Tag Archives: Andhadhun

Movie Review: Bhoot Police (2021)

3.5 Stars (out of 4)

Watch Bhoot Police on Hulu

Bhoot Police (“Ghost Police“) is a really satisfying, high-concept horror comedy.

Brothers Vibhooti (Saif Ali Khan) and Chiraunji (Arjun Kapoor) are exorcists for hire, carrying on the legacy inherited from their father, the renowned spiritual healer Ullat Babu (Saurabh Sachdeva, in flashbacks). However, the brothers’ business is a grift. Non-believer Vibhooti rationalizes their work as harmless since their sham spells put peoples’ minds at ease, but Chiraunji isn’t so sure. He’s convinced that their father’s encoded spellbook holds some key to the spirit realm, if only he could figure out how to read it.

Chiraunji asks his dearly-departed father for a sign, and Dad delivers. Chiraunji drops the spellbook, and a hidden scroll unlocking the book’s code pops out. The book lands at the feet of a woman named Maya (Yami Gautam) who needs the brothers’ help. Decades ago, Ullat Babu banished a ghost from her family’s tea estate, but the ghost seems to have returned. Now that Chiraunji can decipher his father’s book, perhaps he can perform a real exorcism and save Maya’s business.

The performances in Bhoot Police are a lot of fun. Khan’s opportunistic cad Vibhooti is contrasted against Kapoor’s earnest, sentimental Chiraunji. Gautam’s warmhearted Maya is balanced by her party girl sister Kanu (Jacqueline Fernandez, whose energetic performance is slightly over the top). Amit Mistry and Javed Jaffrey do exactly what needs doing in their supporting roles.

Because Bhoot Police feels silly and fun, it’s easy to miss how much thought went into its construction. Making the brother’s disparate personalities the main driver of conflict and then doubling it by adding two sisters with a similar dynamic adds depth to the story. There’s a goofy subplot with Jaffrey as a police inspector who’s hunting the brothers that has an unexpected payoff. The story behind the ghost haunting the estate is surprisingly emotional. All these layers give the actors a lot to work with and keep the plot moving along.

None of this should be a surprise given the team behind Bhoot Police. Director Pavan Kirpalani previously directed the excellent psychological thriller Phobia, starring Radhika Apte. That film required a great understanding of character, which is present in the characters in Bhoot Police as well. Both of the brothers suffered from the trauma of their father’s death but found different ways of coping with it. Revisiting the scene of their dad’s most famous exorcism forces the brothers to finally confront their feelings about him.

Kirpalani wrote both Phobia and Bhoot Police with Pooja Ladha Surti, who also edited both movies. She’s Sriram Raghavan’s go-to co-writer and editor, too, having worked with him in those capacities on Andhadhun and Badlapur (among other films).

Bhoot Police‘s other co-writer and assistant director — Sumit Batheja — wrote the dialogue for the hilarious action comedy A Gentleman.

With such talented people behind the camera, it’s no wonder that Bhoot Police is as enjoyable and well thought out as it is. The cast in front of the camera brings the story to life with a seeming effortlessness. If only every comedy could be made with this much care and deliberation.

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Bollywood Box Office: April 12-14, 2019

The North American box office was in a holding pattern during the weekend of April 12-14, 2019, in anticipation of the April 17 release of the guaranteed blockbuster Kalank. The only new Hindi film to open in North America on the 12th was The Tashkent Files, which made just $15,368 from 14 theaters ($1,098 average), according to Bollywood Hungama.

Other Bollywood titles fared little better over the sleepy weekend:

  • Romeo Akbar Walter: Week 2; $25,698 from 36 theaters; $714 average; $221,648 total
  • Kesari: Week 4; $19,650 from 16 theaters; $1,228 average; $1,862,580 total
  • Badla: Week 6; $8,286 from eight theaters; $1,036 average; $1,859,793 total
  • Gully Boy: Week 9; $422 from one theater; $5,414,386 total

Meanwhile, Andhadhun is burning up the Chinese box office to the tune of $30 million in two weeks! And I thought the $1.3 million it earned here in eleven weeks was impressive!

