Tag Archives: Crakk

Streaming Video News: May 16, 2024

I updated my list of Bollywood movies on Amazon Prime with today’s addition of the theatrical release Madgaon Express. This follows last week’s addition of Sidharth Malhotra’s Yodha.

I also updated my list of Bollywood movies on Netflix with a June 7 expiration date for the horror comedy Stree. It’s definitely worth prioritizing.

You’ve probably noticed that it’s been quiet on the streaming services as well as in theaters. We’re in the middle of cricket season, a time when producers and distributors traditionally pull back on releases while audience attention is elsewhere. The Indian Premier League is happening this month followed by the Cricket World Cup all throughout June.

So what releases are on the horizon? The only Indian Original streaming title with an announced release date is Season 3 of Panchayat, which comes to Amazon Prime on May 28:

We can predict some likely streaming debut dates for theatrical releases, which typically wind up on OTT 8 weeks after hitting theaters. All these dates are all approximate, and the streaming service may be subject to change:

May 24 – Crew on Netflix
June 5 – Bade Miyan Chote Miyan (I’ve seen both Netflix and Prime rumored)
June 5 – Maidaan on Amazon Prime
June 14 – Do Aur Do Pyaar on Hulu
June 14 – Love Sex Aur Dhokha 2 on Netflix

Other smaller or India-only theatrical releases may also get global streaming distribution, but these are the biggest titles we’re waiting for.

In the meantime, this is a great time to catch up on some of the 2024 releases you might have missed. My 5 favorite films of the year so far are:

  1. Amar Singh Chamkila (on Netflix)
  2. Crakk (on Hulu)
  3. Ae Watan Mere Watan (on Amazon Prime)
  4. Bhakshak (on Netflix)
  5. Shaitaan (on Netflix)

What are your favorite films of 2024 so far? Leave a comment and let me know!

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Movie Review: Crakk (2024)

3 Stars (out of 4)

This is a review of the version of Crakk streaming on Hulu, which has a runtime of 2 hours 12 minutes — 22 minutes shorter than the theatrical version’s 2 hours 34 minutes.

“Two hundred hungry dogs, and the contestants on rollerblades.” If this sounds like a good time — and it does to me — Crakk: Jeetegaa Toh Jiyegaa! is for you.

Vidyut Jammwal plays extreme sports enthusiast Siddhu. He films himself doing parkour stunts like jumping over an empty elevator shaft in an unfinished high-rise, hoping to catch the attention of recruiters at Maidaan — a competition that’s part Squid Game and part Fast & Furious. It’s also where Siddhu’s older brother Nihal (Ankit Mohan) died in an accident during the final round four years earlier.

Siddhu gets the call-up and soon finds himself in an abandoned castle in Poland with thirty-one other competitors from around the world. There’s a blond “American” guy with an Eastern European accent and a guy named Alphonso representing all of Africa. Fans of Maidaan watch the competition online and place bets on the winner. Half the field advances through three rounds before a champion gets the chance to face off against Maidaan’s emcee, Dev (Arjun Rampal).

The contestants either don’t realize or don’t care that when you lose in Maidaan, you die. Sure, one guy gets run over by a remote-controlled go-kart, but the other losers of Round 1 wind up dead, too. The Netflix series Squid Game highlights the economic desperation that would drive people to risk their lives. If the contestants who turn up at Maidaan are desperate for anything other than thrills, we don’t hear about it.

Even more inexplicable is the Round 2 dog/rollerblade challenge, in which each contestant is paired with someone who is not a part of the contest but is good on skates. Why would any of the rollerbladers agree to be mauled by hungry dogs?

It makes as much sense as Dev dealing plutonium as a side hustle. The bad guys in these Fast & Furious-type movies always use racing or competition as a cover for more nefarious crimes, so I guess it’s to be expected in Crakk. The plutonium puts Dev on the radar of Officer Patricia Novak (Amy Jackson) of a vague international police agency. (One would think a televised sporting event with a 97% fatality rate would be enough to warrant an investigation, but apparently not.)

Patricia teams with Siddhu to get the dirt on Dev’s dirty deals in exchange for information on what really happened to Siddhu’s brother, Nihal. Other characters of note include Maidaan’s beautiful social media coordinator Alia (Nora Fatehi) and Maidaan’s tech support person Junaida (Jamie Lever). Both of them seem okay working for an organization that kills a lot of people. Maybe Maidaan offers really good health insurance.

Crakk has many logical flaws, but none of them matter. This is a dumb action movie that aspires to be a dumb action movie and meets its goals, sans themes or social commentary. The early elevator-jumping scenes are shot really well, and the games are ridiculous but fun. Rampal seems to enjoy himself as the king of a bloody kingdom, and Jammwal’s acting is actually quite good. Siddhu regularly hallucinates conversations with Nihal, only for Siddhu and the audience to eventually see that he’s alone. Jammwal pulls off a challenging scene in which he’s essentially arguing with empty air on a dreary Polish street late one night.

The aesthetics of the world writer-director Aditya Datt created for Crakk are amusingly bonkers. Large crowds show up in the middle of the desert (yes, Poland has a desert) to watch the games, dressed in embarrassing costumes that look sourced from a Halloween store’s clearance bin. CGI fills in areas where the filmmaker didn’t want to pay for extras, complete with cheering fans and random sports cars a la Fast & Furious (but no tents or bathrooms or other facilities). All of Dev’s pasty henchmen are shirtless under their bulletproof vests.

Of course, Siddhu and Dev have a fight scene in which both of their shirts are ripped off. The movie would feel incomplete without it.

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