Movie Review: Meethe Mein Kya Hai (2026)

3 Stars (out of 4)

Watch Meethe Mein Kya Hai on Netflix

Meethe Mein Kya Hai (“What’s for Dessert?“) is a feel-good movie about a feel-bad topic: grief. Writer-director Radhika Bansal makes a promising debut with this charming film about family.

Thirty-five-year-old Jai (Ritwik Bhowmik) is two years removed from his wife Tara’s (Kanikka Kapur) death in a car accident. He’s not doing well. His solution is to sell his home in Delhi and move to the country of Georgia, where he can get a fresh start alone.

Jai plans to skip the family Diwali gathering at his grandmother’s home in Lucknow, but his sister Sana (Dalai) begs him to come. She got married in secret, and she needs Jai to protect her when she tells their mom Amrita (Ayesha Raza Mishra) the news. For his sister’s sake, Jai makes the trip.

Nani’s (Rohini Hattangadi) house in Lucknow is gorgeous and festive, full of life in a way it hasn’t been in years. Besides Jai’s mom Amrita and dad Ajay (Gaurav K. Sharma), the other people staying there are his maternal uncle Rishab (Abhay Kaul), Aunt Preeti (Tarana Raja), and their college-aged son Sid (Ayuushman Ghai). Nani’s 13-year-old neighbor Meera (Shivika Rishi) is also staying there while her mom is out of town.

Between the writing and the acting in Meethe Mein Kya Hai, it feels like the audience is spying on a real family with dynamics that have developed over decades. Nani catches Amrita and Rishab whispering about her, and their reactions seem the same as if they’d been busted as teenagers. The relationships between everyone feel “lived in.”

This quality takes on particular import when the family interacts with Jai. Should they express their concern over how he’s doing without Tara? Should they act as if everything is normal? They all loved Tara, so how do they manage their own sense of loss without upsetting Jai?

When Sana arrives with her new, secret husband Karam (Vikram Bakshi), it sends Amrita into the tizzy Sana predicted. Amrita is even more upset when she realizes that Jai already knew about the marriage, raging as she wonders why no one tells her anything. It’s very funny.

Whatever conflicts the family has are handled with sensitivity and humor. Bansal’s tone is light, aiming to make her characters familiar and relatable rather than dramatic in a cinematic sense. It’s also laugh-out-loud funny on several occasions.

The only slight misstep is the way in which scenes between Jai and young neighbor Meera are shot. The two become allies, with Meera needing a friend and Jai needing a break from his family. On a couple of occasions, the camera cuts between closeups of their faces in a way that seems more suited for a romantic scene, even though there’s nothing inappropriate happening. It’s a distracting choice.

That said, Meera does confess late in the movie to having a crush on Jai (which he does not reciprocate, obviously). He handles the confession compassionately, helping her to realize on her own that this is not a relationship that can work. It’s a kinder way of letting her down than outright rejection. He understands that she is just a kid after all.

The sequence is a good example of all the things the Meethe Mein Kya Hai does best: focusing on the goodness of the characters and their love for each other.

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Streaming Video News: October 30, 2026

I updated my list of Bollywood movies on Netflix with today’s premieres: the gangster series Akka (which I previewed for What’s on Netflix), the Hindi family film Meethe Mein Kya Hai, and the South African series How to Ruin Diwali. Other new additions this week include Season 1 of Dhindora and the South Indian movies:

I also updated my list of Bollywood movies on Amazon Prime with the streaming debuts of Mirzapur: The Movie and the Telugu film Comrade Kalyan.

Finally, I updated my list of Bollywood movies on Hulu with the premiere of the Tamil series Love Always (also available in Bengali, Hindi, Kannada, Malayalam, Marathi, and Telugu).

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Streaming Video News: October 22, 2026

I updated my list of Bollywood movies on Zee5 with today’s premiere of the Hindi film Sumo Didi. I recently added the Bhojpuri, English, and Gujarati movie collections to my Zee5 page.

I also updated my list of Bollywood movies on Amazon Prime with today’s debut of the new Hindi series Chaar Yaar.

Next, I updated my list of Bollywood movies on Netflix with this week’s streaming debuts of the films Dhoomakethu (Malayalam), Dorothy (Tamil), and The Paradise (Telugu), as well as the Hindi series Matargashti. Other recent Eros International back catalog additions include:

Manoj Bajpayee’s Netflix Original thriller film Gajab Raat — formerly known as Ghooskhor Pandat — premieres Friday. The movie has a wild backstory, which I wrote about for What’s on Netflix.

