Tag Archives: Earnings

Bollywood Box Office: July 14-16, 2017

Things didn’t go so well for Jagga Jasoos in North America. From July 14-16, 2017, it earned $482,887 from 210 theaters ($2,299 average). That average barely puts it in the top half of Hindi films for the year here, just behind Tubelight, which was also considered a disappointment. Still, Jagga Jasoos‘s total was good enough to rank in 15th place at the overall US box office for the weekend, and its per-theater average was better than the averages of the movies ranked 8th-14th.

There are numerous reasons to explain why Jagga Jasoos wasn’t a blockbuster here, from the movie’s unique concept to it being a family oriented film opening during peak season for big-budget superhero flicks and animated fare. Jagga Jasoos‘s earnings fall within the expected parameters for recent films featuring its two stars. It earned more than Ranbir Kapoor’s Bombay Velvet in its first weekend but less than his Tamasha; it earned more than Katrina Kaif’s Fitoor but less than her Baar Baar Dekho.

Mom held up great in its second weekend in theaters, retaining nearly 40% of its opening weekend audience. It earned $99,535 from 63 theaters ($1,580 average), bringing its total to $493,245 — already nearly double its opening weekend total of $260,433.

Guest Iin London fared much worse, losing 85% of its opening weekend audience and taking in $4,494 from eight theaters ($562 average). Its total stands at $49,161.

Tubelight closed out its fourth weekend in theaters with earnings of just $200 — $138 from one Canadian theater and $62 from one theater in the US. It has total earnings of $1,575,849.

Source: Box Office Mojo and Rentrak, via Bollywood Hungama

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Bollywood Box Office: July 7-9, 2017

Both of the weekend’s new Hindi releases did well in North America relative to the size of their theatrical footprints. From July 7-9, 2017, Mom earned $260,433 from 94 theaters ($2,771 average; adjusted average of $3,339 from 78 theaters*). For context, that’s the twelfth highest opening weekend theater count for a Bollywood film in North America for the year, but the 9th best average and tenth best opening weekend gross.

During the same period, Guest Iin London earned $29,378 from 30 theaters ($979 average; adjusted average of $1,175 from 25 theaters). That’s the same minuscule theater count as Dobaara: See Your Evil, yet Guest Iin London earned four times as much as the horror movie did in its opening weekend.

Other Indian movies still in North American theaters:

  • Tubelight: Week 3; $15,281 from 27 theaters; $566 average; $1,566,474 total
  • Hindi Medium: Week 8; $3,154 from one theater; $792,627 total
  • Baahubali 2: Week 11; $1,162 from one theater; $20,790,774 total

*Bollywood Hungama frequently counts Canadian theaters twice in when they report figures for a film’s first few weeks of release. When possible, I verify theater counts at Box Office Mojo, but I use Bollywood Hungama as my primary source because they provide a comprehensive and consistent — if flawed — data set.

Source: Rentrak, via Bollywood Hungama

Bollywood Box Office: June 30-July 2, 2017

Things didn’t get any better for Salman Khan’s Tubelight in its second weekend in North America. From June 30-July 2, 2017, Tubelight earned $157,499 from 169 theaters ($932 average), bringing its total to $1,448,473. Tubelight‘s earned 83% less in its second weekend than its first — a much larger first-to-second-weekend drop than experienced by the other 2017 releases that earned more than $1 million here (which experienced drops ranging from 52%-71%). On the year’s list of overall highest earners in North America, you have to go down to OK Jaanu in 13th place to find a worse week-to-week holdover. The only caveat is that attendance in the United States was likely spread out over five days instead of three because of Independence Day on Tuesday, July 4. The daily earnings report by 143 Cinema provides some supporting evidence of that possibility. Still, this is a really disappointing performance.

