Tag Archives: Creature 3D

Movie Review: Bloody Ishq (2024)

Zero Stars (out of 4)

Watch Bloody Ishq on Hulu

Don’t let the above star-rating fool you — Bloody Ishq is a helluva fun movie. It’s just terribly made.

Director Vikram Bhatt’s fascination with computer-generated imagery dates back at least as far as 2013’s unintentional comedy gem Creature 3D, which featured the titular CGI monster. 2022’s Judaa Hoke Bhi marked the first time Bhatt would shoot a film entirely in a virtual production studio, generating just about every image in the movie apart from the actors using Unreal Engine (most commonly used for making video games).

Bloody Ishq presumably follows suit, since the entire movie looks like it was shot in front of a green screen. Other than the actors and the props they interact with, everything else on screen is computer generated. It looks like trash.

Bhatt’s latest horror venture — co-directed by Manish P. Chavan and written by Mahesh Bhatt and Shubham Dhiman — features his standard blend of supernatural mystery with sexy undertones. Neha (Avika Gor) survives a near-drowning with major gaps in her memory. She returns to the remote island mansion she lives in with her husband Romesh (Vardhaan Puri), but there’s something malevolent in the house.

While Neha is stuck on the island, too fearful to go near the water to ferry to the Scottish mainland, her best friend “Ayesha” (Ram Setu‘s Jeniffer Piccinato) appears in the house out of nowhere. Ayesha reminds Neha that she’d been looking into Romesh’s shady dealings before her accident, including the suspicious death of Romesh’s father.

The trouble is, Neha can’t remember anything — until she plays the piano! Then she’s able to see letters floating in the air like they’re part of some futuristic hologram that she can rearrange with her hands to form the title of a book she was reading before she almost died.

She only utilizes this magical ability once.

Herein lies the problem with the movie. Shooting in a virtual environment allows Bhatt to indulge whims without any regard to the shackles of physics, and he takes way too much advantage of this freedom. Why stop at ghosts when you can CGI mind powers, explosions, or a pointless car race? Having to adhere to the laws of physics forces a kind of economy of space and movement that in turn shapes the plot. Absent those restraints, Bloody Ishq‘s story spirals out of control.

It would be one thing if the use of CGI was limited to things that couldn’t be done safely or easily in reality — like having Neha scale a cliff in a mini skirt — but all the sets are CGI, too. Bhatt isn’t creating a whole world from scratch, a la James Cameron’s Avatar. It’s not hard to build a bedroom set or find a cafe to film in. Bloody Ishq was made the way it was in order to save money, and the final product looks cheap.

However, all the things that make Bloody Ishq a movie of low quality help to make it a film of vast unintentional comedy. I enjoyed watching every second of it. The floaty unreality of the CGI mansion interior and the way characters move throughout it is funny. As a bonus, the home is decorated with the same kind of creepy paintings as the haunted hotel in Bhatt’s goofy 2015 horror flick Khamoshiyan.

The acting is not good, although one can hardly blame Gor and Puri for not doing their best work in front of a green screen. Gor plays Neha in overdrive, culminating in a hilarious scene in which she reacts to someone impaled with a stake by screaming, “First aid! First aid!” and hunting for a kit full of BAND-AIDs and Bactine.

There is nary a Scottish accent to be heard among the “Scottish” extras. The sex scenes are not at all sexy, consisting mostly of closeups of faces that make it unclear as to whether the participants were even in the same room during filming.

Perhaps the secret to enjoying Bloody Ishq is a matter of calibrating expectations. Revel in all the things that don’t work about it, and you’ll have fun. Bloody Ishq is so bad it’s good.

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Streaming Video News: October 9, 2015

I updated my list of Bollywood movies on Netflix with one new addition to the catalog. 1994’s Hum Aapke Hain Koun — starring Salman Khan and Madhuri Dixit — is now available for streaming. For everything else new on Netflix, check Instant Watcher.

In other streaming video news, Creature 3D is now on Spuul. This is one of my favorite So Bad, It’s Good movies. Everything about it is hilarious, including the ridiculous creature and a hero who seduces his lady-love by casually lounging against a tree in the hopes that she’ll notice him while driving by. It’s brilliant.

Hey baby, you drive through this forest often?