Source: Bollywood Hungama

Best Bollywood Movies of 2018

In 2018, it feels like most of the Hindi films I reviewed fell into the “okay” category — not horrible but not necessarily outstanding either. Only five movies merited a star-rating of 3.5 or higher, and just five earned a star-rating of 1.5 or lower. (Obligatory critic’s disclaimer that star-ratings are convenient shorthand lacking context, so please read the reviews!) As a result, I’m only doing a Top 5 and Bottom 5 for 2018.

That said, I think the movies at the top of the list are fantastic for different reasons, and I’d love to revisit all of them someday. Let’s see what made the list!

[Note: I didn’t get to review Tumbbad until after I’d written this post. I’d rank it in second place for the year.]

One of the year’s most delightful surprises was the horror comedy Stree. I wasn’t even sure it was going to open in the United States, given that movies starring Stree‘s lead pair — Rajkummar Rao and Shraddha Kapoor — aren’t locks for international release. Thank goodness it did, because Stree was a ton of fun, weaving hilarious moments with a progressive message discouraging male objectification of women.

While Stree was about how men view women, Veere Di Wedding was as woman-centric as can be. The female buddy comedy gave wider latitude to its characters than most women are allowed onscreen in Bollywood, and it did so while being positive and uplifting. I have a soft spot for movies about nice people behaving nicely, and Veere Di Wedding was just that.

A buddy film of a different sort, Bhavesh Joshi Superhero follows a trio of vigilantes and what happens when two of them abandon their revolutionary ideals in exchange for middle-class comfort. It’s a timely story of the importance of organized resistance and a rejection of complacency among financially secure citizens, in India and abroad.

In the runner-up spot for 2018 is the top-notch spy thriller Raazi, about a young woman forced to leave her homeland in order to save it. Raazi was another win for women in Hindi cinema–not just because of Alia Bhatt’s riveting performance in the lead role, but because of the two talented women behind the camera: screenwriter Bhavani Iyer and writer-director Meghna Gulzar.

Another thriller was my favorite Bollywood movie of 2018, and the only one to which I awarded 4 stars: director Sriram Raghavan’s fiendishly clever Andhadhun. Ayushmann Khurrana’s first $1 million movie of the year featured him as a blind pianist drawn into danger by a calculating trophy wife, played by a devilish Tabu. Radhika Apte plays Khurrana’s love interest, adding to the talent level of a cast directed by a filmmaker who’s cemented his position as Bollywood’s neo-noir master. Andhadhun is currently on Netflix in the United States, which is great for first-time watchers and those of us who can’t wait to watch it again.

Kathy’s Best Bollywood Movies of 2018

  1. Andhadhun — Buy at Amazon/stream on Netflix
  2. Raazi — Buy/rent at Amazon or iTunes/stream on Prime
  3. Bhavesh Joshi Superhero — Buy at Amazon/stream on Netflix
  4. Veere Di Wedding
  5. Stree

Previous Best Movies Lists

Streaming Video News: December 18, 2018

I updated my list of Bollywood movies on Netflix with the exciting addition of the neo-noir thriller Andhadhun, my favorite Hindi film of the year so far. Other newly added 2018 releases include the Tamil movie Vanjagar Ulagam, the Malayalam flick Lilli, and the Hindi TV series Anjaan: Rural Myths.

One of the year’s biggest hits in the US — Badhaai Ho — is now streaming on Hotstar.

Amazon Prime added a ton of Indian content in the last few days. Many of the sixty or so movies added are actually returning titles, movies like Action Replayy that disappeared at the end of November.

Here’s the thing about Amazon: those old links from November no longer work, even if a movie was only MIA for a few weeks. Unlike Netflix — which makes one catalog entry for each title — Amazon makes a brand new product entry for each title depending on which distributor has the licensing contract. So if you watched Swami back in early November, you watched a version licensed by a particular company to be streamed by Amazon. When that contract expired, the product essentially disappeared even though it’s catalog entry remains. Then Amazon signed a new deal with Ultra Media & Entertainment, for which Amazon made a whole new entry for Swami, even though it’s the same movie.

