Tag Archives: 2024

Movie Review: Bade Miyan Chote Miyan (2024)

3 Stars (out of 4)

Watch Bade Miyan Chote Miyan on Netflix

Bade Miyan Chote Miyan (“Big Master Little Master“) finds the right tone for this comic action movie with some wacky twists. Despite this being one of the costliest Hindi movies to date, director Ali Abbas Zafar makes a few errors in the allocation of his substantial effects budget.

The film’s opening chase sequence is its weakest part. A convoy of Indian military trucks transports a vital piece of defense technology through hilly terrain. A masked villain — later revealed to be mad scientist Kabir (Prithviraj Sukumaran) — unleashes his own army to steal the asset.

Between the rapid-fire cuts and shaky cameras mounted on fast-moving vehicles, the sequence is hard to watch without feeling ill. Zafar has worked with both cinematographer Marcin Laskawiec and editor Steven H. Bernard before, so I’m not sure why this chase is as nauseating as it is.

With the future of India at stake, Colonel Azad (Ronit Roy) recalls two dishonorably discharged soldiers to help Captain Misha (Manushi Chhillar) retrieve what was stolen. Captain Rocky (Tiger Shroff) is quick to agree, but Captain Freddie (Akshay Kumar) turns Misha down — though only so that he can make a heroic entrance when the time is right.

In order to break into the secret vault where the stolen property is being held, Misha brings in IT wiz Dr. Pam (Alaya F) to help. Other than some mild banter between Rocky and Freddie, the tone of the film has been pretty straightforward to this point. That changes with the arrival of goofball Pam, who swoons at the sight of Rocky and promises to protect him, lest she be single again.

From here on, things get silly, but in a good way. The twists thrown at good guys are amusing, with some enjoyable payoffs in later action scenes. I’m a sucker for nonsense science talk in films, and Bade Miyan Chote Miyan has plenty of that. There’s also a lot of time spent changing computer passwords and typing in new ones, which tickled me for some reason.

Action sequences get much better after the early botched chase scene, with the quality increasing as the physical space allotted to them decreases. Shroff and Kumar are both good stunt actors, and they’re especially good in close-quarters fight scenes.

As bombastic as the action in Bade Miyan Chote Miyan is — fans of explosions: you’re in luck — there are occasional lapses of attention to detail. A sequence in which Rocky and Freddie infiltrate a terrorist base in Afghanistan is the worst example of this. A rocket hits a tent, and instead of a stunt actor several meters away being set on fire as a result of the explosion, he and the tent catch fire at the same time. When our heroes throw a grenade under a pursuing truck, the truck is already flipping before the bomb explodes.

There’s also a weird bit of narrative discontinuity in the videos for the songs that play over the closing credits. In the film, Sonakshi Sinha plays Freddie’s former fiancée, and it’s open-ended as to what their reunion means. Yet Freddie romances Misha in the two closing credits songs, despite him showing no interest in her during the film and her only remarking once that his gray hair suits him. It’s bizarre.

That said, there’s nothing so wrong with Bade Miyan Chote Miyan as to seriously detract from the enjoyment of it. Punches are thrown, stuff blows up, and Alaya F is strangely charming as the nutty professor. That’s enough for me.

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Streaming Video News: June 5, 2024

I updated my list of Bollywood movies on Netflix with today’s streaming debut of the Akshay Kumar-Tiger Shroff action flick Bade Miyan Chote Miyan. If you missed any of the new Indian releases on Netflix last month, check out my May roundup for What’s on Netflix.

A number of Indian and India-set films will expire from Netflix soon. Here’s what’s leaving:

I also updated my list of Bollywood movies on Amazon Prime with yesterday’s release of Ajay Devgn’s sports drama Maidaan.

Finally, I updated my list of Bollywood movies on Hulu with a fourth season of The Legend of Hanuman.

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Movie Review: Laapataa Ladies (2023)

3 Stars (out of 4)

Watch Laapataa Ladies on Netflix

Kiran Rao returns with her second feature, more than a decade after her directorial debut. Laapataa Ladies (“Lost Ladies“) is a sweet film about the unpredictable consequences of an innocent mistake.

In 2001, farmer Deepak (Sparsh Shrivastav) is returning to his village after his wedding to Phool (Nitanshi Goel). Many other newlyweds are aboard the crowded train, the grooms in their nicest brown suits and the brides wearing red saris with their faces covered by a veil. Deepak steps away for a minute, and seats get shuffled around to accommodate new arrivals. When they arrive at their stop in the middle of the night, Deepak grabs the hand of the bride who is sitting where Phool last was and escorts her off the train.

