Monthly Archives: January 2015

Movie Review: Creature 3D (2014)

creature2.5 Stars (out of 4)

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Buy the soundtrack at Amazon

Hindi horror movies are few and far between, and monster movies are rarer still. Taking into consideration the largely nonexistent infrastructure of screenwriters, directors, and visual effects artists that specialize in monster movies, my expectations for Creature 3D were low. While it lived down to my expectations, Creature 3D is so bad, it’s good.

Here’s an example of how Creature 3D qualifies for “so bad, it’s good” status: the humanoid monster’s roar is literally a guy saying, “Roar.” Not making a roar sound, but saying the word, “Roar.”

The creature’s victims are primarily guests and employees of the Glendale Forest Hotel, a place that sounds more like a rehab clinic than a mountain resort, according to my brother (with whom I watched the film). The hotel belongs to Ahana (Bipasha Basu), who left Delhi following her father’s death. Her hopes of a fresh start in the hinterlands are dashed when a monster starts eating her clients.

The monster also interrupts a budding romance between Ahana and Kunal (Imran Abbas), one of her guests. Kunal is supposedly a famous author, but he gets mysterious phone calls asking if he’s done what he came to the hotel to do.

Do Kunal’s mysterious phone calls or the events that drove Ahana from the city have any connection to the creature? No. Unlike American horror movies in which a supernatural attack is often a response to a sin committed — why do you think the teens making out in a car are always first to die? — Ahana’s encounter with the creature is just a case of bad luck. So says Professor Sadanand (Mukul Dev), a zoologist familiar with the creature.

If there’s a moral to the story, it’s that one can’t run from one’s problems. However, the problems that drove Ahana from the city aren’t the kind that can be fought. She’s just grieving her dead dad. Kunal guilt-trips Ahana for taking anti-anxiety medication, which he considers a moral weakness.

Ultimately, Ahana decides to stay and fight the creature, because there wouldn’t be a second half of the movie if she didn’t.

As for the hybrid man-lizard creature itself, oh, boy. It’s entirely computer generated, so it lacks the physical presence of a man in a suit or even a puppet. Some of its movements are neat, but it feels fake and never scary.

In fact, it’s almost like writer-director Vikram Bhatt — who probably has more experience with the horror genre than anyone else presently working in Hindi cinema — went out of his way to make Creature 3D not scary. There isn’t a single frightening moment in the film.

There’s no payoff in scenes where you expect a jump scare. When Ahana and Kunal stand in front of a window, the creature doesn’t pop up on the other side of the glass. Instead, the camera cuts to a window on the other side of the room, and we see the creature’s hand reach over the windowsill before he slowly pulls himself over it. Several shots are just pans across a blank wall with growling sounds in the background that end with the monster coming into the room through an open door.

Far scarier than the monster is Kunal, who spends the bulk of the movie leering at Ahana. One of the film’s song sequences — “Hum Na Rahein Hum” —  is just Kunal staring at Ahana while she goes about her day. Whether she’s buying flowers or driving through the woods, he’s always lurking. I’ve included a link to the hilarious music video below the review.

Mukul Dev is the real hero of the film, providing most of the unintentional comedy. Even though the professor saves a dining room full of people by scaring the monster with fire, his elaborate plan to kill the creature doesn’t involve flames. Instead, it requires “an old bus” and a human dummy covered in meat.

When that plan doesn’t work, the professor must rescue Ahana and Kunal using — you guessed it — fire. This sets up the single greatest shot in the whole film. Instead of soaking his jacket in gasoline, running to the old bus, setting the jacket on fire, and throwing it into the bus to give Ahana and Kunal a chance to escape, Professor Sadanand lights the jacket on fire first and then starts running. The sight of Mukul Dev running down the road trying not to get burned by his flaming sport coat is one of the funniest things I’ve ever seen.

Despite a tremendously boring final twenty minutes, there are abundant reasons to watch Creature 3D: Kunal lurking seductively in the woods. The creature’s “roar.” Mukul Dev’s flaming sport coat. Meat dummy.

Links

Bollywood Box Office: January 16-18

Tevar‘s business took a huge hit in its second weekend in U.S. theaters. According to Rentrak figures supplied to Bollywood Hungama, Tevar earned $7,274 from 14 theaters ($520 average) during the weekend of January 16-18, 2015 (not taking into account the Monday Martin Luther King, Jr. holiday). That’s less than 6% of what it earned in its opening weekend, bringing Tevar‘s total earnings to $164,351. It is worth pointing out that, according to Box Office Mojo, Tevar had already earned $214,635 during its first full week in theaters. However, without second weekend figures to augment that data, I’m sticking with the lower Rentrak total.

PK continued its exceptional run, adding another $101,350 from 43 theaters ($2,357 average), bringing its North American total to $10,433,363. That puts it in 24th place all time among foreign-language films released in North America.

Perhaps Gangs of Wasseypur waited too long to make its North American theatrical debut. The first part of the 2012 epic debuted on January 16, 2015, in 13 theaters, earning a measly $5,167 ($397 average). Here’s hoping business picks up during the week before the release of Part II on January 23.

Of the $1,206,346 that the multi-language release I earned in its first weekend in theaters, just $14,382 came from the 47 theaters showing the Hindi-dubbed version ($306 average).

Sources: Box Office Mojo and Rentrak, via Bollywood Hungama

Streaming Video News: January 16, 2015

I updated my list of Bollywood movies on Netflix because three films are about to expire from the streaming service. Dil Chahta Hai, Don, and Lakshya — three movies from Farhan Akhtar’s studio, Excel Entertainment — all leave Netflix on January 23, 2015. Don was one of the first Hindi movies I saw in a theater, I loved Dil Chahta Hai, and I’ve heard nothing but good things about Lakshya. If you’re looking to marathon some movies this weekend, these three are a good place to start.

Gangs of Wasseypur Opens in U.S. Theaters

GoWDirector Anurag Kashyap’s five-hour crime epic Gangs of Wasseypur made a splash on the festival circuit in 2012. It released theatrically in India but didn’t make the journey overseas. Finally, on Friday, January 16, 2015, select AMC theaters across the United States will carry Gangs of Wasseypur Part I. The following Friday, January 23, those same theaters will carry Gangs of Wasseypur Part II. Both parts of the film will run for one week only.

Through a stroke of luck, my local public library ordered Gangs of Wasseypur on DVD back in 2012, so I was able to review it back then. It’s a fascinating movie, unlike any other Hindi film I’ve seen. However, my viewing experience suffered by having to wait several weeks in between watching Part I and Part II.

The one-week break between the theatrical releases of Part I and Part II sounds about right in order to maintain the film’s momentum. Fans of Nawazuddin Siddiqui and Manoj Bajpayee will want to make a point of seeing this on the big screen.

Follow this link to see if Gangs of Wasseypur is playing in a theater near you.

Streaming Video News: January 15, 2015

I updated my list of Bollywood films on Netflix with one new addition to the catalog. The 2013 comedy Sooper Se Ooper, starring Vir Das, is now available for streaming.

In Theaters: January 16, 2015

While there are no new Bollywood movies opening in the Chicago area on Friday, January 16, 2015, there are still plenty of Hindi movies to see in local theaters.

Two recent releases — Tevar and PK — continue their theatrical runs. Tevar gets a second week at the Regal Gardens Stadium 1-6 in Skokie, AMC South Barrington 30 in South Barrington, and Regal Cantera Stadium 17 in Warrenville. PK gets a fifth week at the South Barrington 30 and Cantera 17.

One older Hindi film finally makes its U.S. theatrical debut on Friday. 2012’s 5-hour epic Gangs of Wasseypur is being released in two parts in select theaters across the country, including the South Barrington 30. Part 1 debuts on January 16, and it will be replaced the following Friday, January 23, by Part II.

The Indian movie that is dominating local screenspace in unprecedented fashion is the sci-fi/fantasy adventure romance I, which opens today. Originally shot in Tamil, I is also dubbed into Telugu and Hindi. It’s showing all across the Chicago area, with different theaters carrying different versions (all of them supposedly have English subtitles). Here’s a list based on info available at Fandango:

Tamil: AMC River East 21 in Chicago; Century 12 Evanston in Evanston; Century 16 Deer Park in Deer Park; MovieMax Cinemas in Niles; Muvico Rosemont 18 in Rosemont; Cinemark Melrose Park in Melrose Park; Century Stratford Square in Bloomingdale; Marcus Addison Cinema in Addison; Cantera 17; Cinemark at Seven Bridges in Woodridge; Cinemark Louis Joliet Mall in Joliet

Telugu: River East 21; Century 12 Evanston; Century 16 Deer Park; MovieMax; Rosemont 18; Cinemark Melrose Park; Century Stratford Square; Marcus Addison Cinema; AMC Showplace Naperville 16 in Naperville; Cinemark at Seven Bridges; Cinemark Louis Joliet Mall

Hindi: MovieMax; South Barrington 30; AMC Loews Woodridge 18 in Woodridge

I’m not sure which language version is showing at the Regal Gardens 1-6, but I’m betting Tamil since that’s what’s showing at the Cantera (another Regal theater). Considering that several theaters are showing multiple versions of I, be sure to check the schedule before you head to the theater to make sure you select the correct showtime.

Streaming Video News: January 14, 2015

I updated my list of Bollywood movies on Netflix to reflect one change. After just five days, Daawat-e-Ishq has disappeared from the streaming service. The same thing happened to Mardaani and Bewakoofiyaan, two other movies produced by Yash Raj Films. It took a few months for Bewakoofiyaan to return for its official run on the Netflix, so I expect it will be a while before we see Mardaani or Daawat-e-Ishq on the service again.

This serves as a warning that, whenever YRF’s most recent theatrical release, Kill Dil, hits Netflix, you’d better watch it right away.

If you just can’t wait to watch Kill Dil, Daawat-e-Ishq, or Mardaani, all three are currently available for rent on YouTube for $2.99 apiece.

Update: Mike of The Arts blog may have solved the mystery: no English subtitles. At least that was his experience watching Daawat-e-Ishq on Netflix the other day. It’s unknown (at least to me) if the YouTube videos have English subtitles, so rent with caution if you don’t speak Hindi.

Update 2: Thanks again to Mike for noticing that Daawat-e-Ishq is back on Netflix again, now with subtitles. Still not sure what happened to Mardaani, though.

Bollywood Box Office: January 9-11

I had a hunch Tevar wasn’t going to light up the box office when only one other person joined my friend, Melanie, and me in the theater at Friday’s first showing. The North American box office figures for January 9-11, 2015, proved my hunch correct.

From 125 theaters in the United States (it didn’t open in Canada, apparently), Tevar earned just $125,908, an average per screen of $1,007. To give that per-screen average context, the median PSA in 2014 was $1,977.

That average looks sadder still when compared to PK‘s performance during the same weekend. In its fourth weekend in U.S. and Canadian theaters, PK earned $244,370 from 115 theaters: a per-screen average of $2,125.

Despite being the first new Hindi movie to release in North America in three weeks, people still skipped Tevar in favor of PK. Wow.

Movie Review: Tevar (2015)

Tevar_Official_Poster2 Stars (out of 4)

Buy or rent the movie at iTunes
Buy the DVD at Amazon
Buy the soundtrack at Amazon

Arjun Kapoor’s lead character seems more like an interruption than a necessary element of Tevar (“Attitude“).

