I updated my list of Bollywood movies on Netflix with today’s additions of the 2021 Telugu movie Thimmarusu and the first season of the Hindi series Kota Factory (a series Netflix acquired in order to produce a second season). Other new additions include a bunch of returning titles from Balaji Motion Pictures, which had expired from Netflix on November 15, 2020:
I also updated my list of Bollywood movies on Amazon Prime with dozens of Indian titles added in the last week — mostly Tamil films released from 2016-2020. Prime also debuted a new Tamil comedy competition series LOL: Enga Siri Paappom, in which comics are challenged not to laugh at each other’s ridiculous antics.
Today, Hotstar launched the new 8-episode historical series The Empire, starring Kunal Kapoor:
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A week of new releases to celebrate Diwali kicked off with today’s premiere of the Akshay Kumar horror comedy Laxmii on Hotstar. Thursday, November 12 sees the debut of the ensemble dark comedy Ludo on Netflix and the Tamil film Soorari Pottru on Amazon Prime. Finally, the social comedy Chhalaang premieres on Amazon Prime on Friday, November 13.
I updated my list of Bollywood movies on Amazon Prime with the new release Gatham, which is available in Kannada, Malayalam, Tamil, and Telugu. There’s been a ton of upheaval on Prime in the last week, with hundreds of titles disappearing — some for several days — only for most of them to reappear on the service. The listings at my page are now up-to-date, but it did mean hours of ultimately pointless work for me. 🙁 I wish Amazon handled its contract renewals and expirations as seamlessly as Netflix does.
Speaking of which, 21 Indian shows and movies are set to expire from Netflix on November 15. The full list is available on my Netflix page under the “Expiring Soon” section near the top of the page. Of the expiring films, these are the ones that I’ve reviewed:
2010’s Once Upon a Time in Mumbaai raised interesting questions about the necessity of violence in organized crime and the role police have in protecting civilians. Its sequel, Once Upon Ay Time in Mumbai Dobaara!, revisits the same characters and locations, but ignores moral quandaries in favor of glitzy romance. The sequel doesn’t live up to the quality of the original.
Once Upon Ay Time in Mumbai Dobaara! (OUATIMD, henceforth) picks up twelve years into the reign of the sadistic Mumbai don, Shoaib (Akshay Kumar). He falls in love with a naive, aspiring actress named Jasmine (Sonakshi Sinha), whose innocence softens the don’s heart. At the same time, Jasmine strikes up a romance with Shoaib’s loyal underling, Aslam (Imran Khan), who tells her he works as a tailor. Neither man knows that they love the same woman, but when possessive Shoaib discovers the truth, boy, is he angry.
The casting in OUATIMD presents a problem from the outset. In the original film, Shoaib is played by Emraan Hashmi, an expert at depicting volatile, unsavory characters. Kumar makes his money these days playing comic goofballs and fails to make Shoaib as menacing as he needs to be. I agree with critic Mihir Fadnavis, who states in his review of OUATIMD that Kumar “sounds like a drunk Yogi Bear.”
Kumar’s not solely at fault for failing to make Shoaib appropriately villainous. Director Milan Luthria and writer Rajat Arora assume that audience members vividly recall the first movie and will apply that foreknowledge to Shoaib 2.0. But the character presented in OUATIMD is a smug, lovesick dope for the majority of the movie. His table-flipping freak-out when Jasmine informs him that she finds him strictly Friend Zone material seems out of character, unless one recalls the ruthless Shoaib from the first movie.
Requisite familiarity with the first film comes up in another odd way in OUATIMD. Shoaib’s girlfriend in the first movie is a woman named Mumtaz. Her character returns in the second as Shoaib’s kept woman, living in a luxurious apartment, but never allowed outside by the jealous don. Her presence is awkward and unnecessary, although she does give a touching speech near the end of the film about personal freedom and the fact that true love can’t be bought.
Jasmine echoes the same sentiments as Mumtaz, and Sinha does a nice job portraying a woman’s fear in the face of a man’s relentless romantic pursuit. In fact, the final half-hour of the film is really entertaining. Unfortunately, it comes about an hour later than it should have, given the amount of romantic fluff that could’ve been excised without damaging the story.
Imran Khan’s performance grew on me through the course of the film, but I’m still not sure that he was the right actor to play Aslam. He just seems too nice to play a street-hardened thief. Khan may have seemed more natural in the role had the makeup and wardrobe departments not turned him into a cartoon character. It’s hard to look beyond Aslam’s mesh tank tops, fake sideburns, feathered hair, and guyliner to appreciate the character beneath.
With a little editing and more appropriate casting, OUATIMD could’ve been pretty good. As it stands, the sequel’s shortcomings serve to reinforce what a superior movie Once Upon a Time in Mumbaai is.