Only when he gets all the way to his house and his bride reveals her face does Deepak discover that he brought home the wrong woman.

The bride standing in his family’s yard says her name is Pushpa (Pratibha Ranta). She’s not sure where she was heading. The family agrees to let her stay until they can sort things out.

Then there’s poor Phool. She woke up at the last stop on the line with no money and without knowing the name of the town where Deepak lives. A kindly guy called Chhotu (Satendra Soni) introduces her to Manju Maai (Chhaya Kadam), who runs a snack stall at the station. The older woman puts Phool to work, teaching the young woman a lesson in self-sufficiency — just in case Deepak isn’t the good guy Phool thinks he is.

The thing is, Deepak really is a good guy. In fact, most of the people in Laapataa Ladies are good. Rao and writers Biplap Goswami, Sneha Desai, and Divyanidhi Sharma are perfectly aware that the world is a dangerous place for women, so there’s no need to belabor the point. Instead, the story focuses on problem solving and community building as ways to persevere through challenges.

Manju Maai’s support for Phool does the best job at conveying that message. The older woman gently teaches the younger some hard-earned lessons that Phool’s own mother kept from her. Since Phool’s husband would eventually take care of her, why teach the girl more than basic skills like cooking, cleaning, and dancing? Manju Maai explains that sometimes life forces you to make your own way.

Similar lessons are taught back at Deepak’s house, as “Pushpa” — whose real name is Jaya — encourages the women of the house to do things that make them happy and not just prioritize the happiness of the men in the family. These lessons aren’t as organically integrated into the story and feel more like lectures. Still, the sentiment is nice and the film’s ending is made more touching as a result.

The whole cast is really strong. Casting the now-16-year-old Goel as Phool was a masterstroke, as her youth makes the abandoned bride extra vulnerable and innocent. Shrivastav and Ranta also suit their roles to a tee, and the supporting cast is great, too.

The story occasionally loses steam when it tries to incorporate too many facets of small-town life. There’s too much of the greedy police chief (played by Ravi Kishan), and a sequence involving a local politician doesn’t move the story forward at all. Still, it’s hard to knock a movie with such good intentions and so many enjoyable performances.

[Note: Laapataa Ladies debuted at the Toronto International Film Festival on September 8, 2023. It released theatrically March 1, 2024.]

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Streaming Video News: May 16, 2024

I updated my list of Bollywood movies on Amazon Prime with today’s addition of the theatrical release Madgaon Express. This follows last week’s addition of Sidharth Malhotra’s Yodha.

I also updated my list of Bollywood movies on Netflix with a June 7 expiration date for the horror comedy Stree. It’s definitely worth prioritizing.

You’ve probably noticed that it’s been quiet on the streaming services as well as in theaters. We’re in the middle of cricket season, a time when producers and distributors traditionally pull back on releases while audience attention is elsewhere. The Indian Premier League is happening this month followed by the Cricket World Cup all throughout June.

So what releases are on the horizon? The only Indian Original streaming title with an announced release date is Season 3 of Panchayat, which comes to Amazon Prime on May 28:

We can predict some likely streaming debut dates for theatrical releases, which typically wind up on OTT 8 weeks after hitting theaters. All these dates are all approximate, and the streaming service may be subject to change:

May 24 – Crew on Netflix
June 5 – Bade Miyan Chote Miyan (I’ve seen both Netflix and Prime rumored)
June 5 – Maidaan on Amazon Prime
June 14 – Do Aur Do Pyaar on Hulu
June 14 – Love Sex Aur Dhokha 2 on Netflix

Other smaller or India-only theatrical releases may also get global streaming distribution, but these are the biggest titles we’re waiting for.

In the meantime, this is a great time to catch up on some of the 2024 releases you might have missed. My 5 favorite films of the year so far are:

  1. Amar Singh Chamkila (on Netflix)
  2. Crakk (on Hulu)
  3. Ae Watan Mere Watan (on Amazon Prime)
  4. Bhakshak (on Netflix)
  5. Shaitaan (on Netflix)

What are your favorite films of 2024 so far? Leave a comment and let me know!

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Movie Review: Shaitaan (2024)

3 Stars (out of 4)

Watch Shaitaan on Netflix

Parental anxiety takes demonic form in the psychological thriller Shaitaan.

Kabir (Ajay Devgn) and Jyoti Rishi (Jyothika) are the parents of two good kids: teenager Janvi (Janki Bodiwala) and elementary schooler Dhruv (Anngad Raaj). Kabir and Jyoti raised their children with a healthy degree of independence, and their reward is a pair of responsible kids and a happy family.