Finally, I updated my list of Bollywood movies on Hulu with a seventh season of the cartoon The Legend of Hanuman and the debut of the Telugu series Varam (also available in Bengali, Hindi, Kannada, Malayalam, Marathi, and Tamil).

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Movie Review: Reporting Live (2026)

2 Stars (out of 4)

Watch Reporting Live on Netflix

The crime drama Reporting Live is so plot-focused that characters exist just to move story events forward.

Field reporter Sandhya (Parineeti Chopra) and her cameraman Vinod (Deven Bhojani) feel underappreciated at their TV station. The risk they take to get an exclusive interview with a community leader opposing the building of a new shopping mall proves meaningless when their station chief Shyam (Shekhar Suman) pulls it from air, lest they upset the well-connected construction firm behind the mall.

Sandhya and Vinod stumble onto a story with such huge implications it can’t be ignored. A bridge collapses in a village outside of Mumbai, sending a school bus full of children to their deaths. One brave local man who goes by Shiva Kaka (Amol Palekar) shows them the illegal sand dredging near the base of the bridge supports that likely caused the collapse.

That’s just one part of a massive criminal enterprise that supplies the materials needed for Mumbai’s construction boom. Uncovering the head of the operation would be a massive boost for the station’s ratings and for Sandhya’s and Vinod’s careers. Yet even as they face increasing danger the closer they get to the truth — proof that they are onto something big — Shyam forbids them from pursuing the story further.

Writer-director Dhruv Tripathi and his co-writer Mihir Jadhav are so detailed in their presentation of the criminal enterprise uncovered by Sandhya and Vinod that nothing is left to the imagination. That’s helpful for anyone watching who has never heard or read anything about a criminal conspiracy before, but that likely doesn’t apply to most people watching the movie (or who’ve spent any time living on Earth).

It’s not to say that the details of the crime aren’t interesting. It’s just that they are presented in such a thorough manner that it becomes clinical. There’s little room left for human emotion. Even scenes that would normally be sad or frightening feel like neutral story beats — things that happened on the way toward the plot’s conclusion.

The actors feel it, too. Chopra has given terrific performances in thrillers like Sandeep Aur Pinky Faraar and Ishaqzaade, but she sleepwalks through Reporting Live. Same for Bhojani. Even the immensely talented Adil Hussain — who plays the station’s editor-in-chief Vidur — seems unsure of what’s expected of him. When in doubt, Suman’s Shyam just yells.

Reporting Live has the bones of a thriller, but it lacks tension and danger, and there’s no reason to care about the characters.

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Streaming Video News: October 9, 2026

I updated my list of Bollywood movies on Netflix with today’s premiere of Parineeti Chopra’s direct-to-digital film Reporting Live, the Telugu series Least Eligible Bachelor, and the Malayalam film Pradhama Drishtiya Kuttakkar. Other new additions to Netflix this week include the Telugu movie Epic, the Tamil film Mandaadi, and several older Hindi films, including:

I also updated my list of Bollywood movies on Amazon Prime with the streaming debut of Emraan Hashmi’s sequel Awarapan 2.

Finally, I updated my list of Bollywood movies on Zee5 with the Bengali film Keu Bole Biplobi Keu Bole Dakat.

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Movie Review: Baby Do Die Do (2026)

3.5 Stars (out of 4)

Watch Baby Do Die Do on Netflix

Director Nachiket Samant’s assassin story Baby Do Die Do has as much style as it does substance. This first film from the new production house Saleem Siblings — run by brother and sister Saqib Saleem and Huma Qureshi — is an impressive debut.

The film opens with a perfect noir voiceover line: “Our story starts the night I was murdered.” Over black-and-white footage, a teenage girl narrates the events of a tragic night twenty years ago. Twin sisters Didi and Baby Karmarkar — Karmarkar translates to “Do Die Do” — sneak into a shuttered high-rise hotel. Baby cannot hear or speak, so Didi watches over her as they explore empty rooms bigger than their family’s entire apartment. The girls interrupt a man in the process of killing another man. Only Baby leaves the hotel alive.

