3 Stars (out of 4)
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Bombay Talkies is a collection of short films by four young directors, created to honor one hundred years of cinema in India. The results are mixed, but the two best shorts make the whole film worth watching.
Ajeeb Dastaan Hai Yeh by Karan Johar
Johar’s short — a story of a gay tabloid intern (played by Saqib Saleem) who upends the life of his married boss (Rani Mukerji) — is the least successful of the four films. It doesn’t feel like a complete story, but rather a subplot of a full-length feature. The events depicted in the short would’ve made a nice catalyst for the further development of Mukerji’s character or an interesting interlude in a longer movie about Saleem’s character, struggling to find his way both as a young adult and as a gay man who’s been cast out from his family. The short film as it stands doesn’t work.
Star by Dibakar Banerjee
Banerjee’s effort is much more polished and showcases the incredible talent of Nawazuddin Siddiqui. Siddiqui plays Puradev, a failed actor who hops from job to job while waiting for his big break. Banerjee’s narrative includes some charming whimsical elements, such as Puradev’s pet emu and the disappointed ghost of his acting mentor. Siddiqui shines in a great scene in which Puradev pantomimes the events of his day for his daughter’s amusement.
Sheila Ki Jawaani by Zoya Akhtar
Akhtar’s short is the best of the bunch. Her story concerns a little boy named Vicky (Naman Jain) who wants to be a dancer, much to the chagrin of his macho father (played by Ranvir Shorey). Vicky’s idol, actress Katrina Kaif, appears to him in a vision, encouraging him to follow his dreams covertly. He gets further support from his understanding older sister, Kavya (Khushi Dubey).
Like Banerjee’s short, Akhtar’s movie includes some fantastical elements, celebrating the way in which movies allow us to envision a more magical version of reality. Hindi movies rarely feature child protagonists, so it’s refreshing to see a story that focuses on the concerns of children. Jain and Dubey are terrific.
Kaif’s advice to Vicky — be true to your dreams, but don’t broadcast them — seems like a bit of a bummer until her audience is taken into consideration. Vicky — like all children — has so little control over his present circumstances that there’s wisdom in trying to make his day-to-day life easier until he’s an adult and can do what he wants. It’s also a warning to parents to remember that children need respect as individuals as much as they need guidance and protection.
Murabba by Anurag Kashyap
After Akhtar’s delightful short, Kashyap’s film is a downer. His story follows a rural guy named Vijay (Vineet Kumar Singh) on his quest to meet Amitabh Bachchan and get him to take a bite of a piece of preserved fruit. Vijay’s father believes he’ll be cured of his ailments if he eats the rest of the fruit blessed by Bachchan’s bite, and he sends his son on a fool’s errand. Given the security retinues of modern stars, Vijay’s task is practically impossible to complete, and much suffering is inflicted upon the dutiful son in the process. It’s not fun to watch, and the payoff isn’t worth it.
“Apna Bombay Talkies”
The quartet of films is followed by a cheesy song-and-dance number featuring clips of old films and lip-syncing by current Bollywood stars. It’s almost as painfully self-congratulatory as the celebrity role-call song “Deewangi Deewangi” from Om Shanti Om, but it’s not as well choreographed. Check it out: