It’s last call for movies from the Yash Raj Films catalog at Amazon Prime. YRF is taking its library to Hotstar, and Prime has started posting expiration dates for the 60+ films on the way out. Most titles — including Dilwale Dulhania Le Jayenge — will be gone in the next two weeks. The most recent releases will be the last to go, with no departure dates announced for films like Thugs of Hindostan and Sui Dhaaga: Made In India. I’ll update this post when their dates are announced. Here are the expiration dates we know so far:
Dilwale is a generic Frankenstein cobbled together from elements of countless other Bollywood comedies and romantic dramas, lurching from one predictable plot point to the next. Given the talent and budget at director Rohit Shetty’s disposal, the result is disappointing.
Shahrukh Khan plays Raj, a man absurdly devoted to the happiness of his younger brother, Veer (Varun Dhawan), so much so that he tears up and starts to shake whenever anyone mentions having a younger brother. Raj’s big secret is that he was adopted and is not Veer’s biological brother.
So Shahrukh plays a character with the same name as the one he made famous in Dilwale Dulhania Le Jayenge, with the same backstory as the one he played in Kabhi Khushi Kabhie Gham. See what I mean about Frankenstein?
When Veer falls in love with a beautiful woman named Ishita (Kriti Sanon) — whom he calls Ishu just so he can repeatedly say, “Ishu, this is a big issue” — it prompts Raj to flashback to his own failed romance.
With no scene transition of which to speak, we are transported fifteen years into the past, when “Raj” went by the name Kaali and worked as a gangster in Bulgaria. There he meets a lovely artist named Meera (Kajol, Shakrukh’s love interest both DDLJ and K3G), and they break each other’s hearts. Surely this can’t be the last we see of Meera, right?
The plot unfolds predictably, as obstacles arise in Veer’s and Raj’s paths to romance. These obstacles would disappear if Raj and Meera would stop withholding information that is unpleasant but not earth-shattering, but writer Yunus Sajawal can’t seem to think of a better way to delay the inevitable happy ending for more than two-and-a-half hours.
Further dragging out the film is a ridiculous anti-drug subplot that could not have been handled with any less subtlety. Boman Irani plays the world’s cuddliest drug kingpin, King. When King’s men try to strongarm a barkeep named Uncle Joe into dealing their goods — by banging a huge bag of weed on the cashier stand, in front of everyone in the bar — Uncle Joe responds with some incredibly direct dialogue (courtesy of writers Sajid-Farhad): “I won’t sell your drugs here. Youngsters come here to have fun.”
The “Drugs are bad, m’kay?” subplot reaches its hypocritical crescendo when Veer, his sidekick Siddhu (Varun Sharma), and well-meaning miscreant Mani (Johnny Lever), get completely drunk on booze and self-righteousness while burning a bag of King’s drugs.
Siddhu is the fourth comic role I’ve seen Sharma play, which I think gives me enough information to definitively say that Varun Sharma is not funny.
But being funny isn’t really the point in Dilwale, where roles are cast not by suitability but by similarity. Need some outrageous older comic bit players? Hire Lever and Sanjay Mishra. Does the bad guy need a bald right-hand man? Hire Pradeep Kabra.
The whole movie is uninspired because the point is not to do anything unique or innovative but to evoke memories of earlier, better films starring the same people. The only way Shetty could have tried any less hard would be not to have made the movie at all.
By only looking to the past for inspiration, Dilwale winds up peppered with sexist insults. Siddhu repeatedly steals from Veer, but he’s forgiven because he says that he only did it so that he could take his girlfriend to the movies and out for coffee. The incident is brushed off by the men onscreen, who agree that women are greedy and high-maintenance.
Jokes are also made about Kajol’s weight, based on the assumption that she — like all women — is perpetually dieting. What is this, a Cathy comic strip from 1982? Beyond being tacky and outdated, the jokes are undermined by the fact that Kajol is stunning. Her gorgeousness is the movie’s lone selling point.
There is a stretch of a few minutes when Kajol saves a scene that should be stupid, and one briefly thinks, “Ooh, this could get interesting.” That hope is short-lived when Meera falls in love with Raj just because he loves her. To quote Cathy, “Ack!”
Kajol is better than this. Shahrukh is usually better than this. Varun is definitely better than this. Kriti’s character is so level-headed that she seems like she wandered onto the wrong set. Dilwale is not the Kajol-Shahrukh romantic reunion we deserve.
I could write an entire post about Shahrukh Khan romances on Netflix, given his fondness for the genre. Rab Ne Bana Di Jodi is a more recent SRK romantic-comedy than Dilwale Dulhania Le Jayenge, but it’s hard to resist watching him woo Kajol in a true classic. My review
As for romances starring actors other than SRK, Mere Brother Ki Dulhan is a light-hearted rom-com. Imran Khan plays matchmaker for his brother, Ali Zafar, only to fall in love with Katrina Kaif, the woman he’s chosen to be his brother’s bride. Fun dance numbers and sweet characters make this a really enjoyable film. My review
If you’re looking for flashy dance numbers, then Band Baaja Baaraat is where it’s at. For two wedding planners — played by Anushka Sharma and Ranveer Singh — getting down is part of the job. The relationship drama ramps up in the second half, but overall, this movie is a lot of fun. My review
Vidya Balan and Shahid Kapoor are lauded these days for their gripping dramatic performances, but back in 2008, they made a romantic comedy together. It’s worth checking out these seasoned thespians in some lighter fare from earlier in their careers. My review
Update: The streaming service Mela shuts down permanently on September 15, 2012. With its only real competitor out of the picture, Netflix is unquestionably the best option for streaming Bollywood movies on iPad devices.
With Indian Premier League Cricket slowing the flow of major releases out of Bollywood, it’s time to examine another option for watching Hindi movies. iPad owners in the U.S. have several ways to stream Bollywood movies on their devices. But which app is the best, particularly for movie fans who rely (as I do) on English subtitles?
When reviewing streaming video services, I considered a few criteria:
Is the app easy to search and navigate?
How comprehensive is the catalog of movies available?
All of the apps reviewed have a fee associated with full access to their catalogs. Here’s a look at the few of the streaming services available on the iPad.
Unlike other video streaming services, Mela focuses exclusively on Indian content. Mela’s iPad catalog — a subset of the full range of video entertainment available with their set-top box, which includes TV shows — features hundreds of movies in Hindi, Telugu, Tamil, Punjabi, Marathi, and Gujarati. The full movie catalog is accessible with a $4.99 monthly subscription, though a limited number of films can be viewed for free without a subscription.
By virtue of having a narrow focus, the Mela iPad app is incredibly easy to search. After selecting which films you’d like to browse by language, movies are organized alphabetically by title. Movies cover a wide date range, from the ’60s to the present, including a number of films released in 2012.
Most of these newer films are independent movies that didn’t release in U.S. theaters. For most American fans, Mela is the only way to see the horror flick Ghost or the relationship drama Chaurahen.
Mela gets an incomplete grade on one criterion: Dilwale Dulhania Le Jayenge is available for streaming, but it’s not subtitled in English.
That’s Mela’s biggest drawback, at the moment: not all of the movies are subtitled in English, and not all of those films are marked as being subtitled in the movie description. I often have to start a movie and fast forward to see if the dialog is subtitled. Most recent releases are subtitled — as Kahaani will be — and the company continues to add subtitles to older films already in the catalog, a process that the company says should be completed in the next couple of months. (Dear Mela: please prioritize subtitling Disco Dancer. Thanks!)
Another feature that would make the app ideal would be an ability to search movies by release year. However, within each language, there is a category for newly added titles, which includes recent theatrical releases.
Netflix is undoubtedly the video service Americans are most familiar with. In addition to an extensive library of DVDs, Netflix has more than 70 Hindi titles available for streaming. The unlimited streaming plan costs $7.99 per month and allows subscribers to watch movies on their computers, TV or mobile devices (adding a DVD-by-mail option costs an additional $7.99 per month, minimum).
The quality of Netflix’s Hindi streaming video catalog is impressive, and all the films are subtitled in English. The catalog presently includes popular titles like Rab Ne Bana Di Jodi, Dum Maaro Dum, and, most importantly, Dilwale Dulhania Le Jayenge. The other obvious advantage for Netflix is its huge catalog of English-language movies and TV shows, as well as other foreign films.
However, the Netflix app doesn’t lend itself to serious catalog browsing. In addition to showcasing new releases, the home screen of my Netflix app suggested movies from odd categories like “Quirky Documentaries” and “Inspiring Movies”: clever, but useless if I want to see what new Hindi movies are available. Unlike at Netflix’s website, movies listed under the “Foreign” browsing category aren’t further subdivided by language, though it did suggest some titles in a “Bollywood” subcategory. Searching under the word “Hindi” yielded no results.
If I want to see which Hindi movie at Netflix has the most recent theatrical release date, I have to go to the Netflix website, search for Hindi-language movies, sort them by release year, add the appropriate movie to my queue, and then access my queue on the iPad app to watch the movie. It’s a more complicated process than it should be.
While Hulu specializes in TV content, it also offers movies for streaming. Much of the service is available for free on a computer, but iPad access requires a subscription to Hulu Plus for a cost of $7.99 per month. Like Netflix, a subscription offers access to a wide range of content beyond Bollywood films.
Also like Netflix, Hulu’s catalog is a pain to search on the Hulu Plus iPad app. Hulu’s catalog of movies isn’t available to browse by category, so I searched for movies using the term “Hindi.” Searching for the term on the iPad yielded fewer than thirty titles, while the same search at Hulu’s website yielded more than sixty titles. (Oddly, Hulu doesn’t include Hindi movies in their “Foreign Language” category.) Dil Se stood out among a largely unimpressive catalog that included the likes of 8×10 Tasveer and All the Best.
More annoying is that closed captioning is available on movies at Hulu’s website, but not on the Hulu Plus iPad app (though it is available on some other mobile devices). Not all of the Hindi movies in the catalog are subtitled automatically. So even generating a queue at Hulu’s website and selecting films from that queue doesn’t guarantee that the movie is watchable on the iPad.
Thanks to an agreement several years ago with Eros Entertainment, Vudu has number of Bollywood movies available for rental and purchase on an individual basis. Most titles are from 2006 and earlier. The Vudu app is a player only, which means that movies must be browsed and purchased at the Vudu website for later viewing on the Vudu app. I found the process tedious and the catalog largely unsearchable, so I won’t bother renting from Vudu.
For hardcore Bollywood fans, Mela is an essential app, especially since it costs less than other movie streaming apps. Even though many movies in the catalog currently lack subtitles, there are more than enough to keep English-only fans occupied until the catalog is completely subtitled. And no other company prioritizes independent Indian films the way Mela does.
Netflix is a great app for movie fans who don’t want to be limited to Bollywood titles alone. If you don’t live within driving distance of a theater that shows Hindi films, the Netflix catalog will keep you up to date on many of the biggest hits. However, for $3 more per month than Mela, be sure you take advantage of all the service has to offer in order to get your money’s worth.
Hulu Plus isn’t worth it for Bollywood movies alone, as you’ll quickly exhaust the limited selection of subpar titles. And with other services offering newer films, there’s no reason to bother slogging though Vudu’s annoying catalog.
In Dilwale Dulhania Le Jayenge, demure Simran (Kajol) takes a European trip with her girlfriends as a last fling before her prearranged marriage. But she falls in love with a mischievous fellow traveler named Raj (Shahruhk Khan) after they are stranded in Switzerland.
Raj must use every trick in the book to convince Simran’s father to call off her marriage — not an easy task considering Simran’s father, Chaudhry, is played by Amrish Puri, the actor best known in the U.S. as Mola Ram from Indiana Jones and the Temple of Doom.
The song and dance numbers are memorable, and the acting is terrific. DDLJ‘s charming love story has made it the most popular Indian movie of all time. If you’ve never seen a Bollywood movie before, start with this one.