In the present day, Mumbai looks dystopian. Giant electronic billboards atop skyscrapers bathe the city in an artificial glow as they advertise various luxury builders. Meanwhile, the new towers that displace people living in the slums exist in various stages of completion, with corruption and rules violations stopping some before they reach their shiny, gleaming potential.

Baby (played by Qureshi) fits into this new world as an assassin for hire. Her handler and mentor Papa (Chunky Pandey) — who has promised to help her find her sister’s killer — fields requests from some of those builders advertising on the billboards to eliminate business rivals or people who’ve insulted them.

Gangster-turned-developer Zafar Katkar (Sikander Kher) is one of Papa’s clients. Zafar wants a rival builder named Murjhani (Himanshu Malik) killed for insulting Zafar’s younger brother Lucky (Arun Kushwah), who has dwarfism. Papa’s impatient son Manu (Marudhar Shekhawat) wants to handle the hit himself, but he’s nowhere near as skilled as Baby.

Meanwhile, Baby has a suitor. Her neighbor Siddhu (Rachit Singh) has a crush on her, though he doesn’t really know anything about her. Even though Baby can read lips, Siddhu learns sign language so that they can have real conversations. On a whim, she agrees to marry him. Maybe there’s more to life than murder for hire.

Singh is a revelation as Siddhu. Most of Singh’s industry credits are for directing acting workshops for other productions, but he’s brilliant as love-struck Siddhu. He’s as earnest and hopeful as Baby is jaded. They make a sweet pair once Baby starts to finally let down her guard.

Qureshi makes Baby compelling despite how little the character shares about her emotions. We can appreciate her professional skills, but her relationships with people like Papa and Siddhu telegraph that there’s more to her than even she wants to let on. The film is full of wonderful interactions between characters. Directing such scenes is one of Samant’s strongest suits.

What’s probably most memorable about Baby Do Die Do is Samant’s gift for showing Mumbai through a particular lens and making the city almost a character in itself. This version of Mumbai aspires to greatness without acknowledging the price paid by those who will benefit the least from such ambition. It’s equal parts garish and grimy, though the story spends most of its time in the less glitzy parts of the city. Many of those places are unfinished — architectural reflections of Baby, who can’t become who she’s meant to be until she finds her sister’s killer.

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Streaming Video News: October 2, 2026

I updated my list of Bollywood movies on Netflix with today’s premiere of the Tamil romance series #Love (which I previewed for What’s on Netflix). Also new today are a trio of older Ajay Devgn films: Golmaal 3, Hum Dil De Chuke Sanam, and Omkara, which is excellent. Earlier this week, the Hindi movie Ohh My Dog and the Telugu film Romãnchakam. The new series Sunday Brunch with Kamiya Jani debuts on Saturday.

I also updated my list of Bollywood movies on Zee5 with the premiere of the Hindi film Pooja Meri Jaan.

Finally, I updated my list of Bollywood movies on Amazon Prime with today’s addition of the Telugu film Mahendragiri Vaaraahi. Earlier this week, Prime added Season 2 of the Hindi series Dupahiya and the Tamil movie Sardar 2.

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Streaming Video News: September 22, 2026

I updated my list of Bollywood movies on Netflix with today’s streaming debuts of the comedy special Nimesh Patel: Buy the Dip and Huma Qureshi’s thriller Baby Do Die Do. Yesterday, Excel Entertainment’s movies released from 2001-2015 returned to the Netflix catalog, including:

Parineeti Chopra’s thriller series Shaque: Trust No One (previously known as Talaash: A Mother’s Search) debuts on Netflix on September 24. The Great Indian Kapil Show returns for a fifth season September 26, followed by the new Tamil series #Love on October 2.

Yesterday, I added all the Bengali films available to my list of Bollywood movies on Zee5. Happy to be making progress on that front! The new Hindi film Pooja Meri Jaan debuts on Zee5 on October 2.

The Alia Bhatt-produced movie Don’t Be Shy debuts on Amazon Prime on September 24, followed by the second season of Dupahiya on October 1. Aneet Padda’s series Hunkkaar: The Roar premieres on Hulu on September 24.

Movie Review: Lust Stories 3 (2026)

3 Stars (out of 4)

Watch Lust Stories 3 on Netflix

The latest entry in Netflix’s anthology series, Lust Stories 3 is an easy and fun watch, for the most part. Three of the short films by well-regarded directors fit the theme perfectly, while the fourth feels out of place. Overall, this is a light bit of entertainment with some really great acting from an impressive collection of performers.

