I updated my list of Bollywood movies on Netflix because a ton of great Hindi films are set to expire from the service on August 1, as a result of the end of two-year contract with UTV Motion Pictures. Netflix could renew the contract in the near future, or the package of films could migrate to another streaming service. UTV is owned at least in part by Disney, so Hotstar is a likely destination. We’ll have to wait and see where they end up. Until then, here are the titles to catch on Netflix while you can:
I updated my list of Bollywood movies on Netflix with twenty-two new additions to the catalog! About half of these titles were on Netflix years ago, but the rest — films like Highway, Mohenjo Daro, and PK — are available on the service for the first time. I’m excited that three more of director Vishal Bhardwaj’s movies have joined the catalog. Here are all the titles added today:
It’s sort of depressing that the story of Rang De Basanti (“Color It Saffron“) still resonates nine years after its release. The movie’s calls for change remain largely unrealized, a testament to the power of the stagnation it rails against.
Rang De Basanti connects the present to the past through the efforts of a British documentary filmmaker, Sue McKinley (Alice Patten). She arrives in India hoping to film a recreation of the Indian independence movement of the 1920s-30s, inspired by the regret-filled diary entries of her grandfather, a jailer and torturer on behalf of the Empire.
Sue’s local contact, Sonia (Soha Ali Khan), introduces the filmmaker to her university friends, who reluctantly agree to participate in the project. Group leader DJ (Aamir Khan), sullen rich kid Karan (Siddharth), poet Aslam (Kunal Kapoor), and tag-along Sukhi (Sharman Joshi) slowly find themselves maturing as they inhabit the roles of their revolutionary forefathers.
Further change is thrust upon them when another pivotal role in the reenactment is filled by Laxman (Atul Kulkarni), a Hindu nationalist who has a particular problem with Muslims. His integration is uneasy, especially since his role requires him to work closely with Aslam, a Muslim.
When a tragedy hits close to home, the guys realize that the work of the independence movement won’t be complete until Indian democracy is transparent and devoid of corruption. They take matters into their own hands, adopting the violent methods of their forefathers.
Although Khan is the highest profile star in the cast, his role isn’t necessarily the most important. This is truly an ensemble picture, with every role fleshed out. Every member of the group — including Sonia — has a reason to participate in Sue’s project. They each require a kind of character growth best developed by delving into history.
Sepia-toned scenes from Sue’s documentary are woven into scenes from the present, showing the way that the lives of these contemporary young people parallel the lives of young people of the past. It’s a theme that resonates beyond the borders of India. Every democracy is founded on a struggle that modern citizens too often ignore, resulting in a failure to meet founding ideals. We can all do better.
It’s unfortunate that the poster for Rang De Basanti features only Khan, Siddharth, Kapoor, and Joshi, because every performance in the film is superb. Kulkarni portrays a difficult character with great empathy. Patten and Soha Ali Khan are resolute, their characters developing along with the young men. R. Madhavan is great in a supporting role as Sonia’s boyfriend.
Siddharth’s role is the meatiest, with Karan dropping his jaded act as the truth starts to torment him. Kapoor imbues Aslam with stoicism, and Joshi plays a great toady.
Even though it’s not a solo starring role, this is among Khan’s best performances. A highlight is a scene in which DJ confesses to Sue that he actually graduated from college five years ago, but fear of the future keeps him hanging around campus with his buddies. The scene serves the dual purpose of explaining why DJ looks so much older than the others. (Khan was already 41 when the film released, not that this would be his last time playing a college student).
Where Rang De Basanti falters is in its overuse of news footage in the final thirty minutes. It’s tricky, because the guys take drastic measures in order to inspire fellow citizens to action. But frequent shots of news broadcasts and opinion pieces slow down the narrative. Every random college student who vows to reform Indian democracy in a man-on-the-street interview distances the audience from the main characters. It interrupts the flow of emotions just when they should reach their peak.
That said, Rang De Basanti is a surefire tearjerker. It’s a sad reminder that no nation is as free or equal as it could be, but it’s an important message. The work may be hard, and it may be ongoing, but it is work worth doing, just as it was so long ago.
This weekend’s new Hindi release is the black comedy, Peepli Live. Produced by Aamir Khan, Peepli Live satirizes the media’s response to the plight of poor farmers, some of whom resort to suicide to escape debt. The movie got a good response at a number of film festivals, including Sundance.
Peepli Live, which has a listed runtime of 1 hr. 46 min., opens in the Chicago area on Friday, August 13, 2010 in four theaters:
Other Indian movies showing in the Chicago area this weekend include the Tamil movie Thillalangadi at Sathyam Cinemas in Downers Grove and Telugu flick Don Seenu at the Golf Glen 5, which features a special showing of the 1996 Tamil film Indian on Wednesday night.