I updated my list of Bollywood movies on Netflix with the addition of the Hindi sports drama Penalty, as well as the return of about two dozen Viacom 18 films that had expired from the service over the last several months. Here’s what’s back:
I also updated my list of Bollywood movies on Netflix with more than twenty additions to the catalog, a mix of previously available titles and stuff brand new to the service. I’ve reviewed many of the films, including (click on the star-rating for my review):
Few Bollywood outsiders skyrocket to fame with their very first Hindi film, but that’s exactly what happened to Omi Vaidya when he played Chatur “Silencer” Ramalingam in the hit movie 3 Idiots. After a few years and several more Bollywood films, the Los Angeles native returned home to raise a family and resume his Hollywood career. His latest project is the Netflix comedy series Brown Nation.
Omi graciously answered some questions via email about Brown Nation and his documentary Big in Bollywood, which makes its Netflix debut in December. He also had lovely things to say about his Jodi Breakers and Players co-star Bipasha Basu, because, well, Omi’s just a doggone nice guy.
Kathy: How did you get involved with Brown Nation? Was it already a Netflix project when you came onboard? Omi: “I met the director, Abi Varghese, in 2011 when my documentary, Big In Bollywood, won the audience award at the Indian Film Festival of Los Angeles. We hit it off and in mid-2014, he approached me to play the role of Balan in a new sitcom he was creating called Brown Nation. This was an independent TV show with a cast of minority characters speaking in English, Hindi, and Gujarati and financed by private investors–not by a studio or TV company–which meant it may never have been picked up. But it also allowed the show to not be limited by the typical stories and cast of characters you see on American or Indian TV.”
Kathy: What do you like about the cast of the show? Omi: “When I started shooting, I was astounded by the amount of talent that was on the set. The cast was selected over many months and the actors that were chosen perfectly fit the roles. Many of them also had a wealth of acting experience and some were veterans of comedy and improv. It’s really the level of talent that elevates Brown Nation to a great show you want to binge watch.”
Kathy: Where are you finding the best opportunities right now: India or America? Are you more partial to one storytelling format over another? Omi: “I am finding great opportunities in both India and America. Both countries are having media revolutions in the kinds of stories they are telling, so it’s exciting to be able to partake in both! I especially like it when the lines blur between the two like they did in Brown Nation. I prefer the efficient storytelling and comedic sensibilities of Western cinema, however there’s an exuberance and excitement to Bollywood that you just can’t get anywhere else. Plus Bollywood stories hit on topics that can be more relatable to South Asians so there’s value in that as well.”
Kathy: After working steadily in India for a few years, what made you decide to come back to America when you did? Was there ever a time when you thought your career might keep you in India permanently? Omi: “There was definitely a time when I considered living in India permanently. Fame and fortune can be very enticing. But moving to different country solely for career opportunity has its limits. After 3 years of continuous work in India, I had huge professional growth but little personal growth. That’s when I consciously chose to move back to America, because it is the place I was born, grew up, and understood more completely. Although I have a huge fanbase in India, most of my family is in America, and it’s a great place to raise my son who is now 16 months old. My wife, Minal, is also finishing her post-doc at the National Institute of Health. We have a great life, and I still get to do what I love. I strive for a well-rounded life where I am challenged everyday. So in that way, I am blessed.”
Kathy: Having worked in comedy in both the US and India, what do you see as the major differences in comedic styles/preferences between the two countries? Omi: “I am making generalizations here and there are always exceptions. But in general, comedy in America can be more low-key and subtle and ironic, while in India the jokes can be over the top and less sarcastic. India still has a rich tradition of using puns or wordplay in comedy or jokes being steeped in innuendo or double meanings. In America, pun or wordplay humor is not as common. Neither comedy style is superior to the other and both really reflect the audience tastes.”
Kathy: Apart from the classic 3 Idiots, which Hindi film are you most proud of? Omi: “I’m somewhat proud of my work in Madhur Bhandarkar’s, Dil Toh Baccha Hai Ji. Although it wasn’t a major hit, my story in the film was realistic and relatable and I got to play a Maharastrian–which is what I actually am! Using my own experiences and some of my mother tongue in the film was extremely satisfying and allowed me to cross an item off my bucket list. Actually, it’s made me add another item to that list: Someday act in a Marathi film!”
Kathy: What are the plans for the release of Big in Bollywood? Omi: “Big in Bollywood, the documentary that shows my rise to fame in India, is releasing on Netflix by the end of the year. It’s the true story roller-coaster of a film that follows a struggling actor who hits it big, and the perils of a meteoric rise to fame. Please follow me on Twitter @omionekenobe to find out more about the film and it’s release date.” (Since our interview, the Netflix release date for Big in Bollywood was announced as December 31.)
Kathy: Bonus fangirl question: I love Bipasha Basu, and you’ve worked with her twice. Do you have any good Bipasha stories? Omi: “Bipasha Basu is a great woman and person. Many of the actors in India come from film families, and therefore they come to the set with a chip on their shoulders, as if it’s their right to be famous and respected. But actors like Bipasha and Madhavan came from middle-class homes, and they have retained that modesty and down-to-earth nature. Bipasha has presented a strong, smart woman figure to young Indians who may be looking for someone to look up to. And she’s beautiful too! When we shot Players in the northern-most city in Russia, Murmansk, it didn’t matter who was a star or not. None of the cast was recognized by the locals. But it didn’t matter what restaurant we went to; all eyes went to Bipasha. Even if she dressed like a bum, Russian men would still try to make conversation with her. They would say, ‘You work in Bollywood?’ ‘I know Raj Kapoor!’ ‘Awara Hoon!'”
