Tag Archives: Alaya F

Movie Review: Bade Miyan Chote Miyan (2024)

3 Stars (out of 4)

Watch Bade Miyan Chote Miyan on Netflix

Bade Miyan Chote Miyan (“Big Master Little Master“) finds the right tone for this comic action movie with some wacky twists. Despite this being one of the costliest Hindi movies to date, director Ali Abbas Zafar makes a few errors in the allocation of his substantial effects budget.

The film’s opening chase sequence is its weakest part. A convoy of Indian military trucks transports a vital piece of defense technology through hilly terrain. A masked villain — later revealed to be mad scientist Kabir (Prithviraj Sukumaran) — unleashes his own army to steal the asset.

Between the rapid-fire cuts and shaky cameras mounted on fast-moving vehicles, the sequence is hard to watch without feeling ill. Zafar has worked with both cinematographer Marcin Laskawiec and editor Steven H. Bernard before, so I’m not sure why this chase is as nauseating as it is.

With the future of India at stake, Colonel Azad (Ronit Roy) recalls two dishonorably discharged soldiers to help Captain Misha (Manushi Chhillar) retrieve what was stolen. Captain Rocky (Tiger Shroff) is quick to agree, but Captain Freddie (Akshay Kumar) turns Misha down — though only so that he can make a heroic entrance when the time is right.

In order to break into the secret vault where the stolen property is being held, Misha brings in IT wiz Dr. Pam (Alaya F) to help. Other than some mild banter between Rocky and Freddie, the tone of the film has been pretty straightforward to this point. That changes with the arrival of goofball Pam, who swoons at the sight of Rocky and promises to protect him, lest she be single again.

From here on, things get silly, but in a good way. The twists thrown at good guys are amusing, with some enjoyable payoffs in later action scenes. I’m a sucker for nonsense science talk in films, and Bade Miyan Chote Miyan has plenty of that. There’s also a lot of time spent changing computer passwords and typing in new ones, which tickled me for some reason.

Action sequences get much better after the early botched chase scene, with the quality increasing as the physical space allotted to them decreases. Shroff and Kumar are both good stunt actors, and they’re especially good in close-quarters fight scenes.

As bombastic as the action in Bade Miyan Chote Miyan is — fans of explosions: you’re in luck — there are occasional lapses of attention to detail. A sequence in which Rocky and Freddie infiltrate a terrorist base in Afghanistan is the worst example of this. A rocket hits a tent, and instead of a stunt actor several meters away being set on fire as a result of the explosion, he and the tent catch fire at the same time. When our heroes throw a grenade under a pursuing truck, the truck is already flipping before the bomb explodes.

There’s also a weird bit of narrative discontinuity in the videos for the songs that play over the closing credits. In the film, Sonakshi Sinha plays Freddie’s former fiancĂ©e, and it’s open-ended as to what their reunion means. Yet Freddie romances Misha in the two closing credits songs, despite him showing no interest in her during the film and her only remarking once that his gray hair suits him. It’s bizarre.

That said, there’s nothing so wrong with Bade Miyan Chote Miyan as to seriously detract from the enjoyment of it. Punches are thrown, stuff blows up, and Alaya F is strangely charming as the nutty professor. That’s enough for me.

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Movie Review: Almost Pyaar with DJ Mohabbat (2023)

2 Stars (out of 4)

Two sets of doppelgängers in two different countries make bad decisions in the name of young love in Almost Pyaar with DJ Mohabbat, the latest film from writer-director Anurag Kashyap. The romantic drama putters along before taking a wild turn that comes out of nowhere.

The two pairs are played by Alaya F and newcomer Karan Mehta. In India, DVD seller Yaqub (Mehta) follows high school student Amrita (Alaya) around like a puppy. In England, rich girl Ayesha (Alaya) hounds DJ Harmeet (Mehta), the first guy who’s ever rejected her advances.

It’s unclear exactly how old the characters are. This info is important not only because it sheds light on the characters’ relative maturity levels, but because age of consent plays a part in the England storyline. It’s also important because it could clarify the characters relationships to each other. If he’s 19 and she’s 17, it’s quite different than if he’s 19 and she’s 13.

Both storylines happen in the same reality, and the glue that connects them is DJ Mohabbat (Vicky Kaushal). The pairs are inspired by the musings on the nature of love that DJ Mohabbat shares on his podcast. But for us in the movie’s audience, his monologues aren’t that compelling, and they kill the plot momentum.

Yaqub and Amrita steal her brother’s motorcycle in order to travel to DJ Mohabbat’s concert in another city. They get stopped along the way and hide out in an empty summer cottage. She’s pretty sure her family will forgive them for running off together, even though they locked her in a room just to keep her from talking to Yaqub, who is Muslim.

In England, Ayesha will not leave Harmeet alone. Instead of being turned off by her relentlessness, Harmeet says something about being scared to love her because of the intensity of her feelings for him (or similar nonsense that only movie characters say). They hook up. Then their story goes completely, violently off the rails.

It’s hard to watch young people make stupid choices for the sake of romance, whether in reality or in fiction. And there’s not necessarily anything new to be learned that Shakespeare didn’t cover in Romeo & Juliet 400 years ago. I’m not sure what the moral of Almost Pyaar with DJ Mohabbat is.

Alaya F is an interesting performer, even when the characters she is given to play are kind of shallow. Karan Mehta gets some slack as a new actor, but some of the choices he makes are strange, such as Harmeet’s annoying laugh. Better guidance from Kashyap could’ve helped.

Almost Pyaar with DJ Mohabbat just didn’t work for me.

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