Tag Archives: Bollywood Movies on Netflix

Movie Review: Lust Stories 3 (2026)

3 Stars (out of 4)

Watch Lust Stories 3 on Netflix

The latest entry in Netflix’s anthology series, Lust Stories 3 is an easy and fun watch, for the most part. Three of the short films by well-regarded directors fit the theme perfectly, while the fourth feels out of place. Overall, this is a light bit of entertainment with some really great acting from an impressive collection of performers.

Vikramaditya Motwane

Director Vikramaditya Motwane starts things off on a high note, thanks largely to his stellar cast. Paddy (Radhika Apte) and Shona (Konkona Sen Sharma) are best friends, co-workers, and neighbors. Both women feel like their marriages — Paddy’s to Hemant (Vijay Varma) and Shona’s to Debu (Abhishek Banerjee) — have lost their romantic sparks. Bold Shona proposes doing something they saw on a Hindi-dubbed Korean series that she and Paddy watch: swapping husbands.

Shy Paddy reluctantly agrees to try while the couples and their children are on vacation at a resort. The results are disastrous, of course, but in a funny way. Apte and Sen Sharma are hilarious throughout, carrying the short film almost entirely on their own. That’s not to put down Varma’s or Banerjee’s efforts, but the story’s focus is on the women, and they make the most of it. Sen Sharma’s delivery of the line “Us Kandivali women can’t have Korean dreams” is perfection.

Kiran Rao

Kiran Rao’s story follows two young, attractive people trying to find their footing in Mumbai. Lisa (Sana Thampi) is an apprentice nail technician, and Karan (Gurfateh Pirzada) delivers pizzas. He’s also got a side gig selling drugs. The two are immediately attracted to each other and begin a physical relationship. Of all the short films in the collection, this one features the most sex.

This is Thampi’s first acting role, but you’d never know it. She and Pirzada work well together showcasing the challenges of being young in an expensive city and trying to find joy where you can. Rao’s film takes some unexpected turns and is very entertaining as it explores the way lust makes some people do foolish things — but not everyone.

Shakun Batra

Shakun Batra’s film is the one that feels out of place in Lust Stories 3. Sailee (Radhikka Madan) and Varun (Ali Fazal) are getting divorced. Whenever they meet to hash out the details, it turns into an argument, which turns into sex. It’s a trope that doesn’t yield meaningful plot rewards, instead serving as the justification for including this segment in the anthology. The short film is just the main characters bickering until they find a way to discuss their problems constructively. This would’ve been better suited for Divorce Stories 3.

Vishal Bhardwaj

Given Vishal Bhardwaj’s fondness for literary adaptations, it’s fitting that he closes out the anthology with a tale of the written word’s power to inflame the senses. Aditi Rao Hydari plays Saira, a teacher and graduate student at a women’s university in Hyderabad in 1987. She’s married to Badru (Hydari’s real-life husband, Siddharth), a kind but clinical doctor. The young women Saira teaches are sex-obsessed, but their only familiarity with the subject comes through classical literature and the rare, illicit American romance novel. At her students’ encouragement, Saira writes her own erotic novel. It’s a hit with the girls… until it goes missing.

There’s something incredibly sweet about pairing a recently-married couple to perform in this story about romantic imagination. Whenever Saira imagines her dream lover, it’s Badru, but he’s traded his spectacles for sunglasses and replaced his clothes with a skimpy towel. Both actors are totally charming, as are the delightful supporting cast members. The requisite song sung by Rekha Bhardwaj is fun as well.

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Movie Review: Gandhari (2026)

1 Star (out of 4)

Watch Gandhari on Netflix

Gandhari is what happens when someone tries to remake Kahaani without understanding what made Kahaani so special.

Gandhari writer Kanika Dhillon is no slouch at weaving together multiple plot threads, as she did in the Haseen Dillruba films. That’s what makes Gandhari‘s slapdash plot so shocking. Disjointed directing by Devashish Makhija makes the movie-watching experience all the more frustrating.

Gandhari marks Taapsee Pannu’s sixth project with Dhillon, having previously starred in those Haseen Dillruba films. This time, Pannu plays Bani, wife of Gokul (Ishwak Singh) and mother of 5-year-old Mishty (Myrah Shivan). While the family is on a trip, their train stops briefly in the town of Joypurra. A woman nabs Mishty while Bani is in the restroom and Gokul is buying snacks.

Bani chases the woman carrying Mishty across the platform, but she runs headfirst into a metal pole. The woman escapes, leaving Bani and Gokul to file a police report while also dealing with Bani’s head injury. The police are no help, and Bani’s concussion results in temporary blindness. The couple will have to find their missing daughter on their own.

Well, not entirely on their own. A federal government official named Kabir (Jatin Sarna) arrives with his assistant Sanjukta (Priti Shroff) to follow leads on a child trafficking outfit known as the Blackhole Gang, the history of which they explain in excruciating detail. Kabir and Sanjukta never interact with Bani, which is weird. It’s as if Nawazuddin Siddiqui’s Fed character in Kahaani never talked to Vidya Balan’s Vidya.