Movie Review: Creature 3D (2014)

creature2.5 Stars (out of 4)

Buy or rent the movie at iTunes
Buy the DVD at Amazon
Buy the soundtrack at Amazon

Hindi horror movies are few and far between, and monster movies are rarer still. Taking into consideration the largely nonexistent infrastructure of screenwriters, directors, and visual effects artists that specialize in monster movies, my expectations for Creature 3D were low. While it lived down to my expectations, Creature 3D is so bad, it’s good.

Here’s an example of how Creature 3D qualifies for “so bad, it’s good” status: the humanoid monster’s roar is literally a guy saying, “Roar.” Not making a roar sound, but saying the word, “Roar.”

The creature’s victims are primarily guests and employees of the Glendale Forest Hotel, a place that sounds more like a rehab clinic than a mountain resort, according to my brother (with whom I watched the film). The hotel belongs to Ahana (Bipasha Basu), who left Delhi following her father’s death. Her hopes of a fresh start in the hinterlands are dashed when a monster starts eating her clients.

The monster also interrupts a budding romance between Ahana and Kunal (Imran Abbas), one of her guests. Kunal is supposedly a famous author, but he gets mysterious phone calls asking if he’s done what he came to the hotel to do.

Do Kunal’s mysterious phone calls or the events that drove Ahana from the city have any connection to the creature? No. Unlike American horror movies in which a supernatural attack is often a response to a sin committed — why do you think the teens making out in a car are always first to die? — Ahana’s encounter with the creature is just a case of bad luck. So says Professor Sadanand (Mukul Dev), a zoologist familiar with the creature.

If there’s a moral to the story, it’s that one can’t run from one’s problems. However, the problems that drove Ahana from the city aren’t the kind that can be fought. She’s just grieving her dead dad. Kunal guilt-trips Ahana for taking anti-anxiety medication, which he considers a moral weakness.

Ultimately, Ahana decides to stay and fight the creature, because there wouldn’t be a second half of the movie if she didn’t.

As for the hybrid man-lizard creature itself, oh, boy. It’s entirely computer generated, so it lacks the physical presence of a man in a suit or even a puppet. Some of its movements are neat, but it feels fake and never scary.

In fact, it’s almost like writer-director Vikram Bhatt — who probably has more experience with the horror genre than anyone else presently working in Hindi cinema — went out of his way to make Creature 3D not scary. There isn’t a single frightening moment in the film.

There’s no payoff in scenes where you expect a jump scare. When Ahana and Kunal stand in front of a window, the creature doesn’t pop up on the other side of the glass. Instead, the camera cuts to a window on the other side of the room, and we see the creature’s hand reach over the windowsill before he slowly pulls himself over it. Several shots are just pans across a blank wall with growling sounds in the background that end with the monster coming into the room through an open door.

Far scarier than the monster is Kunal, who spends the bulk of the movie leering at Ahana. One of the film’s song sequences — “Hum Na Rahein Hum” —  is just Kunal staring at Ahana while she goes about her day. Whether she’s buying flowers or driving through the woods, he’s always lurking. I’ve included a link to the hilarious music video below the review.

Mukul Dev is the real hero of the film, providing most of the unintentional comedy. Even though the professor saves a dining room full of people by scaring the monster with fire, his elaborate plan to kill the creature doesn’t involve flames. Instead, it requires “an old bus” and a human dummy covered in meat.

When that plan doesn’t work, the professor must rescue Ahana and Kunal using — you guessed it — fire. This sets up the single greatest shot in the whole film. Instead of soaking his jacket in gasoline, running to the old bus, setting the jacket on fire, and throwing it into the bus to give Ahana and Kunal a chance to escape, Professor Sadanand lights the jacket on fire first and then starts running. The sight of Mukul Dev running down the road trying not to get burned by his flaming sport coat is one of the funniest things I’ve ever seen.

Despite a tremendously boring final twenty minutes, there are abundant reasons to watch Creature 3D: Kunal lurking seductively in the woods. The creature’s “roar.” Mukul Dev’s flaming sport coat. Meat dummy.

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New Trailer: July 16, 2014

Dear T-Series:

Please, please, please release Creature 3D in the U.S. on September 12.

Sincerely,
Kathy Gibson