Salman Khan’s latest — Kick — scored big at the North American box office, and it did so in impressive style. Kick blew past the first weekend earnings of Khan’s other 2014 release — Jai Ho — and posted the second best opening weekend for a Hindi movie in North America so far this year.
Over the weekend of July 25-27, Kick earned $1,023,427 from 163 theaters ($6,279 average) in North America. Check out the difference in per-screen averages when those figures are broken down by country:
- Canada: $194,016 from 22 theaters; $8,819 average
- USA: $829,411 from 141 theaters; $5,882 average
Kick‘s combined opening weekend gross ranks second for the year to date, less than $3,000 behind the opening weekend total of 2 States ($1,026,353). Kick‘s opening weekend per-screen average is third, trailing only The Lunchbox and 2 States.
[Update: Box Office Mojo reports significantly higher returns for Kick than the above figures from Rentrak, supplied by Bollywood Hungama. Mojo reports that Kick earned $1,071,373 from 177 theaters ($6,053 average), putting it comfortably ahead of 2 States for the best opening weekend of the year.]
Jai Ho‘s January opening weekend grossed $817,744 from 183 theaters ($4,469 average). In its second weekend — despite having no new Hindi movies in theaters to compete with — Jai Ho‘s business dropped by nearly 80%.
I suspect Kick will hold up better in its second weekend (which will also lack competition from any new Hindi films), thanks to its favorable summer release date and a slightly higher audience rating at IMDb (6.6 for Kick versus 6.0 for Jai Ho). When combined with its estimated mid-week earnings for the remainder of this week, even a disappointing second weekend would likely push Kick ahead of Queen on the list of highest earning Hindi films in North America in 2014. We’ll have to wait and see if it can best 2 States‘ total of $2,191,066 and move into second place behind The Lunchbox.
Three other Hindi movies remained in theaters in the shadow of Kick.
- Humpty Sharma Ki Dulhania: Week 3; $38,575 from 30 theaters; $1,286 average; $839,175 total
- The Lunchbox: Week 22; $6,159 from seven theaters; $880 average; $4,025,021 total
- Ek Villain: Week 5; $262 from two theaters; $131 average; $770,615 total
Source: Rentrak, via Bollywood Hungama
Suspension of disbelief is one thing, but Kick asks its audience to forget everything they know about quality filmmaking for 146 minutes. Kick is boring, annoying, and offensively stupid.
Though no one associated with this turd comes off well, Kick is primarily a failure of storytelling. The moronic plot lacks any sense of organization. Explanations come out of left field. The characters — in particular Nawazuddin Siddiqui’s villainous rich guy, Faroz — operate without clear motivation. There’s nothing in this that makes a lick of sense.
Though Kick is a Salman Khan vehicle, the movie opens with Shaina (Jacqueline Fernandez) moping about in Warsaw, Poland. She shares a train ride with Himanshu (Randeep Hooda), a top cop visiting from India. Their families want the two of them to marry, but Shaina explains that she’s still mourning the end of her previous relationship.
The movie should’ve stopped at that point. When Randeep Hooda starts talking marriage — especially while looking cute in a sweater vest — the only answer is, “Yes.” Roll credits. Instead, we get forty-five minutes of flashbacks to Shaina’s romance with annoying lout Devi Lal (Khan).
It’s hard to believe that a woman intelligent enough to become a licensed psychiatrist would fall for a schmuck as irritating as Devi Lal, but Shaina does nonetheless. He dumps her after she suggests that — since he finds steady employment and conventional romance a kind of “hell” that interferes with his adrenaline addiction — they live with her dad after marriage. Devi Lal declares that he won’t be a live-in son-in-law and stalks off.
It takes nearly two hours before alleged genius cop Himanshu realizes that the master thief “Devil” he’s tracked to Warsaw is Shaina’s ex, Devi Lal, who’s managed to worm his way into Shaina’s care with a purported case of amnesia.
Things get increasingly stupid as politically connected healthcare tycoon Feroz is revealed to be Devil’s next target. Siddiqui plays Feroz as a cackling supervillain, but he doesn’t have a sinister agenda or plan for world domination. He’s just a rich guy who’s kind of a dick.