While driving to their luxurious vacation home for a weekend getaway, the family stops at a roadside diner. There they meet Vanraj (R. Madhavan), a friendly guy who tells Kabir that he has a teenage daughter of his own. Vanraj offers Janvi a sweet, and as soon as she eats it, she knows something is wrong. When Vanraj tells her to finish the food on her plate, she must obey him, even though she doesn’t want to.

After the Rishis drive to their house, Jyoti notices Vanraj standing outside their gate. He tells Janvi to let him in, and she does. Kabir warns Jyoti to lock up the valuables, meaning cash and jewelry. But that’s not the valuable that the demonic Vanraj is there for.

Vanraj warns that, before this night of torment ends, Kabir and Jyoti will give Janvi over to him for all eternity. They swear they won’t, but Vanraj knows how to get what he wants. He’ll turn Janvi into someone they don’t recognize — someone who is a danger to them and to Dhruv.

The family’s predicament invites exploration of a number of themes. Janvi’s bodily autonomy is  a central issue. Her transformation can be a metaphor for everything from addiction to certain mental health conditions to involvement with a controlling or abusive partner.

Bodiwala does a really nice job as Janvi. Her eyes burn with a resistance that her body can’t muster. Bodiwala played the same part in the Gujarati film Vash on which Shaitaan is based, and her experience shows.

The performances by Devgn and Jyothika evoke sympathy for the parents faced with a devastating choice. They’re powerless to help Janvi, so should they sacrifice her to protect Dhruv? Given the psychological nature of the terror in Shaitaan, it’s not a fast-paced movie. The parents spend plenty of time staring in hollow-eyed defeat, but it works within context.

Shaitaan‘s climax tries tries to force action sequences into the story that veer into camp, especially when combined with the supernatural elements. And a needless epilogue is preachy and redundant, given how well the screenplay develops the movie’s themes.

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Movie Review: Crakk (2024)

3 Stars (out of 4)

This is a review of the version of Crakk streaming on Hulu, which has a runtime of 2 hours 12 minutes — 22 minutes shorter than the theatrical version’s 2 hours 34 minutes.

“Two hundred hungry dogs, and the contestants on rollerblades.” If this sounds like a good time — and it does to me — Crakk: Jeetegaa Toh Jiyegaa! is for you.

Vidyut Jammwal plays extreme sports enthusiast Siddhu. He films himself doing parkour stunts like jumping over an empty elevator shaft in an unfinished high-rise, hoping to catch the attention of recruiters at Maidaan — a competition that’s part Squid Game and part Fast & Furious. It’s also where Siddhu’s older brother Nihal (Ankit Mohan) died in an accident during the final round four years earlier.

Siddhu gets the call-up and soon finds himself in an abandoned castle in Poland with thirty-one other competitors from around the world. There’s a blond “American” guy with an Eastern European accent and a guy named Alphonso representing all of Africa. Fans of Maidaan watch the competition online and place bets on the winner. Half the field advances through three rounds before a champion gets the chance to face off against Maidaan’s emcee, Dev (Arjun Rampal).

The contestants either don’t realize or don’t care that when you lose in Maidaan, you die. Sure, one guy gets run over by a remote-controlled go-kart, but the other losers of Round 1 wind up dead, too. The Netflix series Squid Game highlights the economic desperation that would drive people to risk their lives. If the contestants who turn up at Maidaan are desperate for anything other than thrills, we don’t hear about it.

Even more inexplicable is the Round 2 dog/rollerblade challenge, in which each contestant is paired with someone who is not a part of the contest but is good on skates. Why would any of the rollerbladers agree to be mauled by hungry dogs?

It makes as much sense as Dev dealing plutonium as a side hustle. The bad guys in these Fast & Furious-type movies always use racing or competition as a cover for more nefarious crimes, so I guess it’s to be expected in Crakk. The plutonium puts Dev on the radar of Officer Patricia Novak (Amy Jackson) of a vague international police agency. (One would think a televised sporting event with a 97% fatality rate would be enough to warrant an investigation, but apparently not.)

Patricia teams with Siddhu to get the dirt on Dev’s dirty deals in exchange for information on what really happened to Siddhu’s brother, Nihal. Other characters of note include Maidaan’s beautiful social media coordinator Alia (Nora Fatehi) and Maidaan’s tech support person Junaida (Jamie Lever). Both of them seem okay working for an organization that kills a lot of people. Maybe Maidaan offers really good health insurance.