Thanks so much, Omi! Check out Brown Nation on Netflix right now, and watch Big in Bollywood when it debuts on Netflix on December 31, 2016.
For a second weekend, there are no new Hindi films opening in Chicago area theaters. That should change next week with the release of Agneepath, which stars Hrithik Roshan, Priyanka Chopra and Sanjay Dutt.
As independent films make their way into theaters in advance of Oscar season, there’s little screenspace available for Bollywood movies without all-star casts. Accordingly, there are no new Hindi movies opening in the Chicago area the weekend beginning Friday, January 13, 2012.
With source material as rich as not one, but two, versions of The Italian Job to draw from, Players should be a slam dunk. Wisely, filmmaking duo Abbas-Mustan take the best aspects from their inspiration and add enough new touches to make it an enjoyable Indian action flick.
My biggest fear before seeing Players was that it wouldn’t be able to hold interest for 2 hours and 47 minutes. But Players is about as well-paced as a nearly three-hour-long movie can be, hitting plot points at the right times so as not to let the action drag.
Abhishek Bachchan anchors the film as Charlie Masceranas, a career thief. He learns from a dying friend about the Russian government’s plans to transfer a large amount of gold bars to Romania. With the help of his imprisoned mentor, Victor (Vinod Khanna), Charlie assembles a team of experts to execute a daring heist.
The team includes Charlie’s sometimes girlfriend, Riya (Bipasha Basu), master of disguise Sunny (Omi Vaidya), explosives expert Bilal (Sikander Kher), illusionist Ronnie (Bobby Deol) and a hacker named Spider (Neil Nitin Mukesh).
So as not to appear to condone thievery, the filmmakers give the crew corny motivations for stealing the gold. Charlie wants to fulfill Victor’s dream of opening India’s largest orphanage. Ronnie, a former magician, wants to build a fully automated house for his daughter, who was accidentally paralyzed during one of his tricks.
Ronnie gets some unintentionally hilarious lines when he explains the end of his stage career: “Magic doesn’t do anything. It only ruins lives.”
Thankfully, Sunny, Bilal, Spider and Riya are just in it for the money. When the plan goes awry, Victor’s daughter, Naina (Sonam Kapoor), comes to Charlie’s aid.
There are some nice interactions between the team members. Sunny and Bilal are funny sparring partners, and Naina’s crush on Charlie creates tension between her and Riya. Charlie is the anchor, but this really is an ensemble film.
Besides the star cast, the movie’s main attractions are its action sequences. The gold-theft scene is tense, and the car chases are pretty good. Strange editing and artificially sped-up shots keep the fight scenes from looking their best, but interesting locales like Russia and New Zealand elevate the whole experience.
A tendency toward corniness pervades Players, to its detriment. It keeps the film from achieving the snappy sophistication of the films that inspired it. In addition to Charlie’s and Ronnie’s Robin Hood motivations, the score heavy-handedly tries to provoke emotions.
The most pandering element in Players is the needless inclusion of comic actor Johnny Lever, a regular feature in Abbas-Mustan films. I don’t find Lever funny, or more accurately, I don’t find the outrageous characters he always plays funny. That directors feel the need to pair his appearances with wacky sound effects just makes things worse. Any spell the movie could hope to cast is broken when Lever appears onscreen.
Another element that can’t be overlooked is how pointedly the movie targets a male audience. Basu and Kapoor both have a couple of forgettable dance numbers requiring to them to gyrate in skimpy dresses. Another female character is viewed through frosted glass as she showers. Almost every Anglo woman in the movie is kitted out in hot pants.
Yet the male stars aren’t required to doff their clothes, apart from a brief scene featuring Mukesh in a bubble bath. Bachchan and Deol are regular romantic leads, and Kher is clearly fit. Why not work in a shirtless shot of one of them, in the name of gender equality?
The thread of sexism isn’t limited to who’s asked to expose the most skin. Naina and Riya are both asked to play the role of seductress to aid the team, which features five men (six, including Victor) and only two women. Language denigrating women goes largely unchallenged by the male heroes.
That said, Players works as an action film. It hits the right notes often enough to sustain excitement for almost three hours, which is the primary objective of any action movie.
2012 kicks off in star-studded style when the Bollywood action film Players hits theaters on January 6. The remake of The Italian Job (complete with Mini Coopers) stars Abhishek Bachchan, Bipasha Basu, Sonam Kapoor, Bobby Deol and Neil Nitin Mukesh.
Given how well Don 2 has performed during its first two weeks in theaters, it’s no surprise that the 3D heist film carries over for a third week at all of the above theaters. Its total U.S. haul stands at $3,288,692.
Other Indian movies showing at the Golf Glen 5 this weekend include Beautiful (Malayalam), Rajanna (Telugu) and Rajapattai (Tamil).