One of the perks of the Netflix system is that, if a movie in your List expires, it’ll show back up in your List again if Netflix signs a new contract to stream it, even if it’s with a different company. To find out if a title that expired from Amazon becomes available again, you need, well…me. No worries, though. Main hoon na, y’all.

Bollywood Box Office: December 14-16, 2018

Even with no new movies in theaters, it was still a good weekend for Hindi films in North America. Rajinikanth’s multilingual 3D extravaganza 2.0 led the field, taking in $189,981 from 114 theaters ($1,667 average) in its third weekend of release, according to Bollywood Hungama. It’s earned $5,226,994 here so far, across all languages.

Kedarnath was next with $164,684 from 97 theaters ($1,698 average), bringing its 10-day total to $713,270.

9-week-old Badhaai Ho was third with $7,809 from nine theaters ($867 average), boosting the family comedy’s overall total to $3,316,788. The family comedy made its streaming debut on Hotstar over the weekend, so its theatrical days are numbered.

Same goes for Andhadhun, which hit Netflix yesterday. In its 11th weekend of release — the longest theatrical run for a Hindi film in the United States this year — the thriller earned $3,265 from three theaters ($1,088 average), bringing its total to $1,373,943.

Source: Bollywood Hungama

Bollywood Box Office: December 7-9, 2018

Kedarnath had quite a good opening weekend in North America — fifteenth best in a field of 53 Hindi and multilingual films released here this year, in fact. From December 7-9, 2018, the romantic drama earned $374,964 from 117 theaters ($3,205 average), according to Bollywood Hungama.

It’s showing was all the more impressive given that 2.0 had another great weekend as well, taking in $788,976 from 288 theaters ($2,740 average). The multilingual sci-fi sequel is on the brink of crossing the $5 million mark here, with $4,870,335 in total earnings across all languages so far.

Ayushmann Khurrana’s two films are still going strong, with Badhaai Ho earning $16,181 from 13 theaters ($1,245 average) in its eighth weekend of release. Its total stands at $3,312,100. In its tenth weekend of release, Andhadhun took in $6,398 from five theaters ($1,280 average), bringing its total to $1,368,448.

And then there’s Thugs of Hindostan. In its fifth weekend, it earned $770 from two theaters — one in the United States and one in Canada. The US’s contribution to that total? $10. Imagine a weekend of screenings at that US theater, all empty except for one person sitting alone in one of those showings (okay, maybe two people if it was a matinée). Thugs of Hindostan is stuck just shy of $2 million, with $1,982,112 in total North American earnings.

Source: Bollywood Hungama

Bollywood Box Office: November 30-December 2, 2018

Rajinikanth’s 2.0 did blockbuster numbers in its opening weekend in North America, as expected. From November 30-December 2, 2018, the multilingual sci-fi sequel took in $2,770,738 from 315 theaters ($8,796 average), according to 143 Cinema. Adding in returns from Wednesday night preview shows and a full day of screenings on Thursday brought its total to $3,753,667 by the end of Sunday. By this point, 2.0 has already cleared $4 million here.

Other Hindi movies still showing in North American theaters:

  • Badhaai Ho: Week 7; $25,002 from 17 theaters; $1,471 average; $3,284,458 total
  • Andhadhun: Week 9; $9,437 from seven theaters; $1,348 average; $1,356,669 total
  • Thugs of Hindostan: Week 4; $2,865 from six theaters; $478 average; $1,978,868 total

Sources: 143 Cinema, Bollywood Hungama, and Box Office Mojo

Bollywood Box Office: November 16-18, 2018

If you thought Thugs of Hindostan had a bad first weekend in North American theaters, then buckle up. Its second weekend was a lot worse. From November 16-18, 2018, Thugs of Hindostan earned $150,387 from 178 theaters ($845 average) in the United States and Canada, according to Bollywood Hungama. So far, it hasn’t even earned $2 million here, with a total stuck at $1,876,932. The figures were so bad that Yash Raj Films didn’t even bother to report its data to Box Office Mojo. In India, exhibitors are demanding compensation for their loses.

