Bollywood Box Office: May 9-11

Oh, Koyelaanchal. Why did you even bother making the trip overseas? The coal mafia drama fared poorly at the box office during its debut weekend in the U.S. (it didn’t open in Canada), May 9-11, 2014. From eight American theaters it earned a total of $1,762. That’s a per screen average of just $220.

What does $220 per screen look like in the theater itself? I watched Koyelaanchal at the AMC South Barrington 30 in its first showing on Friday morning. I was one of two people in a theater that can accommodate over 200. The other guy left before the movie ended.

The South Barrington 30 ran the film four times per day over the weekend, so each screening earned an average of $18.33. Depending on the time of day, a ticket at the South Barrington 30 costs $6.50, $9, or $10.75. Based on those prices and the average earnings per screening, my experience was typical for all twelve showings over the weekend. Hard for a theater to make money playing a movie for just two or three people at a time.

The Lunchbox continued to perform well in the U.S. and Canada. In its eleventh weekend, it earned $227,610 from 136 theaters ($1,674 average). Its total North American earnings stand at $3,302,145.

Now in its fourth weekend, 2 States also held up nicely. It earned $87,445 from fifty-four theaters ($1,619 average), bringing its total earnings to $2,112,753.

Main Tera Hero stuck around for a fifth weekend in one U.S. theater, earning $60 to bring its total to $275,985.

Source: Rentrak, via Bollywood Hungama

Movie Review: Koyelaanchal (2014)

Koyelaanchal0.5 Stars (out of 4)

Buy the DVD at Amazon

The only info one needs when deciding whether to watch Koyelaanchal is that director Ashu Trikha includes multiple flashbacks from the perspective of an infant. Let me repeat: A baby has flashbacks in a violent drama about the coal mafia.

The fact that Koyelaanchal is about the coal mafia is the only fact anyone can be sure of regarding the movie. It’s so disorganized that it’s never established which character is the film’s protagonist. It could be the coal don, Saryu Bhan Singh (Vinod Khanna). It could be the don’s hired killer, Karua (Vipinno). It could be Nisheeth (Suniel Shetty), the government bureaucrat sent to clean up the town. It could be the baby.

Koyelaanchal begins with a glimpse into life in the title town. A bunch of people die in a bunch of separate incidents, though it’s not clear why. All that’s clear is that the police don’t care and that Saryu Bhan is the town bigwig.

Nisheeth arrives from Delhi, ready to lay down the law. He’s disabused of that notion when Karua slits a guy’s throat in front of him, and the police chief (Deepraj Rana) says the victim probably had it coming.

On Saryu Bhan’s orders, Karua attempts to scare Nisheeth by shooting at him and stealing his car. Uh oh: Nisheeth’s baby is in the back seat! Queue the interval break.

After spending the first half establishing that Karua is Saryu Bhan’s cold-blooded, mindless lapdog — he washes Saryu Bhan’s feet and drinks the wash water, for Pete’s sake — the bulk of the second half of the movie is spent on an unbelievable comedy/character redemption arc as Karua takes care of the baby.

Asking the audience to suddenly find it charming as Karua — a guy who killed a labor protestor on stage at a rally using a dancer’s scarf — gets grossed out by a baby peeing is absurd. But it’s not as absurd as the baby’s flashbacks.

The baby watches as the admittedly fit Karua does push ups on the floor of their hideout shack. The camera fades to black-and-white as the baby fondly remembers being carried by Nisheeth on his shoulders. Cut back to the present, where the wistful baby crawls over to Karua and climbs on his back. Karua resumes his push ups, giving the baby the ride he so longed for.

If that’s not enough to make you puke, Koyelaanchal is full of enough blood, gore, vomit, and urine to make you do so.

Nisheeth yells a lot, but he does next to nothing to save his kidnapped child. Saryu Bhan might be a compelling character if Trikha had allotted time for character development, instead of wasting time by having random Maoists blow stuff up periodically.

There’s nothing in it to make me recommend Koyelaanchal. The few laughs it generates are completely unintentional. (Drinking game idea: take a shot every time Karua points a gun at the baby.) Even the dramatic elements aren’t interesting enough to overcome the movie’s sluggish pace and underdeveloped characters.

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Opening May 9: Koyelaanchal

The postponement of this weekend’s planned release of Kochadaiiyaan left a hole in local theater schedules. Fortunately, Koyelaanchal — a movie I never in a million years would’ve picked to open in Chicago — stepped in to fill the void. The drama about a coal baron opens on May 9, 2014.