In this unfamiliar town, Bani just happens to run into her adoptive mother Jhuna Amba (Mita Vashisht) from back in her days as a child acrobat. Over the next month, Jhuna Amba secretly teaches Bani how to be a blind ninja assassin.

If that sounds stupid, it’s because it is.

All of this takes place in a town where seemingly everyone is involved in this child-trafficking ring. I don’t know much about gang finances, but employing so many people in a dangerous racket and buying their secrecy seems prohibitively expensive. Some retroactive continuity meant to connect Bani’s past to the Blackhole Gang that makes the plot even more ridiculous. It’s so bad, it’s actually funny.

Pannu put a lot of physical work into preparing for this role, and it’s a shame that the script lets her down. Action scenes are shot awkwardly and edited poorly, so nothing looks as good as it could have. The acting across the board is fine, given quality of the material.

Comparisons between Gandhari and Kahaani are fair, given how much the stories overlap. Both feature women looking for a lost family member in an unfamiliar city where identities are malleable. Balan’s character in Kahaani is underestimated because she is pregnant; Pannu’s is because she is blind and “a helpless mother.” Both of their searches reach their climax during a festival honoring a protective female deity: Durga in Kahaani, Chaumukhi Devi in Gandhari.

Yet Dhillon’s story lacks all the other things that Ghosh and his co-writers got right in Kahaani: magnificent world-building, ace character development, meaningful relationships, and twists that feel surprising but believable. Gandhari‘s world-building is terrible. Fight scenes and training montages take the place of character growth. Twists and secrets are used in quantity rather than quality.

Gandhari ends with Bollywood’s clearest indicator of a lack of narrative confidence: statistics. Three slides featuring data about the number of children trafficked in India are shown onscreen — as if the audience didn’t already realize that fictional stories draw inspiration from real life, and that, without the stats, we might feel there’s an acceptable number of children allowed to be trafficked. It undermines the emotional connections we were supposed to form with victims in the story.

The last of Gandhari‘s closing slides contains a quote so nonsensical that it provides the perfect ending to this awful film: “Behind every mother is a child…taken from a mother.” Exactly.

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Streaming Video News: August 27, 2026

I updated my list of Bollywood movies on Amazon Prime with today’s premiere of the Original Hindi drama film Babita Singh Reporting. Prime also added the Telugu movie KJQ: King Jackie Queen and the Hindi-dubbed version of the Telugu film Nagabandham.

I also updated my list of Bollywood movies on Netflix with today’s streaming debuts of the YRF Spy Universe flick Alpha and the Telugu film Newton’s 3rd Law. Yesterday, Netflix premiered the Original military documentary The Last Salute.

Director Anurag Kashyap’s film Bandar debuted on Zee5 today.

Finally, I updated my list of Bollywood movies on Hulu with the premiere of the new Telugu series Part-Timers (also available in Hindi, Kannada, Malayalam, & Tamil).

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Streaming Video News: August 13, 2026

I updated my list of Bollywood movies on Netflix with today’s streaming debut of Cocktail 2. A special Independence Day episode of The Great Indian Kapil Show featuring the cast of the Netflix Original series Operation Safed Sagar drops on Saturday, August 15.

Kanagan Ranaut’s historical drama Bharat Bhhagya Viddhaata is now streaming on Zee5.

Streaming Video News: August 6, 2026

I updated my list of Bollywood movies on Netflix with today’s streaming debuts of Imtiaz Ali’s Main Vaapas Aaunga and the Tamil film Idhayam Murali. The new Original series Operation Safed Sagar premieres on Friday. I previewed the new show for What’s on Netflix several months ago. Also check out my July Indian roundup for What’s on Netflix as well as my piece on the most-watched Indian films and series on Netflix in the first half of 2026.

I also updated my list of Bollywood movies on Amazon Prime with today’s additions of Manoj Bajpayee’s Governor, the Telugu film Oh Sukumari, and Season 2 of the Tamil series Vandandhi.

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Movie Review: Ikka (2026)

2.5 Stars (out of 4)

Watch Ikka on Netflix

The courtroom drama Ikka (“Ace“) is billed as a tense showdown between veteran actors Sunny Deol and Akshaye Khanna, and in that regard, it delivers. With a different directorial focus, Ikka could have been more than that. An intriguing premise goes unexplored in favor of an approach that is broad and shallow.

Deol plays undefeated celebrity defense attorney Arjun Mehra, nicknamed “Ikka” for his penchant for playing his key evidence in dramatic, last-minute fashion. He and his wife Avantika (Dia Mirza) share a 13-year-old daughter, Samaira (Daria Bedi). The girl is diagnosed with leukemia, which is treatable with a bone marrow transplant.

Meanwhile, Arjun is hired to defend Shourya (Khanna) — son of a wealthy politician — for the attempted murder of a young woman named Soma (Akansha Ranjan Kapoor), who is alive but unconscious. Arjun initially refuses, due to a long-standing conflict between the men, but he relents because he needs Shourya to donate his bone marrow to Samaira. Why? Shourya is Samaira’s biological father! He dumped Avantika when she refused to get an abortion, and Arjun married her instead, raising Samaira as his own.