That second-weekend total represents an 87% drop from its first weekend, which almost never happens for Hindi movies that get wide releases in North America. A notable exception is 2018’s other major flop, Race 3, which ranks just ahead of Thugs on the 1st-to-2nd-weekend holdover list with a drop of 85%. The median 1st-to-2nd-weekend business drop for the year is 75%, but the movies that fall below that mark overwhelmingly release in fewer than 100 theaters. The only other exception this year is Aiyaary, which debuted in 152 theaters, but even it only saw its business fall by about 77% — a healthy number by comparison.

Cinemas fared much better with a pair of older Hindi titles. Five-week-old Badhaai Ho took in $81,850 from 33 theaters ($2,480 average), bringing its total to an amazing $3,122,493. Seven-week-old Andhadhun earned $19,686 from ten theaters ($1,969 average), for total earnings of $1,303,946.

Other Bollywood movies still showing in US theaters:

  • Baazaar: Week 4; $398 from two theaters; $199 average; $326,384 total
  • Namaste England: Week 5; $10 from one theater; $109,698

Sources: 143 Cinema, Bollywood Hungama, and Box Office Mojo

In Theaters: November 16, 2018

Despite a lackluster $1 million opening weekend, Thugs of Hindostan is still the main game in town for Chicago area Bollywood fans the weekend beginning Friday, November 16, 2018. Thugs carries over (in standard format only) at the AMC River East 21 in Chicago, MovieMax Cinemas in Niles, AMC Showplace Niles 12 in Niles, Regal Round Lake Beach Stadium 18 in Round Lake Beach, AMC Rosemont 18 in Rosemont, AMC South Barrington 24 in South Barrington, Regal Cantera Stadium 17 in Warrenville, AMC Loews Woodridge 18 in Woodridge, and AMC Loews Crestwood 18 in Crestwood.

Badhaai Ho gets a fifth week at MovieMax and Cantera 17, and South Barrington 24, which also holds over Andhadhun for an amazing seventh week.

Other Indian and Bangladeshi movies showing in Chicago area theaters:

Bollywood Box Office: November 9-11, 2018

Thugs of Hindostan‘s opening weekend was not great considering it released in the most theaters of any Hindi movie in North America this year. From November 9-11, 2018, it earned $1,185,386 from 377 theaters ($3,144 average), according to Box Office Mojo. Adding $264,462 from opening day collections on Thursday brings the swashbuckler’s 4-day total to $1,449,848. Its Friday-Sunday total is only fourth best for the year, even though 35 of those theaters charged higher ticket prices to show Thugs on their IMAX screens.

Thugs‘ per-screen average reveals the extent of audience disinterest in this title. $3,144 is just the 16th best opening weekend per-screen average for a Hindi film in North America this year. Adding in the returns from Thursday only brings the average up to $3,846. While one might dismiss this as a case of over-saturation, none of the other Hindi movies to release in more than 300 theaters this year fared as poorly. Padmaavat had an opening weekend PSA of $11,860. Sanju averaged $7,650 per screen. Even Race 3 averaged $5,385 per screen in its first weekend.

Will this poor performance affect the release calendar for the rest of the month? Other studios had all but ceded the territory between now and 2.0‘s release on November 29, assuming that Thugs of Hindostan would be a hot ticket for at least the next two weeks. The Sunny Deol-Preity Zinta comedy Bhaiaji Superhit looks even more likely to release here now on November 23, which would make it the only new release to take advantage of the Thanksgiving holiday in the United States. Last-minute release date changes aren’t unusual in Bollywood, so maybe some scrappy distributor can pull things together in a jiff to take advantage of this unexpected lull.

Other Hindi movies still showing in North American theaters (per Bollywood Hungama):

  • Badhaai Ho: Week 4; $153,098 from 59 theaters; $2,595 average; $2,961,841 total
  • Andhadhun: Week 6; $28,791 from 14 theaters; $2,057 average; $1,244,833 total
  • Baazaar: Week 3; $3,312 from eight theaters; $414 average; $324,616 total
  • Namaste England: Week 4; $24 from one theater; $107,951 total

Sources: 143 Cinema, Bollywood Hungama, and Box Office Mojo