0 Stars (out of 4)
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Buy the soundtrack at Amazon
How does a filmmaker who goes out of his way to set a low bar for himself still fail to make a movie that’s even slightly funny or appropriate? Director Sajid Khan achieves that feat with Humshakals (“Lookalikes“), his worst film yet in a career full of horrible films.
Khan opens Humshakals with an allegedly humorous director’s note about having forgotten something important a wise man once told him. Then he introduces his main character, Ashok (Saif Ali Khan), a millionaire moonlighting as a terrible standup comedian. Later, Ashok and his best friend, Kumar (Riteish Deshmukh), are tortured by being forced to watch Khan’s awful 2013 film Himmatwala.
Ashok’s bad jokes are pertinent because they set up a theme that runs through all of Khan’s movies: a lack of respect for women. Even if Khan doesn’t personally feel that way, he panders to the segment of the audience that does.
Ashok’s jokes are straight out of my 8-year-old nephew’s joke book, yet TV presenter Shanaya (Tamannaah Bhatia) finds them unironically hilarious. Beautiful and stupid: Khan’s ideal woman.
Shanaya’s not the only mental lightweight in the movie. Ashok and Kumar are imprisoned in a mental asylum by Ashok’s evil uncle, Mamaji (Ram Kapoor), alongside a pair of identical lookalikes, also named Ashok (Saif) and Kumar (Riteish), only the lookalikes have the mental capacity of children.
In yet another knock against women, the asylum’s psychologist, Dr. Shivani (Esha Gupta), falls instantly in love with Stupid Ashok when he tells her she’s pretty. Shivani — a doctor — is so insecure and desperate to have her physical appearance validated that she agrees to marry the first man who compliments her, even if he has the intellectual capacity of a grade schooler.
At least twice more Khan asserts the belief that a woman’s most important quality is her appearance. Shivani, Shanaya, and Mishti (Bipasha Basu) — a doctor, a TV presenter, and Rich Ashok’s estate manager — save the day by baring their midriffs and performing a racy dance number.
The worst is what happens when hefty Mamaji’s lookalike, Johnny (Ram), dresses in drag to help Rich Ashok and Rich Kumar. As soon as Johnny appears on screen in a dress and wig, the soundtrack is punctuated with elephant sound effects. Not when Johnny is dressed as a man of exactly the same proportions, only when he’s pretending to be a woman.
When a woman’s only value is how sexually appealing she is to straight men, there’s no greater character flaw than being overweight or unattractive. It’s such an egregious flaw that it deserves ridicule, even though an overweight man does not.
Khan really, really likes to poke fun at people he thinks are abnormal. Jokes are made at the expense of overweight women, little people, gays, Koreans, and especially the mentally ill. Everyone in the movie with a mental illness is also portrayed as being intellectually deficient.
Know who else Khan thinks are hilarious? Nazis. The asylum’s warden (played by Satish Shah) wears an SS uniform and prays to a photo of Adolf Hitler. He gives a “Heil Hitler” salute and threatens to send Ashok and Kumar to the “gas chamber.” Because there’s nothing funnier than genocide.
In addition to lacking empathy or an appropriate sense of humor, Khan is also a thief. Stupid Ashok mistakes a model of an orphanage for an “orphanage for ants,” a joke lifted from 2001’s Zoolander (I’ve included a video of the original below). Khan stole a joke from Planes, Trains, and Automobiles for Himmatwala, so this is a pattern.
On top of all these offenses, Humshakals just plain sucks. Shots are out of focus. The plot moves at a snail’s pace. The songs are soulless. The choreography is lazy. The acting is bad, even though Ram Kapoor tries to humanize his characters.
With this track record of misogyny, intellectual property theft, and general disrespect for large segments of the global community, it’s time for actors to question whether appearing in a Sajid Khan film is worth the paycheck. I hope that the actors in Humshakals didn’t realize how offensive the movie was as they were making it (although Saif and Riteish should’ve known better when asked to prance around as a pair of gay stereotypes). I’m trying not let this piece of garbage tarnish my respect for them as performers, but it’s difficult.