Opening August 15: Singham Returns

Ajay Devgn’s Singham Returns opens in the Chicago area on August 15, 2014. The followup to 2011’s Singham features Kareena Kapoor Khan as the female lead, replacing the original film’s heroine, Kajal Agarwal.

Singham Returns opens on Friday at the AMC River East 21 in Chicago, Regal Gardens Stadium 1-6 in Skokie, AMC Showplace Niles 12 in Niles, MovieMax Cinemas in Niles, AMC South Barrington 30 in South Barrington, Regal Cantera Stadium 17 in Warrenville, and AMC Loews Woodridge 18 in Woodridge. It has a listed runtime of 2 hrs. 22 min.

Entertainment and Kick carry over at MovieMax, South Barrington 30, and Cantera 17.

Other Indian movies showing at MovieMax this weekend include Buno Haansh (Bengali), Anjaan (Tamil), Sikander (Telugu), Lovers (Telugu), Run Raja Run (Telugu), and Jigarthanda (Tamil).

Bollywood Box Office: August 8-10

The distributors of Entertainment didn’t report their complete North American box office figures to either Rentrak or Box Office Mojo, perhaps with good reason. The figures that do exist paint a bleak picture.

According to the Rentrak information posted by Bollywood Hungama, Entertainment‘s opening weekend gross earnings in North America (sans theater count) amounted to $236,257. Among the twenty-five Akshay Kumar releases of the last seven years for which I have opening weekend figures, Entertainment ranks in the bottom quartile, between Thank You ($244,183) and Khiladi 786 ($228,967).

This is a disappointment given the relatively good performance of Kumar’s Holiday: A Soldier Is Never Off Duty in June. However, it fits with the overall downward trend in Kumar’s popularity in the United States and Canada.

In its third weekend in theaters, Kick continued to pad its impressive North American tally. From 67 theaters, it earned $89,405 ($1,334 average), bringing its total to $2,331,837.

Humpty Sharma Ki Dulhania closed out its fifth weekend of release by earning $1,231 from theaters ($410 average). Its total earnings of $882,343 rank eighth among Hindi movies released in North America in 2014.

The Lunchbox added another $650 to its 24-week total of $4,031,729.

Source: Rentrak, via Bollywood Hungama

Streaming Video News: August 13, 2014

Two lackluster comedies from 2013 were just added to Netflix. Akshay Kumar’s Boss unsuccessfully tries to marry gory violence with lighthearted comedy, and it doesn’t work. Ranbir Kapoor’s Besharam also fails by trying to make a hero out of a reckless criminal.

For everything else new to streaming on Netflix, check out Instant Watcher.

Movie Review: Entertainment (2014)

Its_Entertainment2 Stars (out of 4)

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The distributors of Entertainment should require prospective international audience members to take a placement exam before entering the theater. Do you speak Hindi fluently? Have you seen every Bollywood movie of note since 1960? No? Then don’t bother buying a ticket, because you won’t understand most of the jokes.

It’s so frustrating because Entertainment‘s plot is straightforward and high concept. Akhil (Akshay Kumar) discovers that he’s the illegitimate son of a recently deceased millionaire, Pannalal Johri (Dalip Tahil). Thinking he had no heirs, Johri left his estate to his dog, Entertainment (Junior, a cute Golden Retriever). Akhil tries to get rid of the dog and claim the inheritance but learns that he’s not the only one after the money.

With Entertainment, directing duo Sajid-Farhad had the chance to make the kind of accessible, family friendly film that remains rare in Bollywood. Unfortunately, many potential audience members will feel left out while watching the movie.

As with many Bollywood comedies, there are loads of wordplay jokes that by their very nature don’t translate well from Hindi to English. Furthering the problem is that Akhil’s best friend, Jugnu (Krishna Abhishek), speaks exclusively in movie references. Only some of his references to the plots of classic movies are explained.

Worse, he cites dozens of popular actors, using the literal meanings of their names as the punchline. (The English equivalent would be names like Grace, Daisy, or John.) The production team’s stalwart translators display only the literal meanings for the English subtitles on screen. Though one can hear Jugnu say “Sonakshi Sinha” as part of a punchline, her name doesn’t appear on screen, only the direct translation. It botches the joke and clearly delineates non-Hindi speakers as outsiders.

Of course, the bulk of the audience for Entertainment resides in India, watches Bollywood movies, and speaks Hindi, but the easy-to-follow story and English title made this an obvious crossover movie. The final product squanders that opportunity.

Entertainment is much more successful when it demonstrates an understanding of movie conventions and uses them for humor than when it just has characters list the names of films and film stars. Some of Entertainment‘s funniest moments are when the movie breaks the fourth wall, usually at the hands of Akhil’s girlfriend, Saaskshi (Tamannaah Bhatia).