Crakk has many logical flaws, but none of them matter. This is a dumb action movie that aspires to be a dumb action movie and meets its goals, sans themes or social commentary. The early elevator-jumping scenes are shot really well, and the games are ridiculous but fun. Rampal seems to enjoy himself as the king of a bloody kingdom, and Jammwal’s acting is actually quite good. Siddhu regularly hallucinates conversations with Nihal, only for Siddhu and the audience to eventually see that he’s alone. Jammwal pulls off a challenging scene in which he’s essentially arguing with empty air on a dreary Polish street late one night.

The aesthetics of the world writer-director Aditya Datt created for Crakk are amusingly bonkers. Large crowds show up in the middle of the desert (yes, Poland has a desert) to watch the games, dressed in embarrassing costumes that look sourced from a Halloween store’s clearance bin. CGI fills in areas where the filmmaker didn’t want to pay for extras, complete with cheering fans and random sports cars a la Fast & Furious (but no tents or bathrooms or other facilities). All of Dev’s pasty henchmen are shirtless under their bulletproof vests.

Of course, Siddhu and Dev have a fight scene in which both of their shirts are ripped off. The movie would feel incomplete without it.

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Streaming Video News: April 25, 2024

I updated my list of Bollywood movies on Netflix with today’s additions of the Telugu film Tillu Square and the Hindi movie Laapataa Ladies, directed by Kiran Rao. These theatrical releases come on the heels of last week’s new additions: the Bollywood flicks All India Rank and Article 370. Netflix is investing heavily in Hindi theatrical releases this year, with movies generally hitting streaming 8 weeks after they debut in theaters. Ajay Devgn’s Shaitaan could come to Netflix as early as next week, followed by Crew in late May and Bade Miyan Chote Miyan in early June (though none have official streaming debut dates yet).

I also updated my list of Bollywood movies on Hulu with today’s addition of the Vidyut Jammwal-Arjun Rampal extreme sports action flick Crakk: Jeetegaa Toh Jiyegaa. The Telugu film Bhimaa is also now streaming (dubbed in Malayalam and Tamil as well).

Finally, I updated my list of Bollywood movies on Amazon Prime with today’s additions of the Hindi version of Operation Valentine and the Telugu film The Family Star. Yesterday saw the debut of the Hindi series Dil Dosti Dilemma. As far as Hindi theatrical releases go, expect to see Yodha come to Prime in May and Maidaan in June.

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Movie Review: Teri Baaton Mein Aisa Uljha Jiya (2024)

1.5 Stars (out of 4)

Watch Teri Baaton Mein Aisa Uljha Jiya on Amazon Prime

Teri Baaton Mein Aisa Uljha Jiya (“Got So Entangled in Your Words“) has the makings of a decent movie. What begins as a high-concept romantic comedy about a man in love with a robot takes an insane turn at the end. Not once does it address the logical ethical questions that must be asked of such a relationship.

Shahid Kapoor stars in Teri Baaton Mein Aisa Uljha Jiya (TBMAUJ, henceforth) as Aryan, a robotics engineer. His family is pressuring him to find a wife, but he’s more interested in his job. He takes after his single aunt Urmila (Dimple Kapadia), who runs a big engineering firm in the United States.

Urmila invites Aryan for a visit but is called away on an urgent business trip. She leaves him in the hands of her assistant Sifra (Kriti Sanon). Sifra is gorgeous, helpful, and clearly interested in Aryan. He thinks she’s perfect.

After day of flirtatious fun in the sun, the two sleep together. Urmila returns the next morning and drops the bomb on Aryan: Sifra is an incredibly lifelike robot. Urmila invited Aryan to test if Sifra could pass as human, and she did. Aryan was none the wiser, not even while having sex with her.

Angry as Aryan is at Urmila’s deception, it doesn’t change the fact that he’s developed feelings for Sifra. But who exactly is Sifra? She is programmed to read human emotions and respond appropriately, but she has no emotions of her own. Aryan loves her because she’s hot and will do exactly what he wants her to do whenever he wants.

Under the guise of conducting further research, Aryan convinces Urmila to ship Sifra to Delhi to meet his family and see if she can fool them, too. He doesn’t tell his aunt that he’s intending on marrying Sifra if she passes the test.

None of the stuff with his family is very funny. Situations that should spark extended comic sequences — such as when Sifra downloads a virus that erases her memory — are resolved in a matter of minutes. The robotic woman angle should be fertile ground for physical comedy, but that aspect is especially weak.

There are a bunch of ethical questions that needn’t be investigated thoroughly in a comedy but should at least be acknowledged. Sifra is programmed to do what anyone tells her, so where should the line be drawn as to what constitutes an acceptable command and who can issue it? Does she have bodily autonomy? Is it permissible to hit her? (This is plot relevant, sadly.)

