Tag Archives: Rahul Singh

Movie Review: The Ghazi Attack (2017)

2.5 Stars (out of 4)

Buy the DVD at Amazon

This is a review of the Hindi version of The Ghazi Attack.

The novelty factor of an Indian submarine movie is plenty of reason to watch The Ghazi Attack, though the film itself is only so-so.

Set in 1971, when Bangladesh was East Pakistan, the film follows an Indian submarine as it tracks the Pakistani sub PNS Ghazi through the Bay of Bengal. The story is based on real-life events, though both countries differ on what actually happened.

Tensions are high as Pakistan cracks down on suspected Bengali militants in East Pakistan. India sends an aircraft carrier to the Bay of Bengal to disrupt the seaward supply route, and Pakistan dispatches the Ghazi in response. With all of its vessels otherwise occupied, the Indian Navy sends its own sub — the S21 — to investigate.

The S21 isn’t the Navy’s first choice, because its captain — Ranvijay Singh (Kay Kay Menon) — has a reputation for a hair-trigger. Singh is under orders not to fire on the Ghazi, but the admiral (played by Om Puri) doesn’t trust the captain. The admiral sends Lt. Commander Arjun Verma  (Rana Daggubati) on the mission to stop Singh from starting a war, no matter what.

Cynicism regarding institutions is expected in Hindi movies, with the government, the police, and the judiciary frequently portrayed as inept or callous, if not outright hostile to ordinary citizens. The Navy brass aren’t depicted that way in The Ghazi Attack. The admiral and his staff take a wide view of the conflict that seeks to minimize civilian casualties by avoiding war, if possible.

Captain Singh is cut from the same cloth as many Bollywood heroes: a man of action whose inherent righteousness empowers him to define morality as it suits him. He sees his only job as killing the enemy — the enemy being anyone in a Pakistani military uniform.

Singh’s sense of purpose stems from personal revenge, not any virtuous higher calling. He’s not fundamentally at odds with his military superiors — he just sees them as overly cautious — but his vendetta against Pakistan compels him to ignore the chain of command. Anyone harmed in his pursuit is collateral damage.

Verma’s presence serves not only as a check on Singh’s actions but provides an alternative moral point-of-view. Verma risks his own life to rescue two refugees from the wreckage of a merchant vessel sunk by the Ghazi: a little girl and a doctor named Ananya (Taapsee Pannu).

As debutant director Sankalp Reddy’s film progresses, Singh’s “shoot first” morality is unexpectedly endorsed as the preferred code of conduct, at least in terms of dealings between India and Pakistan. Singh is not only willing to risk the lives of the soldiers under his command in order to sink the Ghazi, he doesn’t care what happens as a result of his actions: not to himself, and not to the hundreds of thousands of civilians who would be endangered in the event of all-out war.

Things get downright silly when Indian patriotism is weaponized. The captain of the Pakistani sub (played by Rahul Singh) is driven into a blind rage just by hearing the Indian National Anthem.

Despite the movie’s questionable moral compass, The Ghazi Attack is enjoyable, thanks to compelling performances by Menon and Daggubati. Atul Kulkarni also deserves kudos as Executive Officer Devraj, a man whose personal views have more in common with those of Verma, but who trusts Singh enough to follow his dangerous orders. Pannu is wasted as a token female character who doesn’t even get to use her medical expertise when a pivotal emergency cries out for a doctor’s assistance.

It’s especially fascinating to see the kind of technology that powered Indian Naval submarines in the early 1970s. Maneuvers are executed by turning wheels and opening valves, which all looks ancient by contemporary post-digital standards (even though military submarine technology was already more than half-a-century old by the time of the events in the film). It’s a poignant reminder of the uniquely challenging conditions under which sailors wage war.

Links

Movie Review: Khiladi 786 (2012)

Khiladi_786_poster2 Stars (out of 4)

Buy the DVD at Amazon
Buy the soundtrack at Amazon

There’s a lot to like in Khiladi 786. The well-organized plot allows for plenty of humorous turns, and Akshay Kumar gives a charming performance. Yet needless racism keeps me from recommending Khiladi 786.

During a throwaway number about forty minutes into the film, Kumar’s character dances, surrounded by a troupe of male Indian dancers wearing blackface makeup and Afro wigs, while female Anglo dancers writhe around wearing bikinis.

Kumar apparently doesn’t find blackface offensive, since he donned it himself in Kambakkht Ishq. If he did, he surely could’ve had the number changed since his wife, Twinkle Khanna, is one of the film’s producers. Since Kumar and Khanna already consider blackface acceptable, arguing with them over the obvious sexual objectification of Anglo women seems pointless.

The offensive dance number negatively affected my perception of an otherwise enjoyable movie. Kumar plays Bahattar Singh, a crook with superhuman speed and strength. Bahattar, his father, and his uncle work with the local police to stop smugglers on Punjabi highways. The work is dangerous and illegal, and the family splits the proceeds from their warrantless searches with the police.

Because seemingly everyone in the state of Punjab knows that Bahattar is thief, he can’t find a single local woman willing to marry him. This follows the family tradition of marrying foreigners. Bahattar’s mother is Canadian, his grandmother is African, and his aunt is Chinese.

(I also had a problem with the musical cues that accompany the introduction of each of the foreign women. The Chinese aunt appears to an East-Asian string-instrument theme, the African grandmother gets drums and chanting, and the white Canadian mother gets jazz saxophone. We get it. They aren’t ethnic Indians. That’s obvious from looking at them, though I’m not quite sure how jazz represents Canada. I would’ve gone with prog rock.)

Bahattar’s nuptial troubles present the perfect opportunity for marriage arranger Mansukh (Himesh Reshammiya), who’s recently been fired from the family wedding firm. He tries to fix up Bahattar with Indu (Asin Thottumkal), the reckless younger sister of a famous Mumbai don, TT (Mithun Chakraborty).

Indu knows that a woman from a family of criminals will only be accepted as a bride by another criminal, like her boyfriend, Azad (Rahul Singh). TT insists on marrying his sister into a good family, and the Singhs want the same for Bahattar, so Mansukh convinces the men of both families to masquerade as police officers.

Despite the fact that Khiladi 786 is an Akshay Kumar vehicle, the most important character is Mansukh. He’s desperate for Bahattar and Indu to get married in order to prove to his own father that he’s not a screw-up. To make that happen, he has to juggle the lies he’s told and encouraged others to tell. Mansukh’s uncle, Jeevan (Sanjai Mishra), hinders the process as much as he helps and provides comic relief.

Reshammiya plays Mansukh as animated, but not over the top. He needs to be the regular guy among a crowd of nutty criminals. Also, Reshammiya knows who the real star of the movie is.

Kumar plays much the same character as he always does: a sweet guy who’s tough when he needs to be. Bahattar notes: “Punjabis don’t come or go quietly,” which gives Kumar the freedom to act with extra exuberance. Bahattar’s superhuman speed is played to good comic effect, as he flattens bad guys in the blink of an eye.

The rest of the supporting cast is generally fine. Asin doesn’t have much to do, but Mithun Chakraborty gets to bash some heads in the final fight scene. There are a couple of side plots that come to nothing, involving characters like TT’s maid and an inspector played by Johnny Lever.

Of all the supporting characters, Azad is the funniest. Even though his name means “freedom,” he spends most of the film on the brink of being released from jail, only to screw it up and get himself thrown back into the pokey.

If it weren’t for one dumb dance number, Khiladi 786 would be a fun, harmless movie. There are just certain offenses that can’t be overlooked.

Links