Saakshi is a TV soap opera actress who has trouble leaving her work at the office. She breaks into soliloquies in which she addresses the camera directly, and the results are always funny.

One more great bit of metafiction involves the other claimants to Johri’s fortune, stepbrothers Karan (Prakash Raj) and Arjun (Sonu Sood). Whenever Karan raises his hand to strike Arjun, Arjun cries and invokes their dead mother. This triggers a mournful old movie tune sung by a woman, which causes the brothers to cry and make up. This song isn’t just in their heads. It’s audible to everyone, causing Saakshi and Akhil to look around confusedly for the source of the spectral singing.

Though Kumar’s comic performances are hit-or-miss, he’s pretty good in Entertainment, because the slapstick isn’t overdone. The supporting performances are good, too, especially Bhatia, but also Johnny Lever as Johri’s estate manager, Habibullah. (There are a bunch of jokes involving people messing up Habibullah’s name, and I didn’t understand what was so funny about them, either).

If you speak Hindi and have a depth of knowledge of Bollywood movies, you’ll probably enjoy Entertainment. It has some good gags, there are tons of cute dogs, and the story moves quickly enough. If you don’t understand Hindi or aren’t a Bollywood historian, I’d skip it.

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Opening August 8: Entertainment

Akshay Kumar’s latest comedy, Entertainment (formerly titled It’s Entertainment), opens in the Chicago area on August 8, 2014. The trailer makes my head hurt.

Entertainment opens on Friday at the AMC Showplace Niles 12 in Niles, MovieMax Cinemas in Niles, AMC South Barrington 30 in South Barrington, and Regal Cantera Stadium 17 in Warrenville. It has a listed runtime of 2 hrs. 19 min.

Kick carries over for a third weekend at all of the above theaters, plus the Regal Gardens Stadium 1-6 in Skokie.

Though not a Hindi movie, the culinary drama The Hundred-Foot Journey features Bollywood veterans Om Puri and Juhi Chawla. It releases nationwide on Friday.

Other Indian movies showing at MovieMax this weekend include Geethanjali (Telugu), Galipatam (Telugu), Run Raja Run (Telugu), Jigarthanda (Tamil), Vikramadithyan (Malayalam), Sarabham (Tamil), Drushyam (Telugu), and Velaiyilla Pattathari (Tamil).

Bollywood Box Office: August 1-3

Salman Khan’s Kick held up well in North America, relieving fears that its business could meet the same fate as Jai Ho and drop dramatically in its second weekend in theaters. According to Bollywood Hungama, Kick earned $417,985 from 146 theaters in the United States and Canada during the weekend of August 1-3, 2014. That total is about forty percent of what Kick earned in its opening weekend. By comparison, in its second weekend, Jai Ho only earned about twenty percent of its first weekend total.

[Update: Box Office Mojo reports slightly higher figures for Kick‘s second weekend: $439,304 from 162 theaters for an average of $2,712 per screen. It lists the movie’s total North American earnings as $2,100,041.]

As with Kick‘s opening weekend, there’s an interesting difference between Kick‘s second weekend performance in the U.S. versus Canada. American theaters outnumbered Canadian theaters nearly seven-to-one, but Canada accounted for more than a quarter of the weekend’s total earnings. Note the difference in average earnings per screen (the combined average for both countries is $2,863):

  • Canada: $114,439 from 21 theaters; $5,449 average
  • USA: $303,546 from 125 theaters; $2,428 average

Though Canadian Bollywood fans generally have a greater appetite for action films than American fans, the effect is most pronounced when it comes to Salman Khan’s movies. During Jai Ho‘s first weekend in theaters, the per-screen average in Canadian theaters was nearly double that of American theaters: $7,940 versus $3,994. As with Kick, the disparity became even greater in Jai Ho‘s second weekend: $2,082 versus $887.

Kick‘s total North American earnings stand at $2,038,946. During the week, it will pass 2 States to become the continent’s second highest earning Hindi film of 2014, behind The Lunchbox.

Here’s how other Hindi movies fared in North America over the weekend:

  • Humpty Sharma Ki Dulhania: Week 4; $15,671 from 13 theaters; $1,205 average; $876,988 total
  • The Lunchbox: Week 23; $1,201 from two theaters; $600 average; $4,028,062 total
  • Ek Villain: Week 6; $500 from two theaters; $250 average; $771,683 total

Source: Rentrak, via Bollywood Hungama

Movie Review: Dishkiyaoon (2014)

Dishkiyaoon2 Stars (out of 4)

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Dishkiyaoon (an Indian onomatopoeia for the sound of a gunshot) aspires to be more than your average underworld action drama. It doesn’t meet its lofty goals, but it deserves credit for trying.

