Fine. Nice. Okay. Those are probably the best words to describe Jodi Breakers (“Couple Breakers”), a pleasant but unremarkable romantic comedy about a pair of divorce facilitators.
Fresh off his own financially disastrous divorce, Sid (R. Madhavan) hires himself out to men looking to entrap their cheating wives, thereby avoiding costly alimony payments. Sid hires Sonali (Bipasha Basu) as his partner, which allows them to expand their client base to include women looking to divorce their wayward husbands.
Sid meets privately with the wife of a wealthy businessman with a mistress, who arranges for Sid and Sonali to travel to Greece. There, the duo successfully plants evidence to frame the mistress, Maggie (Dipannita Sharma), who’s tossed out by the businessman, Mark (Milind Soman).
Sonali and Sid get drunk and sleep together while in Greece. Only after they return to India does Sonali discover that Sid lied about the identity of the woman who hired them to break up Mark and Maggie.
As a romantic comedy, Jodi Breakers isn’t particularly romantic or comical. Director Ashwini Chaudhary strikes an uneasy balance between wackiness and more straightforward comedy. Direct-to-camera speeches by Sid’s best friend, Nano (Omi Vaidya), periodically ruin the flow of the film. The leads are instructed to overact in scenes that don’t require it.
Madhavan and Basu have a friendly rapport with each other, but their chemistry doesn’t go further than that. Even though their love scenes are racy by Bollywood standards, they lack sizzle. Mark and Maggie convey more passion and longing in their glances, upstaging the lead couple.
The screenplay hits the necessary plot points and generally makes sense, but scenes drag on too long at the expense of character development elsewhere. Chaudhary, who also wrote the screenplay, spends too much time showing Sid and Sonali getting drunk, without showing why they fell for each other in the first place.
Also missing from the script are scenes of Sid and Sonali executing the jobs they are hired to do. Sid’s first solo job and the duo’s takedown of Mark and Maggie in Greece are the only time we see them at work, other than some brief, humorous client interviews. Scenes of Sid and Sonali successfully entrapping cheaters could’ve set up their inevitable romance while providing laughs.
Other elements of the film are similarly okay, but uninspiring. The music is catchy and the dance numbers are fine, apart from one that’s memorable for the wrong reasons. Someone needs to have a word about appropriate fringe placement with whomever designed the costumes for the female backup dancers in “Bipasha” (below).