Other Hindi movies still in US theaters:

  • Hindi Medium: Week 7; $6,186 from one theater; $784,609 total
  • Baahubali 2: Week 10; $890 from two theaters; $445 average; $20787,324 total

Sources: 143 Cinema and Rentrak, via Bollywood Hungama

Bollywood Box Office: June 23-25, 2017

Salman Khan’s Tubelight debuted in second place in the United States among new Indian movies, behind Allu Arjun’s Telugu film DJ: Duvvada Jagannadham! Salman squeaked out victory in North America overall thanks to the contributions of theaters in Canada — where DJ didn’t even release. From June 23-25, 2017, Bollywood Hungama reports that Tubelight earned $926,816 from 372 North American theaters ($2,491 average; adjusted average of $2,710 from 342 theaters*). Of that total, $169,344 came from 30 Canadian theaters, amounting to 18% of the total earnings from just 8% of the total theaters (342). Gitesh Pandya of Box Office Guru reports North American earnings of $930,058 from 338 theaters ($2,752 average) for Tubelight. That total was good enough to rank in 14th place at the overall North American box office, according to Box Office Mojo.

It’s easy to forget that the notion of Salman as a box office gold mine is a recent development in North America. Until the blockbuster performance of Bajrangi Bhaijaan in the summer of 2015, none of Salman’s films managed to earn more than $2.5 million here. Tubelight should earn around $2 million over the course of its run, putting it in line with the earnings of his releases from 2011-2014 — movies like Bodyguard, Ek Tha Tiger, and Kick. We’ll have to wait until Tiger Zinda Hai releases this Christmas to see if Salman’s superb (if short) string of hits is really over.

DJ: Duvvada Jagannadham took in $873,249 from 190 US theaters ($4,596 average), 15th place overall at the North American box office.

Other Hindi movies still showing in the US:

  • Hindi Medium: Week 6; $9,228 from five theaters; $1,846 average; $773,477 total
  • Baahubali 2: Week 9; $726 from three theaters; $242 average; $20,786,308 total

*Bollywood Hungama frequently counts Canadian theaters twice in when they report figures for a film’s first few weeks of release. When possible, I verify theater counts at Box Office Mojo, but I use Bollywood Hungama as my primary source because they provide a comprehensive and consistent — if flawed — data set.

Sources: Box Office Guru, Box Office Mojo, and Rentrak, via Bollywood Hungama

Bollywood Box Office: June 2-4, 2017

North America is an inhospitable territory for Hindi horror films. The latest casualty is Dobaara: See Your Evil, which had the advantages of being based on the 2013 Hollywood film Oculus and starring real-life siblings Huma Qureshi and Saqib Saleem. Still, in its opening weekend of June 2-4, 2017, it earned just $7,110 from 30 theaters ($237 average; adjusted average of $284 from 25 theaters). Even though the local audience for Bollywood horror flicks is small, these ultra-limited theatrical releases do the movies no favors. I would love to watch Dobaara, but not if it requires two hours of expensive tollway driving for me to do it. On the other hand, skip the theatrical release and charge $12 for a day-and-date North American streaming option, and I’m there.

One movie I skipped writing about last week because I didn’t even realize it was in Hindi is Jattu Engineer, the latest vanity project by Saint Gurmeet Ram Rahim Singh Ji Insan of MSG fame. After an unremarkable opening weekend ($2,691 from three theaters), its business made an inexplicable jump in its second weekend, earning $8,048 from four Canadian theaters ($2,012 average). It has earned a total of $12,082 so far, which is a lot better than the Saint’s March, 2017 release Hind Ka Napak Ko Jawab: MSG Lion Heart 2, which scraped together $6,243 over five weeks.

Hindi Medium is on a roll, posting consistently strong per-theater averages. In its third weekend, it earned another $72,210 from 34 theaters — an average of $2,124 per theater. Fewer than half of the 2017 films that lasted three weeks averaged more than $700 in their third weekend, with only four of those movies managing to average more than $1,500 per theater. Hindi Medium‘s total stands at $647,602, good enough for seventh place this year so far.