Koyelaanchal opens on Friday at the AMC South Barrington 30 in South Barrington. It has a listed runtime of 2 hrs. 27 min.

The South Barrington 30 and Regal Cantera Stadium 17 in Warrenville are also holding over 2 States for a fourth week.

Kochadaiiyaan Postponed

The release of Rajinikanth’s long-awaited animated film Kochadaiiyaan has been postponed from May 9 to May 23. Eros International attributes the delay to post-production problems involving 3D and dubbing the film in multiple languages.

Distributors in the U.S. are understandably upset by the last-minute date shift. The new date also limits opportunities to screen Kochadaiiyaan in 3D since big-ticket Hollywood flicks Godzilla (May 16) and X-Men: Days of Future Past (May 23) will commandeer most of the world’s 3D screens.

Movie Review: Shahid (2012)

Shahid4 Stars (out of 4)

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Buy the DVD at Amazon

The best and worst aspects of humanity are on display in Shahid, a biographical film based on the life of the lawyer Shahid Azmi. Azmi’s assassination while defending an innocent man against terrorism charges embodies the personal and social costs of choosing quick, easy solutions at the expense of the truth.

Rajkummar Rao plays Shahid, whose own past mirrors the lives of the men he defends in court. As a teen, Shahid witnesses the gruesome murders of his neighbors in a religious riot in his Muslim neighborhood. Feeling powerless, he joins a militant Islamist training camp, only to flee after a few months.

Upon his return home, Shahid is arrested when his name is found in a terrorist’s diary. Torture and coercion at the hands of the police result in Shahid’s imprisonment for seven years.

In jail, Shahid finds his calling. Two fellow prisoners — a kindly professor and a reformed militant — recognize Shahid’s intelligence and steer him away from the terror recruiters in the jail. Professor Saxena (Yusuf Hussain) tutors Shahid and War Saab (Kay Kay Menon, who is delightful in every scene) finances Shahid’s studies.

On the outside, Shahid finishes his law degree and discovers how easy it is to manipulate the legal system. Shahid’s first case of note involves a computer repair man named Zaheer who lends his laptop to a friend. Unbeknownst to Zaheer, the friend uses the laptop to plan a terror attack, and Zaheer is implicated in the crime.

Despite having no direct evidence tying Zaheer to the crime, the prosecutor, More (Vipin Sharma), drags the trial on for years. Shahid’s persistence results in Zaheer’s eventual release and earns Shahid a reputation as a defender of unjustly persecuted Muslims. Shahid himself is violently targeted while defending a man wrongly accused of participating in the Mumbai terror attacks of November 26, 2008.

What stands out in the two trials depicted in the film — the real Shahid earned seventeen acquittals in his brief career — is how weak the state’s cases are. More’s stalling tactics are outrageous. In the second case, the prosecutor’s arguments are easily disproved.

Why would a government spend so much time and money to convict innocent men when those resources could’ve been spent trying to catch the real perpetrators? The prosecutor in the second case, Tambe (Shalini Vaste), reveals the answer when she says that even citizens who weren’t personally endangered during the attacks now feel scared in their own homes. The government needs to convict someone — anyone — so that the people will feel safe again.

As flawed as the justice system is, its agents aren’t depicted as monsters. Prosecutor More has one of the sweetest moments in the film. Following an intense argument with Shahid, More spies a sandwich in Shahid’s briefcase and tries to goad the young lawyer into splitting it with him, dissolving Shahid into giggles.

Shahid himself is far from perfect. He’s a lousy husband to his wife, Mariam (Prabhleen Sandhu), a former client. He refuses to address the persistent threats made against him, keeping his family in the dark even though their lives are in danger, too.

The character closest to perfect is Shahid’s devoted brother, Arif (Mohammed Zeeshan Ayyub, who’s great in the film). Arif covers for Shahid when he joins the militants and encourages him to study law, even if it means Arif must support the family financially by himself. When Arif finally blows up at Shahid, it seems deserved.

Director Hansal Mehta uses the camera to emphasize how the justice system can diminish an individual. During Shahid’s initial interrogation, he huddles on the floor naked, the camera positioned at the ceiling to make him appear tiny compared to the police officer towering above him. In his first difficult days in prison, Shahid tells Arif to stop coming to visit him. Arif is fully in focus while Shahid stands behind a screen, the camera partially fulfilling Shahid’s wish to fade into obscurity.

Rao navigates skillfully through all the ups and downs in Shahid’s life. Rao’s infectious smile comes to Shahid’s face easily and often during the character’s first trial and initial courtship of Maryam. As the story progresses and the cycle of unjust imprisonment of innocent men persists, Shahid’s smile all but disappears.

