This is a review of the Hindi version of The Ghazi Attack.
The novelty factor of an Indian submarine movie is plenty of reason to watch The Ghazi Attack, though the film itself is only so-so.
Set in 1971, when Bangladesh was East Pakistan, the film follows an Indian submarine as it tracks the Pakistani sub PNS Ghazi through the Bay of Bengal. The story is based on real-life events, though both countries differ on what actually happened.
Tensions are high as Pakistan cracks down on suspected Bengali militants in East Pakistan. India sends an aircraft carrier to the Bay of Bengal to disrupt the seaward supply route, and Pakistan dispatches the Ghazi in response. With all of its vessels otherwise occupied, the Indian Navy sends its own sub — the S21 — to investigate.
The S21 isn’t the Navy’s first choice, because its captain — Ranvijay Singh (Kay Kay Menon) — has a reputation for a hair-trigger. Singh is under orders not to fire on the Ghazi, but the admiral (played by Om Puri) doesn’t trust the captain. The admiral sends Lt. Commander Arjun Verma (Rana Daggubati) on the mission to stop Singh from starting a war, no matter what.
Cynicism regarding institutions is expected in Hindi movies, with the government, the police, and the judiciary frequently portrayed as inept or callous, if not outright hostile to ordinary citizens. The Navy brass aren’t depicted that way in The Ghazi Attack. The admiral and his staff take a wide view of the conflict that seeks to minimize civilian casualties by avoiding war, if possible.
Captain Singh is cut from the same cloth as many Bollywood heroes: a man of action whose inherent righteousness empowers him to define morality as it suits him. He sees his only job as killing the enemy — the enemy being anyone in a Pakistani military uniform.
Singh’s sense of purpose stems from personal revenge, not any virtuous higher calling. He’s not fundamentally at odds with his military superiors — he just sees them as overly cautious — but his vendetta against Pakistan compels him to ignore the chain of command. Anyone harmed in his pursuit is collateral damage.
Verma’s presence serves not only as a check on Singh’s actions but provides an alternative moral point-of-view. Verma risks his own life to rescue two refugees from the wreckage of a merchant vessel sunk by the Ghazi: a little girl and a doctor named Ananya (Taapsee Pannu).
As debutant director Sankalp Reddy’s film progresses, Singh’s “shoot first” morality is unexpectedly endorsed as the preferred code of conduct, at least in terms of dealings between India and Pakistan. Singh is not only willing to risk the lives of the soldiers under his command in order to sink the Ghazi, he doesn’t care what happens as a result of his actions: not to himself, and not to the hundreds of thousands of civilians who would be endangered in the event of all-out war.
Things get downright silly when Indian patriotism is weaponized. The captain of the Pakistani sub (played by Rahul Singh) is driven into a blind rage just by hearing the Indian National Anthem.
Despite the movie’s questionable moral compass, The Ghazi Attack is enjoyable, thanks to compelling performances by Menon and Daggubati. Atul Kulkarni also deserves kudos as Executive Officer Devraj, a man whose personal views have more in common with those of Verma, but who trusts Singh enough to follow his dangerous orders. Pannu is wasted as a token female character who doesn’t even get to use her medical expertise when a pivotal emergency cries out for a doctor’s assistance.
It’s especially fascinating to see the kind of technology that powered Indian Naval submarines in the early 1970s. Maneuvers are executed by turning wheels and opening valves, which all looks ancient by contemporary post-digital standards (even though military submarine technology was already more than half-a-century old by the time of the events in the film). It’s a poignant reminder of the uniquely challenging conditions under which sailors wage war.