Other Hindi movies still showing in North America:

  • Baahubali 2: Week 6; $81,323 from 55 theaters; $1,479 average; $20,690,866 total
  • Sachin — A Billion Dreams: Week 2; $78,585 from 72 theaters; $1,091 average; $558,024 total
  • Half Girlfriend: Week 3; $5,996 from nine theaters; $666 average; $436,984 total
  • Sarkar 3: Week 4; $314 from two theaters; $157 average; $244,168 total
  • Meri Pyaari Bindu: Week 4; $50 from one theater; $174,955 total

*Bollywood Hungama frequently counts Canadian theaters twice in when they report figures for a film’s first few weeks of release. When possible, I verify theater counts at Box Office Mojo, but I use Bollywood Hungama as my primary source because they provide a comprehensive and consistent — if flawed — data set.

Source: Rentrak, via Bollywood Hungama

Bollywood Box Office: May 26-28, 2017

Since I know nothing about cricket, please insert your own cricket pun here to reflect the fact that Sachin: A Billion Dreams had a good opening weekend at the North American box office. From May 26-28, 2017, Sachin earned $334,402 from 112 theaters ($2,986 average; adjusted average of $3,344 from 100 theaters*). Keep in mind that total doesn’t include returns from Monday’s Memorial Day holiday in the United States.

Sachin‘s solid performance was enough to finally dethrone Baahubali 2: The Conclusion, which took in $274,803 from 119 theaters ($2,309 average). Its total after five weekends is an astounding $20,476,672.

Hindi Medium is proving to be 2017’s first sleeper hit, even adding a theater in its second weekend of release. (The only other film to add theaters this year was Badrinath Ki Dulhania.) Hindi Medium held on to 2/3s of its opening weekend business, putting it first in that category by almost 20% (ahead of Badrinath). In its second weekend, Hindi Medium earned $151,159 from 59 theaters for an average of $2,562 per theater. That’s the best second-weekend-average of the year for every Hindi film besides Baahubali 2. Hindi Medium‘s total stands at $485,804.

Half Girlfriend also held up well in its second weekend, even if its performance pales a bit compared to Hindi Medium. Half Girlfriend earned $50,650 from 51 theaters ($993 average), bringing its total to $401,306 — good enough to rank in the top half of Bollywood movies released in North America this year.

Other Bollywood movies still in US theaters:

  • Sarkar 3: Week 3; $803 from three theaters; $268 average; $243,495 total
  • Meri Pyaari Bindu: Week 3; $436 from one theater; $174,801 total

*Bollywood Hungama frequently counts Canadian theaters twice in when they report figures for a film’s first few weeks of release. When possible, I verify theater counts at Box Office Mojo, but I use Bollywood Hungama as my primary source because they provide a comprehensive and consistent — if flawed — data set.

Source: Rentrak, via Bollywood Hungama

Bollywood Box Office: May 19-21, 2017

Half Girlfriend and Hindi Medium earned roughly the same amount in their opening weekend in North America, only Hindi Medium did so in less than half as many theaters as Half Girlfriend. From May 19-21, 2017, Half Girlfriend earned $238,001 from 127 theaters ($1,874 average; adjusted average of $2,106 from 113 theaters*). During the same time period, Hindi Medium earned $225,755 from 58 theaters ($3,892 average; adjusted average of $4,703). So, despite opening in twice as many theaters — and with a story based on a preexisting propertyHalf Girlfriend out-earned Hindi Medium by just $12,246? Yikes.

Meanwhile, the previous weekend’s new releases saw their audiences drop by more than 80%. Sarkar 3 fared better, earning $25,034 from 44 theaters ($569 average), bringing its total to $236,583. Meri Pyaari Bindu took in $14,924 from 28 theaters ($533 average), for a ten-day total of $171,280.

Also over the weekend, Baahubali 2: The Conclusion raked in another $596,035 from 232 theaters ($2,569 average) — good enough to finish in 14th place in the overall North American box office and push its total earnings to $20,009,763. Wowzers.

*Bollywood Hungama frequently counts Canadian theaters twice in when they report figures for a film’s first few weeks of release. When possible, I verify theater counts at Box Office Mojo, but I use Bollywood Hungama as my primary source because they provide a comprehensive and consistent — if flawed — data set.

Sources: Box Office Mojo and Rentrak, via Bollywood Hungama