2 Stars (out of 4)
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Even with a new cast, Judwaa 2 feels dated.
Judwaa 2 is less of a true sequel to 1997’s Judwaa than a reboot, switching out Salman Khan in the lead role for Varun Dhawan (son of the director of both films, David Dhawan). Unlike a lore-heavy fantasy or superhero flick, watching the original Judwaa isn’t a prerequisite for watching Judwaa 2.
The reboot opens with Mr. Malhotra (Sachin Khedekar) flying home for the birth of his twin sons. A seemingly friendly fellow passenger named Charles (Zakir Hussain) slips some contraband into Malhotra’s bag, but Malhotra has already alerted the police, who attempt to apprehend Charles when he shows up at the hospital to collect his goods.
Charles escapes with one of the newborn baby boys as a hostage, accidentally dropping him on some train tracks. Charles blows up a building, lying that the boy was inside and vowing to come back some day for Malhotra’s other son. This seems like a disproportionate revenge response given that the police were already on to Charles and Malhotra just made their job a little easier.
As the cops haul Charles away and Malhotra grieves for the son he believes to be dead, a train bears down on the dropped baby. The boy — who will shortly be named Raja by the lady who discovers him — gets a metaphysical assist from his brother, Prem. The doctor who delivered the boys explained to the Malhotras that, because the boys were born attached at the arm (separated by a surgery that doesn’t even leave a scar, LOL), they share a connection that occurs “one in eight million” times. When the boys are within even a few miles of one another, they will feel each other’s emotions and physical sensations.
Sensing Raja’s fear at the oncoming train, Prem — displaying remarkable muscle control for a newborn — rolls to his side in his crib, causing Raja to roll safely off the tracks as the train passes by. The sequence is exactly as stupid as it sounds, made stupider by cheap-looking CGI.
The Malhotras flee to safety in London, where Prem grows up to be a wimpy nerd who is nevertheless built like a Mr. Universe contestant. Raja is a brash street urchin with a heart of gold who gets into trouble when he beats up rich guy Alex (Vivan Bhatena) for being a jerk. Raja and his adopted brother Nandu (Rajpal Yadav) flee to London to escape Alex’s wrath. Nandu is excited at the opportunity to sexually harass the air hostesses on the flight, and Raja hits on Alishka (Jacqueline Fernandez), the beautiful woman sitting next to him.
With the long-lost brothers finally in the same city, their metaphysical link reactivates. Raja feels the pain when a bully grabs Prem’s junk, and Prem slaps people when Raja gets into a fight. Prem also kisses his cute classmate Samaira (Taapsee Pannu) and her mother (Upasana Singh) when Raja smooches Alishka in an attempt to hide his face from the police.
While multiple Baahubali references root the story in the modern day, elements such as lazy plotting and the normalization of sexual harassment make Judwaa 2 feel out-of-date. There’s no reason why the gags involving the female love interests couldn’t have been updated to reflect the progressive direction many Hindi films have adopted regarding gender politics.
It’s a missed opportunity, considering the caliber of Judwaa 2‘s two leading ladies. Jacqueline Fernandez is perhaps Bollywood’s best female physical comedian. She sells every scene she’s in, no matter how silly she’s asked to be. If you can take your eyes off of her impressive dance moves, watch her expressive face during her song performances. She’s a total pro.
Taapsee Pannu’s performance is a reminder of her incredible versatility. She proved her dramatic chops in Pink and her action skills in Baby and its follow-up Naam Shabana, a spin-off created just for her. Judwaa 2 is a return to her roots in Hindi cinema; her debut film was the 2013 comedy Chashme Baddoor, also directed by David Dhawan. Judwaa 2 not only finds Pannu playing for laughs again, but dancing up a storm and flaunting a physique as impressive as any of her Bollywood contemporaries.
Varun Dhawan is charismatic in his double role, but there’s not much that we haven’t seen from him before. His resume is already heavy on comedies, and this isn’t one of the better ones. It’s not just the poor treatment of the female leads at his characters’ hands that makes Judwaa 2 feel like a throwback. There’s an offensive fight sequence involving a group of black men whom Raja refers to as “the West Indies team.” Raja repeatedly taunts them, ending his sentences with a Caribbean-accented “mon,” even though the men themselves say the word “man” with British accents.
Other than those issues, Judwaa 2 isn’t as morally problematic as it could have been (faint praise, indeed). The dance numbers are fun, and Fernandez and Pannu make more out of their roles than they’re given to work with. Judwaa 2 is a watchable movie, but not a memorable one.