Tag Archives: Kapil Sharma

Bollywood Box Office: September 25-27

TV comedian Kapil Sharma’s film debut, Kis Kisko Pyaar Karoon, got off to a fine start in North America. During the weekend of September 25-27, 2015, it earned $203,645 from 82 theaters ($2,483 average). That’s significantly better than fellow TV host Manish Paul’s 2013 big screen debut, Mickey Virus — also featuring Sharma’s co-star, Elli Avram — which earned just $24,100 from 48 theaters in the US and Canada.

There’s more to Kis Kisko Pyaar Karoon‘s performance than meets the eye. The film did vastly better in Canada than it did in the US, taking in 33% of opening weekend earnings ($67,103) from just 16% of the total number of theaters (13). We’ll see how it holds up against the two high-profile pictures rolling into theaters this Friday: Singh Is Bliing and Talvar.

Katti Batti lost about 80% of its opening weekend business in its second weekend in North American theaters. It added another $41,881 from 70 theaters ($598 average) to bring its total earnings to $346,332. Expect it to surrender most of those theaters to the two new flicks opening Friday.

Other Hindi movies still in North American theaters:

  • Welcome Back: Week 4; $6,095 from eight theaters; $762 average; $1,379,668 total
  • Bajrangi Bhaijaan: Week 11; $410 from one theater; $8,114,714 total

Source: Rentrak, via Bollywood Hungama

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Movie Review: Kis Kisko Pyaar Karoon (2015)

KisKiskoPyaarKaroon1.5 Stars (out of 4)

Buy or rent the movie at iTunes

One of the things that matters most in a comedy of errors is how the main character gets out of the mess he’s created, but the resolution to Kis Kisko Pyaar Karoon (“Who Should I Love“) is the film’s downfall.

The man responsible for the troubles in Kis Kisko Pyaar KaroonKKPK, henceforth — is Shiv Ram Kishan (Kapil Sharma). His efforts to help three different women end up with him married to all three. He marries Juhi (Manjari Phadnis) to honor her father’s dying wish. He marries Simran (Simran Kaur Mundi) to preserve her dignity when his buddy leaves her at the altar. And he’s forced to marry Anjali (Sai Lokur) by her gangster brother, Tiger-Bhai (Arbaaz Khan).

Shiv’s best friend, Karan (Varun Sharma), persuades his pal to move all of the wives into the same apartment building: Juhi on the fourth floor, Anjali on the sixth floor, and Simran on the eighth floor. That cuts down on Shiv’s commute, giving him more time to woo the one woman he truly loves, a dancer named Deepika (Elli Avram).

Much of the plot consists of near misses in which Shiv’s scheme is almost revealed. The funniest of those bits involve Anjali’s feisty maid, Champa (Jamie Lever). The least funny involve Tiger-Bhai, who can speak perfectly but is completely deaf, a gimmick that becomes tired almost immediately.

There’s a cute subplot involving Shiv’s divorced parents, played by Sharat Saxena and Supriya Pathak. Shiv tries to conceal the truth from both of them, but they are too busy falling back in love with one another. Romantic music swells and a fan softly blows Mom’s hair when Dad sees her. It’s a more compelling relationship than all four of Shiv’s combined.

KKPK is about thirty minutes too long, the close calls losing their tension as they accumulate. When it’s finally time for Shiv to answer for his actions, he gives a speech deflecting all responsibility onto his wives, blaming (what he perceives as) their fragile emotional natures. He even holds his mother partially responsible, claiming that he’s just following her orders to never break a woman’s heart.

Shiv offers a bleak assessment of modern marital obligations. By his reckoning, he’s holding up his end of the bargain by providing each wife with a nice apartment and money for shopping. It’s enough that he tells each of them, “I love you,” even though he doesn’t mean it.

They should also be happy with the five minutes he spends with each of them each day. Never mind that none of them work, and that Simran’s only human contact comes from short-tempered Champa. Juhi and Anjali don’t have maids and are alone all day, yet Shiv thinks five minutes is enough fulfill his duty to them.

Speaking of duty, none of these marriages appear to have been consummated. The most physical contact Shiv has with his wives is a peck on the check. That, and his aggressive rejection of Anjali’s sexual advances. Though there’s some mention of him rotating nights with each spouse, the movie never shows him waking up in any of their apartments. Isn’t sex one of Shiv’s marital duties?

It’s a question that directing duo Abbas Mustan and writer Anukalp Goswami choose to ignore. Instead, we are left with Juhi, Simran, Anjali, and even Deepika defined only in relation to Shiv, a mouse of a man. Given how funny most of KKPK is, the story’s resolution is a real disappointment.

