,063 average), bringing the drama’s total to $180,560. Definitely a Memorial Day weekend to forget.

Sources: 143 Cinema, Bollywood Hungama, and Box Office Mojo

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Bollywood Box Office: May 17-19, 2019

The romantic comedy De De Pyaar De got off to an okay start in North America. From May 17-19, 2019, it earned $425,934 from 104 theaters ($4,096 average), according to Box Office Mojo.

The weekend also marked the local debut of director Ritesh Batra’s Photograph, which released in India back in March. The drama earned $35,796 from 13 theaters ($2,754 average), though it will likely add theaters and expand to other cities in the coming weeks.

Student of the Year 2 didn’t hold up as well in its second weekend as its predecessor did. Back in 2012, Student of the Year carried over 40% of its opening weekend business into its second weekend, but SOTY2‘s holdover was just 22% — $103,381 from 189 theaters ($547 average). Look for it to lose a lot of theaters going into its third weekend. Its total stands at $724,058.

Other Hindi movies showing in North America:

  • Kalank: Week 5; $2,536 from six theaters; $423 average; $2,729,336 total
  • The Tashkent Files: Week 6; $1,411 from three theaters; $470 average; $66,831 total

Sources: Bollywood Hungama and Box Office Mojo

Bollywood Box Office: May 10-12, 2019

Student of the Year 2 had a fine opening weekend in North American theaters. From May 10-12, 2019, the sequel earned $462,108 from 190 theaters ($2,432 average), according to Box Office Mojo. This year’s median opening weekend per-theater average is just over $3,000, and SOTY2‘s is well short of that. A $1 million final total here seems like a stretch.

Yet SOTY2‘s opening weekend is on par with Student of the Year‘s opening weekend back in October, 2012. The original also had an ambitious release strategy, opening in 106 theaters and earning $326,508 that weekend ($3,080 average). It ended its North American run five weeks later with $670,086 total. SOTY‘s second-weekend earnings were 40% of its first-weekend earnings, so let’s see if SOTY2 can match that.

Other Hindi films showing in North American theaters:

  • Kalank: Week 4; $13,839 from 19 theaters; $728 average; $2,729,336 total
  • The Tashkent Files: Week 5; $4,577 from two theaters; $2,289 average; $64,450 total

Sources: Bollywood Hungama and Box Office Mojo

Bollywood Box Office: May 3-5, 2019

Kalank closed out its third weekend in North America with $84,217 from 85 theaters ($991 average), according to Box Office Mojo. Its total earnings stand at $2,699,301.

Other Hindi movies showing in North American theaters over the weekend:

  • The Tashkent Files: Week 4; $6,845 from five theaters; $1,369 average; $56,633 total
  • Kesari: Week 7; $1,807 from four theaters; $452 average; $1,904,557 total
  • Badla: Week 9; $76 from one theater; $1,863,375 total

Sources: Bollywood Hungama and Box Office Mojo

Bollywood Box Office: April 26-28, 2019

Kalank‘s second weekend in North American theaters could have been worse, but it was still pretty bad. From April 26-28, 2019, the period drama earned $278,720 from 283 theaters ($985 average), according to Box Office Mojo. That brings its 12-day total to $2,482,587.

For perspective on Kalank‘s performance, I looked at the 25 most widely released Hindi films in North America since 2014 (excluding multilingual movies like Baahubali 2) to see how they fared from their first weekend to their second. Kalank released into the 8th highest number of theaters in its opening weekend (320), and it ranks 10th in terms of second-weekend theater count (283). Nevertheless, its second-weekend gross of $278,720 ranks way down in 18th (the median is $600,000). Its per-screen average of $985 is even worse, tied for 20th place with Zero. Only six movies among the 25 failed to average $1,000/screen in their second weekends here: Kalank, Zero, Jab Harry Met Sejal, Tubelight, Thugs of Hindostan, and Befikre. This is not a group any movie wants to be a part of.

To be fair to Kalank, it was up against literally the toughest box office competition of all time in Avengers: Endgame, which broke pretty much every record on its way to earning $1.2 billion globally in its opening weekend. That Kalank did as well as it did is kind of remarkable, especially since — at least in the Chicago region — a number of theaters gave Kalank only one showing a day at off-peak times in order to accommodate more showings of Avengers. Still, Kalank‘s underwhelming-on-paper showing will likely cause it to drop at least 2/3 of its remaining theaters in North America come Weekend 3.

Other Hindi movies showing in North American theaters:

  • The Tashkent Files: Week 3; $6,355 from five theaters; $1,271 average; $44,542 total
  • Kesari: Week 6; $1,972 from three theaters; $657 average; $1,901,536 total
  • Badla: Week 8; $348 from two theaters; $174 average; $1,863,181 total

Sources: Bollywood Hungama and Box Office Mojo

Bollywood Box Office: April 19-21, 2019

Kalank stormed into North America with the biggest theatrical footprint of the year so far for a Bollywood film, but emerged from its first weekend with less-than-stellar results. From April 19-21, 2019, Kalank earned $1,276,581 from 320 theaters ($3,989 average), according to Box Office Mojo. Adding in collections from the period drama’s first two days of release brought its total to $1,786,766 by the end of the weekend. While Kalank is only the second movie this year to earn more than $1 million in its opening weekend in North America — Gully Boy being the first — it had 60 more theaters than Gully Boy in which to do so. Total Dhamaal was just $11,000 shy of $1 million in its opening weekend, and it only opened in 202 theaters. It was fair to expect better returns given Kalank‘s big theatrical advantage.

