Tiger Zinda Hai debuted with the third best opening weekend of the year for a Hindi film in North America, trailing behind only Baahubali 2 and Raees. From December 22-24, 2017, Tiger Zinda Hai earned $1,658,514 from 328 theaters* ($5,056 average; adjusted average of $5,528 from 300 theaters). 143 Cinema reports that the Salman Khan-Katrina Kaif action sequel earned an additional $1,231,481 from Christmas Day and Boxing Day, pushing its total past $3 million in the US and Canada (based on 143 Cinema’s slightly higher reported weekend earnings for the film). It’s certainly already surpassed the lifetime total of 2012’s Ek Tha Tiger ($2,347,774). Within days, Tiger Zinda Hai will have passed Raees‘s total earnings of $3,631,911, claiming second place for the year overall and moving into first place for films released only in Hindi (as opposed to the multi-lingual Baahubali 2).
Other Hindi movies still showing in North American theaters:
Fukrey Returns: Week 3; $10,106 from nine theaters; $1,123 average; $381,522 total
*Bollywood Hungama frequently counts Canadian theaters twice when they report figures for a film’s first few weeks of release. When possible, I verify theater counts at Box Office Mojo, but I use Bollywood Hungama as my primary source because they provide a comprehensive and consistent — if flawed — data set.
Tiger Zinda Hai (“Tiger Lives“) has its share of highlights, but the relentless plot requires a degree of stamina that would challenge any action movie enthusiast. Quick transitions from one set piece to the next allow little space for story or character development.
Set eight years after the events of Ek Tha Tiger, Salman Khan’s titular hero and his then-girlfriend-now-wife, Pakistani agent Zoya (Katrina Kaif), live in Austria with their son, Junior. The novelty of seeing Khan play a father onscreen is noteworthy, owing to its rarity.
Though Tiger and Zoya are retired from active duty, they haven’t left the spy life behind entirely. Zoya keeps her combat skills sharp by subduing armed robbers in the local grocery store, and Tiger confidently fights a pack of wolves while snowboarding. He has a room dedicated to tracking the activities of Indian intelligence agency RAW across the globe.
Thus, he’s not surprised when his former boss Shenoy (Girish Karnad) comes to him with an urgent mission: Islamic militants captured twenty-five Indian nursing students working in Iraq, and America has given India seven days to rescue their people before they bomb the hospital where the students are being held.
Zoya knows that Tiger’s love of country surpasses even his love for her and Junior, so she sends him on his mission without complaint. What they don’t know is that the Indian authorities neglected to tell them that fifteen Pakistani nurses are also being held in the same hospital. Tiger’s not the only one to get called out of retirement.
Tiger Zinda Hai‘s cynicism about politics is its most interesting attribute. As in the original film, the main couple personify the idea that Indians and Pakistanis have more in common than not, and that it’s the fault of the governments of both countries for pursuing agendas that make peace impossible. The members of Zoya’s and Tiger’s support teams also come to see the wisdom of working together toward shared goals, a tactic they wish could be applied across borders to improve things like education and healthcare on the subcontinent.
The sequel’s story expands that cynicism globally to indict America for what is deemed to be imperialism in the Middle East, chiefly the greedy pursuits of oil and lucrative weapons contracts cloaked under the guise of the eradication of terrorism. Abu Usman (Sajjad Delafrooz) — the leader of the terrorist group in Tiger Zinda Hai — cites his years in detention at Guantanamo Bay as the very reason for his radicalization.
Unfortunately, these political ideas aren’t woven into the plot, instead existing as meta-commentary directing the audience on how they can find their own kind of woke nationalism. Zoya’s and Tiger’s teams shed their instinctive mistrust of one another within minutes. Most of the criticism of America arises from conversations between Abu Usman and Poorna (Anupriya Goenka), the head nurse, but as supporting characters, the plot doesn’t devote much time to their character growth.
Then again, none of the characters in the movie really grow. Tiger is what he is: a patriotic humanitarian killing machine. Not that there’s anything wrong with such a character; it’s just a question of how much time can an audience be asked to spend with a character that reacts but doesn’t evolve.
The answer to that question is: something less than Tiger Zinda Hai‘s lengthy 161-minute runtime. Apart from one romantic song early in the movie — before Tiger leaves his family and we bid adieu to Junior for most of the film — the plot races through each action sequence, followed by a brief break to set up the next action sequence. After a while, all the explosions and fisticuffs become too much of a good thing.
Yet, when it is good, Tiger Zinda Hai is pretty fun. All of the movie’s best moments belong to Katrina Kaif, and she proves herself to be a compelling action hero in her own right. From her stunt-driving through narrow alleyways to her own one-woman-wrecking-crew takedown of a bunch of bad guys, Kaif commands the screen.
Khan is no slouch when it comes to fight sequences, of course, and his obligatory shirtless scene is a hoot. His sidekicks have little to do, raising questions as to how that can be the case given how long the movie is. Delafrooz’s relaxed demeanor makes him an effective villain.