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Bollywood Box Office: May 2-4

With no new Hindi movies opening in the U.S. or Canada on Friday, May 2, 2014, old favorites continued to pull in crowds at the North American box office. The Lunchbox — now in its tenth week — earned $255,736 from 141 screens ($1,814 average), bringing its total earnings to $2,968,497 so far.

2 States also held up well in its third week. It earned $167,377 from ninety-one screens ($1,839 average) to bring its total North American earnings to $1,978,594.

With The Lunchbox set to pass $3 million in North American earnings this week and 2 States about to the clear the $2 million mark, it’s worth noting the significance of these achievements. Both movies are romantic dramas, as opposed to action-packed spectacles. Neither film features A-list superstars (industry and audience respect for Irrfan Khan notwithstanding).

A look at the last five years of box office receipts reveals similarities among the sixteen Hindi films that managed to earn more than $2 million in North America during that period (five in 2013, five in 2012, two in 2011, one in 2010, and two in 2009). Four films are action sequels: Dhoom 3, Krrish 3, Dabangg 2, and Don 2. A small list of actors show up in multiple movies on the list:

[Somebody in Bollywood needs to cash in by bringing back Shahrukh Khan and Kareena Kapoor Khan for Ra.Two, featuring Deepika Padukone and Katrina Kaif as the villains.]

The Lunchbox continues to earn big, thanks to its partnership with a Hollywood distributor — Sony Pictures Classics — which has dramatically expanded its potential audience compared to a typical Hindi film. Though movie adaptations of popular books are far rarer in India than in Hollywood, the success of 2 States should start to change that.

The only other Hindi movie showing in the U.S. the weekend of May 2-4 was Queen. Now in its ninth week, it earned $190 from one theater, bringing its total earnings to $1,417,405.

Source: Bollywood Hungama (figures supplied by Rentrak)

New Trailers: May 2, 2014

Fox Star India released the trailers for two of their upcoming movies, and the flicks could not be more different from one another. The first movie releasing theatrically is director Hansal Mehta’s City Lights. It looks fascinating, so I really hope it opens in America as well as India on May 30.

The other movie is the wacky comedy Humshakals, which stars Saif Ali Khan, Riteish Deshmukh, and Ram Kapoor. It looks every bit as annoying as City Lights looks great. Humshakals hits theaters on June 20.

 

In Theaters: May 2, 2014

Theatrical trailers are unreliable indicators of which Hindi films will actually open in the U.S. For example, the trailer for Paan Singh Tomar ran in local theaters a year after the film’s release. Still, I was sure that the coming-of-age drama Purani Jeans would open in the Chicago area. Its trailer ran here for a month, and there was little competition from other Hindi films releasing the same weekend.

Nope. Purani Jeans isn’t opening in Chicago area, and neither is any other new Hindi film. Chicago area Bollywood fans have two options in theaters the weekend beginning Friday, May 2, 2014, and, no, Kaanchi isn’t one of them.

2 States carries over for a third week in six local theaters: AMC River East 21 in Chicago, Regal Gardens Stadium 1-6 in Skokie, AMC Showplace Niles 12 in Niles, AMC South Barrington 30 in South Barrington, AMC Loews Woodridge 18 in Woodridge, and Regal Cantera Stadium 17 in Warrenville.

The Lunchbox gets yet another week at Landmark’s Renaissance Place Cinema in Highland Park.

A few Telugu movies are playing in the Chicago area this weekend, too. Both the Muvico Rosemont 18 in Rosemont and Cinemark at Seven Bridges in Woodridge are carrying Kotha Janta and Anaamika, a remake of one of my favorite films, Kahaani. The Seven Bridges also carries over Race Gurram for another week.

Streaming Video News: April 30, 2014

Director Hansal Mehta’s biographical drama Shahid is now available for streaming on Netflix. I tried to watch this in the theater last year, but the English subtitles were incomplete on the print released internationally. Thankfully, the subtitles on Netflix are in perfect condition, so I’m looking forward to finally watching this.

IIFA Tampa

The International Indian Film Academy awards are over, and Mike Davis was in Tampa, Florida, to cover the event. Head to his blog — Just Me Mike — to read his reports and view photos from the festival.

My favorite IIFA related photo came courtesy of Parineeti Chopra’s friend, Nitasha, the day after the festival ended. The actress and her buddies appear to have ordered one of everything on the menu at a Tampa area IHOP:

ParineetiIHOP