143 Cinema reports that Kalank earned another $100,000 on Monday, so it will head into the weekend with $2 million in the bank. I’m interested to see how the movie holds up in its second weekend and beyond since there are no new Hindi films likely to release in the United States and Canada until Student of the Year 2 on May 10 — although Avengers: Endgame is competition enough.

Kesari closed out its fifth weekend with $15,091 from seven theaters. Though that makes for a per-screen average of $2,156, its four US theaters contributed just $1,159 to its haul, according to Bollywood Hungama. Three Canadian theaters accounted for $13,923, making for a Canadian PSA of $4,641. Kesari‘s total stands at $1,893,451.

Other Bollywood movies still in North American theaters:

  • The Tashkent Files: Week 2; $11,592 from five theaters; $2,318 average; $35,058 total
  • Romeo Akbar Walter: Week 3; $1,408 from four theaters; $352 average; $226,901 total
  • Badla: Week 7; $640 from two theaters; $320 average; $1,862,767 total

Sources: 143 Cinema, Bollywood Hungama, and Box Office Mojo

Bollywood Box Office: April 12-14, 2019

The North American box office was in a holding pattern during the weekend of April 12-14, 2019, in anticipation of the April 17 release of the guaranteed blockbuster Kalank. The only new Hindi film to open in North America on the 12th was The Tashkent Files, which made just $15,368 from 14 theaters ($1,098 average), according to Bollywood Hungama.

Other Bollywood titles fared little better over the sleepy weekend:

  • Romeo Akbar Walter: Week 2; $25,698 from 36 theaters; $714 average; $221,648 total
  • Kesari: Week 4; $19,650 from 16 theaters; $1,228 average; $1,862,580 total
  • Badla: Week 6; $8,286 from eight theaters; $1,036 average; $1,859,793 total
  • Gully Boy: Week 9; $422 from one theater; $5,414,386 total

Meanwhile, Andhadhun is burning up the Chinese box office to the tune of $30 million in two weeks! And I thought the $1.3 million it earned here in eleven weeks was impressive!

Source: Bollywood Hungama

Bollywood Box Office: March 29-31, 2019

Brief North American Bollywood box office update for the weekend of March 29-31, 2019. Here’s why the weekend’s two new releases — Junglee and Notebook — won’t get a second week in many theaters:

  • Junglee: $45,221 from 79 theaters; $572 average
  • Notebook: $18,877 from 39 theaters; $484 average

My friend who works at my local theater said that, over the weekend, the staff had to tell quite a few disappointed customers that, no, they weren’t running a special engagement of the Ryan Gosling film The Notebook.

Other Bollywood movies still in North American theaters:

  • Kesari: Week 2; $323,533 from 154 theaters; $2,101 average; $1,600,643 total
  • Badla: Week 4; $75,736 from 58 theaters; $1,306 average; $1,861,000 total
  • Gully Boy: Week 7; $9,587 from 12 theaters; $799 average; $5,407,188 total
  • Luka Chuppi: Week 5; $2,802 from seven theaters; $400 average; $1,014,967 total

Sources: Bollywood Hungama and Box Office Mojo

Bollywood Box Office: March 22-24, 2019

From March 22-24, 2019, Akshay Kumar’s Kesari took in $836,065 from 178 North American theaters ($4,697 average), according to Bollywood Hungama. Adding in the $88,308 it earned on its opening day (March 21) brings Kesari‘s four-day total to $924,373.

It took Luka Chuppi four weekends, but the romantic comedy finally crossed the $1 million mark. The $18,920 it earned from 26 theaters over the weekend ($728 average) brought its total to $1,005,283.

With Kesari having passed the $1 million mark itself during the course of the week, Luka Chuppi‘s achievement means that eight of the twelve Hindi movies to release in North America in 2019 have earned at least $1 million. That’s kind of mind-boggling. I expect that ratio to even out a bit with the upcoming weekend’s releases — Junglee and Notebook — likely to fall well short $1 million (though I’m crossing my fingers for Junglee‘s success).

Other Hindi movies still showing in North American theaters:

  • Badla: Week 3; $237,547 from 97 theaters; $2,449 average; $1,712,624 total
  • Gully Boy: Week 6; $49,473 from 40 theaters; $1,237 average; $5,381,387 total
  • Total Dhamaal: Week 5; $4,049 from one theater*; $2,167,632 total
  • Uri: Week 11; $904 from three theaters; $301 average; $4,185,825 total

*Bollywood Hungama’s report only includes Total Dhamaal‘s Canada earnings for the weekend, not its US earnings. The film’s total is from Box Office Mojo.

Sources: Bollywood Hungama and Box Office Mojo

Bollywood Box Office: March 15-17, 2019

Badla held up extremely well in its second weekend in North America. It retained almost 80% of its opening weekend business after expanding into 21 more theaters, earning $465,342 from 115 theaters ($4,046 average) during the weekend of March 15-17, 2019, according to Box Office Mojo. Its $1,313,740 total currently ranks fifth for the year among Hindi films released in North America, but it will pass Manikarnika: The Queen of Jhansi and move into fourth place before next weekend.

Other Bollywood movies still showing in North America:

  • Gully Boy: Week 5; $103,572 from 60 theaters; $1,726 average; $5,300,978 total
  • Luka Chuppi: Week 3; $66,815 from 54 theaters; $1,237 average; $963,904 total
  • Total Dhamaal: Week 4; $59,133 from 54 theaters; $1,095 average; $2,151,507 total
  • Uri: Week 10; $6,586 from five theaters; $1,317 average; $4,183,341 total

Sources: Bollywood Hungama and Box Office Mojo