Before the end of the story, Aryan will have to chose whether or not to commit to marrying a robot. The way in which he’s forced to do so is chaotic and ridiculous, and the dark turn doesn’t fit with the tenor of the film to that point. Then Janhvi Kapoor appears in an epilogue cameo that is somehow even crazier than the bizarre climax.

It’s a surprise that TBMAUJ winds up being as bad as it is given that it’s co-written and co-directed by Amit Joshi and Aradhana Shah, writers of the charming 2022 comedy Babli Bouncer. That film was thoughtful about the unconventional woman at the heart of its story, as opposed to treating Sifra’s womanhood (or approximation thereof) as immaterial. Babli Bouncer was also much funnier.

Shahid Kapoor and Kriti Sanon share good romantic chemistry and look hot together in the song “Akhiyaan Gulaab” (although the closing credits dance number is kind of a mess). Neither of them perform particularly well during the comedy bits, but that’s probably more of a writing issue since no one else in the film is funny, either. The story setup is so solid and accessible that it makes the sloppy execution extra disappointing.

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[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Movie Review: Woh Bhi Din The (2024)

2.5 Stars (out of 4)

Watch Woh Bhi Din The on Zee5

Woh Bhi Din The went through quite a journey before its release. The movie was shot in 2013 and only just now made its global debut on Zee5. It’s a good thing it finally did, as it presents an accurate depiction of the emotional lives of teenagers.

The film opens with a cameo by John Abraham giving the least-inspirational speech ever by an alumnus to students at his old high school. Being back on the campus of Loyola School leads him to reminisce about his own colorful past with his rowdy friends in the late 1990s.

Cue a flashback montage of a bunch of teenage boys doing dumb teenage boy things. The young version of Abraham’s character Rahul is played by Rohit Saraf, who was 15 at the time of filming. His best friend is Joy, played by a baby-faced Adarsh Gourav. They are part of a larger group of boys who cause a little trouble but generally aren’t bad kids.

One huge point working against Woh Bhi Din The is that a homophobic slur is a regular part of the boys’ banter. And they say it a lot. Given that the movie isn’t otherwise malicious, I suspect/hope the term would not be used if the film were made today.

Loyola is the first school the boys have attended that is coed. Same for the girls in the class. The town where the story takes place is small and conservative, so the boys and girls keep mostly to themselves.

The exception is Malaika (Sanjana Sanghi), who prefers the nickname “Milky.” She’s new to town after having lived all over the world, so she’s more outgoing and comfortable crossing the informal gender boundary than her peers.

Rahul is initially put off by Milky’s free-spiritedness — he’s had an unrequited crush on his demure neighbor Shalini (Charu Bedi) for years — but when Joy befriends the new girl, Rahul realizes she’s actually cool. When she confesses her crush on Rahul, he’s smitten.

Having a first girlfriend should be a happy milestone for Rahul, but it’s actually the catalyst for his world falling apart. His temper gets shorter, he neglects his friends for Milky, and he starts policing her behavior. When she shakes another guy’s hand, he asks her, “Why don’t you just sleep with him?”

The emotional immaturity of the characters is spot on. Their relationships and reactions feel authentic. Teenagers are a rarity in Hindi films, especially as main characters, and seeing them portrayed with accuracy and compassion is a treat.

The main actors are very competent, especially considering how young they are. Gourav’s talent is readily apparent in a character that requires understatement. Saraf is a fitting leading man as Rahul faces the consequences of his selfishness. Sanghi is a delight as Milky, who’s a charming mix of bubbly and vulnerable..

Woh Bhi Din The is the directorial debut of Sajid Ali, who co-wrote the story with Saurabh Swamy. The pacing of the screenplay is a bit off, because it’s longer than it needs to be, but it’s overall a thoughtfully-made film. Kudos to Ali for taking a chance on working with teenage actors and doing right by them.

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Streaming Video News: April 5, 2024

I updated my list of Bollywood movies on Amazon Prime with the streaming debut of Shahid Kapoor & Kriti Sanon’s February theatrical release Teri Baaton Mein Aisa Uljha Jiya.

I also updated my list of Bollywood movies on Hulu with three dubbed versions of the 2024 Telugu film Hanu-Man, now available in Kannada, Malayalam, and Tamil. The original Telugu version of Hanu-Man streams on Zee5.

Speaking of Zee5, they just added the 2023 Hindi heist film Farrey to their catalogue. It’s a remake of the 2017 Thai movie Bad Genius.

Another 2023 Hindi film that’s been awaiting a streaming release is Manoj Bajpayee’s well-regarded drama Joram. Thanks to @CinemaRareIN on X for noting that the full version of Joram (with English subtitles) is now streaming on the Zee Music Company YouTube channel:

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]