The soapy setup is amplified by a heavy-handed Julius Packiam score that doesn’t trust the audience enough to draw its own emotional conclusions. Transitions between tense scenes and light-hearted ones are awkward as is, and the overwrought score makes them even more so.

Another way in which Ikka is heavy-handed (in a good way) is it’s pro-woman point of view. Arjun’s main moral conflict in his approach to how he litigates the case is whether or not to use Soma’s social media account — complete with photos of her drinking alcohol and posing for photos with men — against her. He doesn’t want to tarnish her image in order to win, even if his own daughter’s life is on the line. The movie spends a lot of time on this plot point, really emphasizing how repugnant victim-blaming is.

There are related themes that are brought up but aren’t explored as much as they could’ve been. Samaira is taunted by some classmates because her father is defending “that rapist.” It would have been great to have a scene where Samaira and her father talk about violence against women and legal rules versus moral ones — even better if Samaira copped a bit of age-appropriate attitude with her dad. Instead, the plot point is dropped after Samaira says that she defended her dad’s reputation offscreen.

Fans watching Ikka for tense scenes between Sunny Deol and Akshaye Khanna will not be disappointed. Deol pounds his fists on the table and shouts. There are multiple shots of Khanna scowling and walking in slow motion — a shot popularized in Dhurandhar that filmmakers will struggle to resist going forward.

Tillotama Shome plays the prosecutor opposing Arjun, Madhura Banerjee. Shome is as reliable a performer as there is, and she does a fine job here, even if she’s asked by director Siddharth P. Malhotra to make her expressions a bit more obvious to match the bold energy of the men.

Dia Mirza spends the film acting circles around everyone else in the cast. She plays her role straight and absolutely nails it, lending gravity to all her scenes. Had everyone in Ikka been encouraged to take the same approach to their performances, the film might have felt more substantial and less pandering.

Links

Streaming Video News: July 9, 2026

I updated my list of Bollywood movies on Netflix with several new additions this week: the Hindi sequel Pati Patni Aur Woh Do and the Telugu films Peddi and Sing Geetham, plus the licensed Telugu series Gurthukosthunnayi. The Netflix Original Hindi courtroom drama Ikka debuts Friday.

I also updated my list of Bollywood movies on Amazon Prime with the streaming debut of the Hindi indie flick Dug Dug.

Bonus reminder that Honey Trehan’s film Satluj (formerly known as Punjab 95) is now streaming on Zee5, but only outside of India. It was made unavailable in India after just two days, presumably due to political pressure. I’m working on my review, but the movie is fantastic. Watch it to support free speech!

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Streaming Video News: July 2, 2026

I updated my list of Bollywood movies on Netflix with the streaming debut of the Hindi comedy Daadi Ki Shaadi and the premiere of Netflix’s first Telugu Original series, Super Subbu. In case you missed out on any of the Indian movies and series added to Netflix in June, check out my monthly roundup for What’s on Netflix.

I also updated my list of Bollywood movies on Hulu with today’s premiere of director Rajkumar Hirani’s first web series, Pritam and Pedro (also available in Bengali, Kannada, Malayalam, Marathi, Tamil, and Telugu).

Finally, I updated my list of Bollywood movies on Amazon Prime with the debut of the Telugu series Isakapatnam.

Update: After being held in limbo forever, director Honey Trehan’s film Punjab 95 is now streaming on Zee5 under the new title Satluj. Very excited to watch this!

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Streaming Video News: June 25, 2026

I updated my list of Bollywood movies on Netflix with today’s premiere of the “making of” docuseries Bãhubali: The Torch Bearer and the streaming debut of Riteish Deshmukh’s Raja Shivaji, which was filmed simultaneously in Marathi and Hindi. Netflix defaults to the Marathi dialogue version, but the Hindi version can be selected from the audio menu. The Tamil film Blast debuted yesterday, and Netflix also added Season 2 of the talent show India’s Got Latent, which airs concurrently on YouTube.

The new Hindi reality competition series Lock Upp: Sach Ya Sazaa debuts on Saturday, June 27 at 8 p.m. IST. New episodes air Saturdays through Wednesday.

Amazon Prime‘s own new Hindi reality competition series Alliance premieres on Friday, June 26.

I also updated my list of Bollywood movies on Hulu with today’s premiere of the Tamil series Lingam (also available in Bengali, Hindi, Kannada, Malayalam, Marathi, and Telugu).

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Streaming Video News: June 18, 2026

I updated my list of Bollywood movies on Amazon Prime with the streaming debuts of Mohanlal’s Malayalam thriller Drishyam 3 and the Telugu mystery Mareechika.

I also updated my list of Bollywood movies on Hulu with the premiere of Season 2 of the Hindi series Thukra Ka Mera Pyaar (also available in Bengali, Kannada, Malayalam, Marathi, Tamil, and Telugu).

Finally, I updated my list of Bollywood movies on Netflix with the somewhat random addition of Kalank (which looks great but has a weak story). Dhurandhar: The Revenge finally became available on Netflix in India today, which means nothing new for the rest of us internationally.

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]