Links

  • Kis Kisko Pyaar Karoon at Wikipedia
  • Kis Kisko Pyaar Karoon at IMDb (listed as Kis Kisko Pyaar Karu)

Opening September 25: Kis Kisko Pyaar Karoon

The comedy Kis Kisko Pyaar Karoon (“Who Should I Love?“) opens in Chicago area theaters on September 25, 2015. The movie marks the Bollywood debut of TV comedian Kapil Sharma. Indian TV personalities are unreliable when it comes to international box office viability — I’m looking at you, Ayushmann Khurrana and Manish Paul — so releasing KKPK in North America is a risk.

KKPK opens on Friday at MovieMax Cinemas in Niles, AMC South Barrington 30 in South Barrington, and Regal Cantera Stadium 17 in Warrenville. It has a listed runtime of 2 hrs. 22 min.

Katti Batti carries over for a second week at all three of the above theaters, plus Regal Gardens Stadium 1-6 in Skokie and AMC Loews Woodridge 18 in Woodridge.

Welcome Back gets a fourth week at MovieMax and the South Barrington 30.

Meet the Patels carries over for a third week at the South Barrington 30 and Music Box Theatre in Chicago.

Also releasing locally on Friday is the Urdu-language Pakistani film Jawani Phir Nahi Ani, which opens at MovieMax, South Barrington 30, Cantera 17, and Century Stratford Square in Bloomingdale.

Other Indian movies showing in the Chicago area this weekend include:

Movie Review: I, Me aur Main (2013)

IMeAurMain1 Star (out of 4)

Buy the DVD at Amazon
Buy the soundtrack at Amazon

I, Me aur Main (“I, Me and Myself”) is the uplifting tale about a selfish bastard who gets everything he wants without any real conflict or consequences. Congratulations to director Kapil Sharma and writer Devika Bhagat for creating a singularly unrelatable movie.

The selfish bastard in question is Ishaan (John Abraham). An introductory scene features young Ishaan taking credit for a paper airplane made by his older sister, Shivani. When Shivani grabs the plane from Ishaan, their mother punishes Shivani for picking on precious Ishaan. Mom repeatedly calls Ishaan “the best,” thus creating the unbearable egomaniac at the center of the film.

Emblematic of the film’s poor construction, the flashback starts with the subtitle, “Pune: many years ago.” The next scene, set in the present day, has the subtitle, “Mumbai: 25 years later.” Why not just say, “Pune: 25 years ago” in the first place? Is it some kind of short-term mystery?

Ishaan grows up to be a completely self-centered prick. His girlfriend, Anushka (Chitrangada Singh), is a successful lawyer who cooks for Ishaan and cleans up after him. Even though he’s a wealthy record producer, he expects Anushka to pay for all of the groceries she uses to feed him. He also cheats on her with other women.

Having endured three years of Ishaan’s fecklessness with no hope of a commitment in sight, Anushka finally kicks Ishaan out. Ishaan’s sister — the only member of his family to have met Anushka — takes Anushka’s side in the breakup. Shivani (Mini Mathur) knows her brother better than anyone, after all.

Ishaan lives on his own for all of a day before his mother abandons her husband in Pune to move in with her helpless adult son. He responds by nagging his mother.

Ishaan’s new neighbor is Gauri (Prachi Desai), a Manic Pixie Dream Girl sent from screenplay heaven to turn Ishaan into a likable person. It doesn’t work. Ishaan continues to be a dick until even his mother has had enough. When it comes time to make the morally correct choice in a climactic scene with Anushka, even she lets him off the hook. Writer Bhagat is determined that everything go right for Ishaan.

Why? What is so great about him? He’s utterly meritless. One of the great things about movies is the chance to experience a kind of justice that doesn’t usually exist in the real world. I, Me aur Main is about a rich, handsome guy getting everything he wants without any comeuppance. There’s no escapism in that. It’s just an unfortunate fact of life.

Case in point is John Abraham. Here’s an actor who seems to get all of his roles based on his muscular physique and not on his acting abilities. He’s never been forced to work on his craft or play any characters that aren’t charming louts. Casting him in this role was a mistake. A toned torso doesn’t make Ishaan worthy of a happy ending.

The women in the film perform well under the strain of Ishaan’s sexism, another of his fine qualities. Singh is strong and resolute as Anushka, the real hero of the film for being the first person in Ishaan’s life to ever reject him. Desai is cute as Gauri, but her character is undermined when she, too, turns selfish in the end.

Consider I, Me aur Main a cautionary tale for parents: Make your children self-confident. Don’t make them self-absorbed.

Links