3.5 Stars (out of 4)
Watch AK vs AK on Netflix
Buy the soundtrack at Amazon
AK vs AK is the most novel Hindi film to release in 2020, but novelty is just part of its appeal. Director Vikramaditya Motwane’s meta take on the Indian film industry — and two members of it in particular — is smart, insightful, and a lot of fun.
The AKs of the title are Anil Kapoor and Anurag Kashyap, who play outlandish versions of themselves, as do other members of the Kapoor family. The story is fictional but trades on the participants’ real-life reputations and circumstances. AK vs AK‘s Anurag is a temperamental and self-important arthouse director who feels he deserves more acclaim, while Anil is an aging star who’s slow to accept that his biggest films are behind him.
Anil’s character seems further removed from the real person (no offense to Anurag), but he serves to highlight both the importance of the Bollywood star system and the refusal of many of the men within it to acknowledge the passage of time, insisting on playing college students into their fifties. The fact that Kapoor chose to play the character as he does in AK vs AK shows why he’s the model for aging gracefully in Bollywood.
The story opens with Anurag and Anil onstage for a question and answer session with film students. They trade barbs, bringing to the surface a simmering resentment from when Anurag was a young filmmaker and Anil turned down a role in one of his movies. Anil accidentally spills water on Anurag’s expensive shoes, and Anurag retaliates by throwing water in Anil’s face.
All of this is captured by a video camera operated by Yogita (Yogita Bihani), a filmmaker shadowing Anurag for a documentary project. Yogita helps Anurag concoct an audacious revenge plan to kidnap Anil’s daughter Sonam (playing herself) and film Anil’s search for her. Anurag believes this will cement his directorial genius by capturing Anil’s most realistic performance ever.
What follows is a nighttime chase, as Anil tries to find Sonam before sunrise, at which time the kidnappers who’ve nabbed Sonam have promised to kill her. A video of a tearful Sonam bound and gagged convinces Anil that Anurag is not joking. The two cruise around in Anil’s SUV along with Yogita, who documents the search.
The chase involves a stop at Anil’s house to put in a cursory appearance at his own birthday party to placate his suspicious family, who don’t know about the kidnapping. Anil and Anurag get in a fistfight and destroy a Christmas tree, but it’s somehow not even the funniest part of the sequence at the house. That honor goes to Anil’s son Harsh (playing himself), who is desperate to work with a director of Anurag’s caliber. Harsh acts out his pitch to play an action figure while Anil tries to get him to leave, ending with Harsh screaming about AK vs AK director Vikramaditya Motwane ruining his career when their movie Bhavesh Joshi Superhero flopped. It’s insidery, but hilarious.
Those familiar with the Hindi film industry will get more out of AK vs AK than those who aren’t. I’m sure I missed some references to films from earlier in Kapoor’s career. That said, the overall story is totally comprehensible for those who aren’t Bollywood fans. The way it’s shot — with long takes and clever camera angles that keep Yogita out of frame except for when she’s part of the story — is reason enough to watch it.
There’s also a great examination of the price of stardom. In his most vulnerable moments, Anil can’t get anyone to help him without first taking a selfie with them. Years of entertaining people onscreen isn’t enough for a cop or taxi driver to give Anil information without demanding an additional toll. Not only does he not get special treatment in his hour of need, he doesn’t even get the same courtesy one would afford a complete stranger.
Motwane walks a fine line, making sure the audience always knows how to react to a given scene. AK vs AK is funny when it’s supposed to funny and sad when it’s supposed to be sad. Even the uncomfortable moments where the audience is forced to consider whether something is funny or not clearly feel intentional. Motwane always makes great movies, and AK vs AK is no exception.
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