(Speaking of genitalia, did no one on the crew notice that Randeep’s nuts were practically busting out of his pants during Himanshu’s balcony drinking scene with Devi Lal?)
The explanation for Devi Lal’s transition from unemployed schmo to master thief hinges on writer-director Sajid Nadiadwala’s exploitation of disabled children to provoke audience sympathy. It’s tacky.
It also doesn’t hold up to scrutiny from a story perspective. No matter what Devil’s Robin Hood-like motivations are, he kills several Polish police officers who try to stop his destructive chase through downtown Warsaw (which may have actually been London, since Devil drives a red double-decker bus headed for King’s Cross).
But, this being a Salman Khan film, morality always tilts in Khan’s favor. No matter how many lives Devi Lal/Devil takes, he’s always the hero because his intentions were good. Like every Khan character, Devi Lal’s only flaw is that he doesn’t have a girlfriend when the movie begins.
There’s nothing good about this movie. The performances are terrible. Even the choreography sucks because it has to accommodate Khan’s stiffness.
Enough. We’ve seen this all before. Kick just takes the typical Khan movie to jaw-dropping new lows.
Salman Khan’s latest action film, Kick, opens in the Chicago area on July 25, 2014. A cast that includes accomplished actors like Nawazuddin Siddiqui and Randeep Hooda and a screenplay by novelist Chetan Bhagat lend Kick an air of sophistication.
Kick opens on Friday in six local theaters: AMC River East 21 in Chicago, Regal Gardens Stadium 1-6 in Skokie, AMC Showplace Niles 12 in Niles, AMC South Barrington 30 in South Barrington, Regal Cantera Stadium 17 in Warrenville, and AMC Loews Woodridge 18 in Woodridge. It has a listed runtime of 2 hrs. 30 min.
Other Indian movies showing in the Chicago area this weekend include Drushyam (Telugu w/no subtitles) at the Cinemark at Seven Bridges in Woodridge and MovieMax, which is also carrying Thirumanam Ennum Nikkah (Telugu), Alludu Sreenu (Telugu), Sathuranga Vettai (Tamil), Velaiyilla Pattathari (Tamil), and Bangalore Days (Malayalam).
The full trailer for Priyanka Chopra’s Mary Kom released today. This movie looks badass. I can’t wait to see it on September 5.
Today also marked the release of the teaser trailer for Bang Bang, which hits theaters on October 2. It also looks like a lot of fun, and I want Hrithik Roshan’s underwater rocket boots.
The trailer for Khoobsurat released today. This fish-out-of-water tale starring Sonam Kapoor looks like it could be cute, and Disney’s name above the title should at least ensure high production values. Khoobsurat hits theaters on September 19.
Humpty Sharma Ki Dulhania continued to captivate North American audiences over the weekend of July 18-20, 2014. In its second weekend of release, HSKD earned $201,601 from 89 theaters: a per-screen average of $2,265. Its total earnings in the U.S. and Canada stand at $727,229.
What makes this performance so impressive is that, in its second weekend, HSKD earned 53% of what it earned in its first weekend in theaters ($376,962). Hindi movies in North America virtually always lose more than 50% of their business from Week 1 to Week 2. HSKD‘s retention rate is third highest for the year, after The Lunchbox and Queen: two movies that actually increased their grosses and theater counts from Week 1 to Week 2. The fourth highest retention rate in 2014 is Hasee Toh Phasee, which held onto 45% of its first-weekend earnings in Week 2.
It will be interesting to see how HSKD fares in its third weekend when up against Salman Khan’s Kick. Based on this retention rate, I’m optimistic.
Now in its fourth week, Ek Villain earned $4,986 from nine theaters, bringing its total earnings to $766,632.
The Lunchbox added another $3,724 from five theaters to bring its total to $4,016,849.
Here’s a mystery worthy of Bobby herself. Bobby Jasoos earned $1,260 from five theaters to bring its total earnings to $212,615. Bollywood Hungama lists U.S. and Canadian earnings separately, and the share of the weekend’s profits that came from Canada was $8 from one theater.
That means that over the course of the whole weekend of July 18-20, 2014, just one Canadian went to see Bobby Jasoos in the theater. Who is this lone Canuck? I’m dying to know!
Source: Rentrak, via Bollywood Hungama