Don’t get me wrong: as the story is constructed, the fate of Sonakshi Sinha’s character, Radhika, depends entirely upon Kapoor’s Pintu. That’s because Radhika is the most embarrassingly helpless character Sinha has played yet, which is saying something. Instead of a hapless plot device, I wish she’d been capable of saving herself — rendering Pintu altogether unnecessary.

Because Tevar is just another formulaic, hero-driven, Bollywood action flick, the movie opens with a lengthy introduction of Pintu. Surprise, surprise: he’s a slacker who just wants to hang out with his buddies, who repeatedly tell him how cool he is. As is typical in such films, his only flaw is a lack of a girlfriend. Not that he couldn’t get one if he wanted one. He just doesn’t want some chick to cut into his bro time.

Once Pintu’s intro is over, we get to the movie that I really wanted to see. Manoj Bajpayee plays Gajendar, a goon who does the dirty work for his older brother, a politician played by Rajesh Sharma. Gajendar falls madly in love with Radhika when he sees her dance in a concert.

On the advice of his sidekick, Kakdi (Subrat Dutta), Gajendar tries to impress the much younger Radhika, doffing his sweater vest in favor of jeans and a motorcycle jacket. The attempt fails. Gajendar is further humiliated by Radhika’s reporter brother, who threatens to take down both Gajendar and his brother if he contacts Radhika again.

Here’s what I wanted from Tevar: Gajendar tries to pretend he’s something he’s not in order to win Radhika. When that doesn’t work, he resorts to his old, violent ways. Radhika has to figure out how to stop Gajendar and save her family. Why shouldn’t the heroine be the one with “attitude” for a change?

What I got was Radhika waiting helplessly for someone to rescue her. Pintu just happens to get there first. Whenever Radhika takes control of her own destiny, she does something idiotic like leave her hiding place to check on the well-being of Pintu, who is essentially invincible.

That invincibility neuters all the fight sequences. Stuff breaks and people go flying, but the scenes lack gravity and danger. The epic eye roll Gajendar gives when Pintu rises from what should’ve been a mortal blow is spot on.

Pintu’s invincibility is such a powerful aphrodisiac for Radhika that’s she’s willing to abandon the complicated plan to get her to safety just to hear Pintu say, “I love you.” It’s stupid and insulting.

Sinha’s cringe-inducing performance aside, the acting in Tevar is pretty good. Kapoor is charming when the script permits him to be. Bajpayee is one of Bollywood’s go-to villains for a reason. It’s hard to take your eyes off of him.

Yet Dutta managed to steal my attention from Bajpayee on a number of occasions, not with anything flashy, but by doing little things to make Kakdi seem like a real person, not just an automaton who performs only when he’s the focus of a scene. While Gajendar is in the foreground, staring transfixed by Radhika’s dancing, Kakdi is in the background ushering people to their seats and clapping along with the music.

Dutta shows some real menace in spots, too, as when Kakdi strolls in slow motion toward Pintu, flanked by armed guards. Maybe there’s room for another go-to villain in town.

Ultimately, Tevar sublimates its unique elements in order to give us more of the same. Putting a different actor in the role of morally righteous superman doesn’t change anything.

Links

Streaming Video News: January 9, 2015

I updated my list of Bollywood movies on Netflix with two pieces of bad news. First, Kahaani is set to expire from the streaming service on January 16, 2015. This is one of my favorite movies, and I find new details to love whenever I watch it. I’ve shared this film with people who don’t normally watch Hindi films to rave reviews. If you haven’t seen this great thriller before, check it out this weekend. If you have, watch it again to be reminded of how wonderful Vidya Balan is.

The other piece of bad news is that Daawat-e-Ishq is now available for streaming. This film squandered all of its potential and wound up on my list of the ten worst Bollywood films of 2014.

Better options from 2014 on Netflix include Ankhon Dekhi and Siddharth, both of which made my Top Ten List.