One personal complaint is that Tiger Zinda Hai cuts corners by casting non-Americans in American roles, leading to some head-scratching accents. Also unintentionally hilarious is the fact that one of the American military officers in Iraq has his first name — Gary — written on his name tag on his uniform. Gary zinda hai!
I updated my list of Bollywood movies on Netflix with three new additions to the catalog. After a few months’ absence, Ek Tha Tiger and Ladies vs Ricky Bahl are once more available for streaming. Also, just two months after its theatrical release in the U.S., Bhopal: A Prayer for Rain is now on Netflix. The English-language drama featuring Hollywood stars like Martin Sheen and Kal Penn alongside Bollywood vets like Rajpal Yadav and Tannishtha Chatterjee depicts the true, tragic events of a 1984 industrial disaster. It’s worth watching.
With no new Hindi movies opening in the U.S. or Canada on Friday, May 2, 2014, old favorites continued to pull in crowds at the North American box office. The Lunchbox — now in its tenth week — earned $255,736 from 141 screens ($1,814 average), bringing its total earnings to $2,968,497 so far.
2 States also held up well in its third week. It earned $167,377 from ninety-one screens ($1,839 average) to bring its total North American earnings to $1,978,594.
With The Lunchbox set to pass $3 million in North American earnings this week and 2 States about to the clear the $2 million mark, it’s worth noting the significance of these achievements. Both movies are romantic dramas, as opposed to action-packed spectacles. Neither film features A-list superstars (industry and audience respect for Irrfan Khan notwithstanding).
A look at the last five years of box office receipts reveals similarities among the sixteen Hindi films that managed to earn more than $2 million in North America during that period (five in 2013, five in 2012, two in 2011, one in 2010, and two in 2009). Four films are action sequels: Dhoom 3, Krrish 3, Dabangg 2, and Don 2. A small list of actors show up in multiple movies on the list:
Hrithik Roshan: Krrish 3 and Zindagi Na Milegi Dobara
[Somebody in Bollywood needs to cash in by bringing back Shahrukh Khan and Kareena Kapoor Khan for Ra.Two, featuring Deepika Padukone and Katrina Kaif as the villains.]
The Lunchbox continues to earn big, thanks to its partnership with a Hollywood distributor — Sony Pictures Classics — which has dramatically expanded its potential audience compared to a typical Hindi film. Though movie adaptations of popular books are far rarer in India than in Hollywood, the success of 2 States should start to change that.
The only other Hindi movie showing in the U.S. the weekend of May 2-4 was Queen. Now in its ninth week, it earned $190 from one theater, bringing its total earnings to $1,417,405.
Following a less-than-stellar opening weekend performance in American theaters, Jai Ho‘s earnings cratered in its second weekend. According to Box Office Mojo, Jai Ho‘s earnings fell nearly eighty percent in its second weekend, earning just $176,214 in the U.S. and Canada.
For comparison’s sake, theaters that carried 11-week-old films like Philomena or The Hunger Games: Catching Fire earned more per screen ($1,702 and $1,144 respectively) than did theaters that gave Jai Ho a second week ($904).
September 21, 2012, marks the opening of Heroine in four Chicago area theaters. Kareena Kapoor plays a superstar actress whose career is in decline. (Hopefully, she won’t resort to black magic, as Bipasha Basu did recently in Raaz 3.)
All four of the above theaters are carrying over last weekend’s new release, Barfi!, as is the AMC River East 21 in Chicago. The film earned a very impressive $1,061,713 in its first weekend in U.S. theaters.
The South Barrington 30 also carries over Ek Tha Tiger for a sixth week.
Plenty of other Indian and South Asian films can be found at the Chicago South Asian Film Festival, which runs now through Sunday, September 23. The event closes with the world premiere of Shobhna’s Seven Nights. The film’s star, Raveena Tandon, will be on hand for a Q & A session following the film’s premiere.
One of my most anticipated Bollywood releases of the year, Barfi!,opens in five Chicago area theaters on September 14, 2012. Barfi! — which is the name of an Indian dessert and not a variation on a euphemism for vomit — tells the story of a deaf-mute man played by Ranbir Kapoor and his relationships with two women, played by Priyanka Chopra and Ileana D’Cruz.
Despite opening to dismal collections of just $105,865 from seventy-four U.S. theaters, Joker gets a second week at the South Barrington 30 and Cantera 17. For comparison’s sake, the Tamil film Mugamoodi earned $55,501 from just twenty-two screens in its U.S. debut last weekend.
I’m sad to report that the streaming video service Mela is shutting down on September 15. I updated my article on the best ways to stream Bollywood movies on the iPad to reflect the news.
In the days that Mela remains active, I recommend using it to watch the exceptional documentary Supermen of Malegoan. If you’re a masochist, check out the Hindi horror film Ghost, the current leader in the race for my worst Bollywood film of 2012. Other movies I’ve reviewed via Mela include Hate Story, Bumboo, Chaurahen, and The Forest.
Another new Hindi movie opens in Chicago area theaters the weekend beginning August 31, 2012. Joker stars Akshay Kumar and Sonakshi Sinha in a comedy about aliens, not that you’d be able to infer that from the title.