For those of you wanting a refresher before Krrish 3 releases on November 1, Eros Now offers both of its predecessors — Koi… Mil Gaya and Krrish — for rent at $1.99 each or as part of the $7.99 monthly subscription.
The crime thriller Aurangzeb — the latest offering from Yash Raj Films — opens in Chicago area theaters on May 17, 2013.
Aurangzeb opens on Friday at the AMC River East 21 in Chicago, Big Cinemas Golf Glen 5 in Niles, AMC South Barrington 30 in South Barrington, and Regal Cantera Stadium 17 in Warrenville. It has a listed runtime of 2 hrs. 20 min.
The zombie comedy Go Goa Gone — which earned $170,044 in its first weekend in U.S. theaters — carries over for a second week at all of the above theaters. Having earned $338,433 in the U.S. so far, Shootout at Wadala gets a third weekend at the South Barrington 30.
Friday also marks the release of The Reluctant Fundamentalist in India. I recommend it.
Bollywood’s first zombie comedy hits Chicago area theaters on May 10, 2013. Go Goa Gone stars a blond Saif Ali Khan.
Go Goa Gone opens on Friday at the AMC River East 21 in Chicago, Big Cinemas Golf Glen 5 in Niles, AMC South Barrington 30 in South Barrington, and Regal Cantera Stadium 17 in Warrenville. It has a listed runtime of 1 hr. 51 min.
Also starting on Friday, Bollywood fans can watch the legendary Amitabh Bachchan in his first Hollywood role as Meyer Wolfsheim in The Great Gatsby.
The gangster thriller Shootout at Wadala carries over for a second week at all of the above theaters.
Other Indian movies playing in the area this weekend include Greeku Veerudu (Telugu) at the Cinemark at Seven Bridges in Woodridge and the Golf Glen 5, which is will also carry Sound Thoma (Malayalam).
Two men reminisce about the circumstances that led them to abandon their idealistic principles for a more practical, cynical approach to morality. One man is a gangster, the other the police officer who has mortally wounded the former. Such is the opening of Shootout at Wadala, a thrilling action film that raises moral questions with no easy answers.
The film is based the real-life extrajudicial killing of mobster Manya Surve in 1982. It was the first officially documented “encounter killing” by the Mumbai police, setting the stage for decades of unofficially sanctioned police murders of known gangsters. As at-odds as the practice is with the rule of law, the film makes the case that both the police and Surve felt that circumstances left them with no good choices.
As Manya (John Abraham) slowly bleeds to death in the back of a police van, he tells Officer Baaghran (Anil Kapoor) how his promising college career gave way to a life of crime. In 1970, Manya was unfairly jailed for life as an accessory to a murder committed by his step-brother. Manya quickly learns that an ability to instill fear is his best defense in jail.
Eight years later, Manya and his crony, Munir (Tusshar Kapoor), escape prison. Rather than settling for being underlings in someone else’s gang, they recruit members and form their own.
The action periodically returns to the present day so that Baaghran can recall events from his own perspective. Just before Manya’s prison break, Mumbai was run by a ruthless gang of murderers and rapists lead by a man named Mastan. The police watch in frustration as the gang members they arrest bribe their way back onto the streets.
An enterprising newspaperman suggests that the police employ sibling thugs the Haskar brothers — Zubair (Manoj Bajpai) and Dilawar (Sonu Sood) — to clean up Mastan’s gang. It puts the police in the uncomfortable position of choosing which underground syndicate will control the city. When Manya’s gang runs afoul of the Haskar brothers, leading to even more violence, Officer Baaghran and the rest of the police force decide to deal with the problem without waiting for the judicial system’s approval.
Writer-director Sanjay Gupta makes the case that, regardless of the morality of their decisions, both Manya and Baaghran felt forced into their choices by a broken system. The cops are outgunned by the criminals and have no support from judges or politicians. As a result, the public doesn’t trust the police to keep them safe. Locking up innocent bystanders and low-level crooks like Manya and his step-brother temporarily soothes the cops’ sense of futility, even if it creates bigger problems later.
Even while acknowledging the moral conundrum, Gupta manages to make his movie very cool. The background score is atmospheric, and everyone looks awesome in their early-’80s get-ups, especially Bajpai and Sood (as seen on the poster above). Mustaches and aviator sunglasses abound.
Manya’s plotline also includes a complicated love story. His college sweetheart, Vidya (Kangna Ranaut), encourages Manya to rescue his step-brother, who then stabs his attacker while Manya restrains him, to Manya’s shock and horror. Manya resents Vidya’s role in his imprisonment and her seeking his permission to move on with her life; she blames him for robbing them of their future together. When they reunite after Manya’s escape, both the love and resentment remain. Abraham and Ranaut portray this tension expertly.
After an information-packed first hour, the film starts to drag. A couple of song montages are clumped together in the middle of the film, and there are three ridiculous item numbers. (Sunny Leone’s abundant cleavage in the song “Laila” will prompt easily scandalized audience members to run screaming from the theater.)
There’s also a funny training montage early in the film. In an effort to disguise Abraham’s Hulk-ish physique, Manya’s college student avatar is forced to don absurdly oversized shirts. In prison, Manya enlists a mentor to transform him into a fighting machine in the span of a month. Cue the training montage in which Manya is suddenly transformed into a Mr. Universe competitor!
A couple of silly problems aside, Shootout at Wadala distills a complicated true story into a stylish and entertaining action flick that also engages the brain.
One new Hindi movie opens in the Chicago area on May 3, 2013. Sadly, it’s not Bombay Talkies*, but Shootout at Wadala looks like it could be a cool action flick. The trailer features Anil Kapoor using wet laundry to beat up a guy, for Pete’s sake!
Shootout at Wadala opens on Friday at the AMC River East 21 in Chicago, Big Cinemas Golf Glen 5 in Niles, AMC South Barrington 30 in South Barrington, and Regal Cantera Stadium 17 in Warrenville. It has a listed runtime of 2 hrs. 25 min.
Fans of Hindi films may want to check out Mira Nair’s The Reluctant Fundamentalist, which features Bollywood vets Om Puri and Shabana Azmi in supporting roles. It opens locally on Friday at Landmark’s Century Centre Cinema in Chicago.
Other Indian movies playing locally this weekend include Greeku Veerudu (Telugu) at both the Cinemark at Seven Bridges in Woodridge and the Golf Glen 5, which also carries Ethir Neechal (Tamil), Gunde Jaari Gallanthayyinde (Telugu), and Immanuel (Malayalam).
*Director Karan Johar tweeted that Bombay Talkies will release internationally after it premieres at the Cannes Film Festival on May 19.