Vikramaditya Motwane

Director Vikramaditya Motwane starts things off on a high note, thanks largely to his stellar cast. Paddy (Radhika Apte) and Shona (Konkona Sen Sharma) are best friends, co-workers, and neighbors. Both women feel like their marriages — Paddy’s to Hemant (Vijay Varma) and Shona’s to Debu (Abhishek Banerjee) — have lost their romantic sparks. Bold Shona proposes doing something they saw on a Hindi-dubbed Korean series that she and Paddy watch: swapping husbands.

Shy Paddy reluctantly agrees to try while the couples and their children are on vacation at a resort. The results are disastrous, of course, but in a funny way. Apte and Sen Sharma are hilarious throughout, carrying the short film almost entirely on their own. That’s not to put down Varma’s or Banerjee’s efforts, but the story’s focus is on the women, and they make the most of it. Sen Sharma’s delivery of the line “Us Kandivali women can’t have Korean dreams” is perfection.

Kiran Rao

Kiran Rao’s story follows two young, attractive people trying to find their footing in Mumbai. Lisa (Sana Thampi) is an apprentice nail technician, and Karan (Gurfateh Pirzada) delivers pizzas. He’s also got a side gig selling drugs. The two are immediately attracted to each other and begin a physical relationship. Of all the short films in the collection, this one features the most sex.

This is Thampi’s first acting role, but you’d never know it. She and Pirzada work well together showcasing the challenges of being young in an expensive city and trying to find joy where you can. Rao’s film takes some unexpected turns and is very entertaining as it explores the way lust makes some people do foolish things — but not everyone.

Shakun Batra

Shakun Batra’s film is the one that feels out of place in Lust Stories 3. Sailee (Radhikka Madan) and Varun (Ali Fazal) are getting divorced. Whenever they meet to hash out the details, it turns into an argument, which turns into sex. It’s a trope that doesn’t yield meaningful plot rewards, instead serving as the justification for including this segment in the anthology. The short film is just the main characters bickering until they find a way to discuss their problems constructively. This would’ve been better suited for Divorce Stories 3.

Vishal Bhardwaj

Given Vishal Bhardwaj’s fondness for literary adaptations, it’s fitting that he closes out the anthology with a tale of the written word’s power to inflame the senses. Aditi Rao Hydari plays Saira, a teacher and graduate student at a women’s university in Hyderabad in 1987. She’s married to Badru (Hydari’s real-life husband, Siddharth), a kind but clinical doctor. The young women Saira teaches are sex-obsessed, but their only familiarity with the subject comes through classical literature and the rare, illicit American romance novel. At her students’ encouragement, Saira writes her own erotic novel. It’s a hit with the girls… until it goes missing.

There’s something incredibly sweet about pairing a recently-married couple to perform in this story about romantic imagination. Whenever Saira imagines her dream lover, it’s Badru, but he’s traded his spectacles for sunglasses and replaced his clothes with a skimpy towel. Both actors are totally charming, as are the delightful supporting cast members. The requisite song sung by Rekha Bhardwaj is fun as well.

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New Movies on Zee5 Page

I’m thrilled to announce that I’ve added a new “List of Bollywood Movies on Zee5” page to the website. This is an alphabetical list of all of the Indian films streaming on the service Zee5 in the United States. As of now, the page only features the Hindi and Hindi-dubbed movies available, of which there are more than 1,000 titles! I’ll add the films available in other languages over time. One of the things that makes Zee5 great is that they offer a solid selection of movies in languages that the other services don’t in the US, including Bhojpuri, Odia, and Punjabi.

Something to note about this new page is that, unlike my Netflix, Amazon Prime, and Hulu pages, it’s limited only to movies. I’m not making a separate page for Zee5’s streaming series and television shows, because there are so many (and that’s not really the focus of my site).

There are a ton of great Hindi movies streaming on Zee5: both Originals and licensed titles. Here are my Top 10 picks currently streaming on Zee5 (the star-rating links to my review):

Huge thanks to the team at Zee5 for giving me the information I needed to create this new page! If you appreciate these kinds of lists — made completely without AI — please consider supporting the work I put into making and maintaining them by donating to Access Bollywood via PayPal or donating via Venmo. Thanks! — Kathy