Debutant writer-director Sanamjit Singh Talwar’s ambitions cause problems from the start. The movie opens with Lakwa (Sunny Deol) and Viki (Harman Baweja) — though Lakwa insist on calling Viki “Chaudhray” for some reason — discussing Viki’s past. Flashbacks show everything from Viki being bullied in grade school to his joining a gang led by Mota Tony (Prashant Narayanan).

Every time the flashback returns to Lakwa and Viki in the present, the audience is reminded that we don’t know who these guys are, where they are, how they know each other, or why they are together at that moment. Those issues raise — and fail to answer — the fundamental question every director needs to answer within the first fifteen minutes of any movie: Why should we care?

When the questions of where they are and why are answered at the story’s midpoint, the revelation is underwhelming. The gimmick is not worth the frustration.

Dishkiyaoon‘s hook is that Viki isn’t a typical Bollywood action hero. Despite his buff physique — Baweja spends much of the movie shirtless — adult Viki is emotionally the same bullied little kid. He lacks swagger, despite the impunity that comes with being a gangster. When a pretty girl named Meera (Ayesha Khanna) asks what he does for a living, Viki bows his head sheepishly before showing her the pistol he always carries but never uses.

In many ways, Viki’s journey is less about his attempted rise to underworld supremacy than his search for an ideal father figure. Viki rejects his own inattentive, pacifist dad, first in favor of Tony, and then Lakwa. Most of the men around him are more alpha than Viki, including disreputable thugs like Rocky (Anand Tiwari) and Khaleefa (Sumit Nijhawan). Every event of consequence in the movie is a reaction to wounded male pride.

Only his childhood pal, Ketan (Hasan Zaidi), is as submissive as Viki, though Ketan’s low rank in the pecking order suits his position as a mafia accountant better than a buff flunky like Viki.

The underworld is so densely populated with gangsters, thugs, toadies, and corrupt cops — and they’re introduced in such rapid succession — that it’s impossible to keep track of them all.

Meera’s presence is superfluous. She’s supposed to represent the life Viki could have outside of organized crime, but leaving the mob isn’t that easy, and Viki never expresses a desire to do so.

The music in Dishkiyaoon is distracting, as it bounces from genre to genre without a governing theme. Meera’s introduction is accompanied by a heavy metal tune as she shreds on an electric guitar that isn’t plugged into an amplifier.

Baweja is okay as a leading man. In his defense, Viki is a hard character to pin down. Baweja does a nice job in the film’s climax, a scene in which Viki seems to lose his marbles.

Throughout most of Dishkiyaoon, I wondered if Viki was hallucinating Lakwa. His only connection to the plot is through Viki, and he fills the role of Viki’s ideal father figure. The story eventually confirms that Lakwa does exist, but wouldn’t it have been interesting if he didn’t?

Links

In Theaters: August 1, 2014

With studios unwilling to go up against the juggernaut Kick, there are no new Hindi movies opening in the Chicago area on Friday, August 1, 2014. After a terrific opening weekend, Kick carries over for a second week at seven local theaters: AMC River East 21 in Chicago, Regal Gardens Stadium 1-6 in Skokie, MovieMax Cinemas in Niles, AMC Showplace Niles 12 in Niles, AMC South Barrington 30 in South Barrington, Regal Cantera Stadium 17 in Warrenville, and AMC Loews Woodridge 18 in Woodridge.

The only other Bollywood movie showing in the area this weekend is Humpty Sharma Ki Dulhania at the South Barrington 30.

Other Indian movies playing at MovieMax this weekend include Run Raja Run (Telugu), Jigarthanda (Tamil), Vikramadithyan (Malayalam), Maaya (Telugu), Sarabham (Tamil), Adavi Kaachina Vennela (Telugu), Drushyam (Telugu), Alludu Sreenu (Telugu), Velaiyilla Pattathari (Tamil), and Bangalore Days (Malayalam).

Streaming Video News: July 30, 2014

2013’s Mickey Virus was just added to Netflix’s streaming catalog. If you have even a casual interest in gaming or programming, the tech bloopers in Mickey Virus will drive you insane.

Earlier in the day, Instant Watcher listed Bewakoofiyaan as available on Netflix as well. The listing has since been removed, but hopefully it means that the cute romcom will be added soon.

Bollywood Box Office: July 25-27

Salman Khan’s latest — Kick — scored big at the North American box office, and it did so in impressive style. Kick blew past the first weekend earnings of Khan’s other 2014 release — Jai Ho — and posted the second best opening weekend for a Hindi movie in North America so far this year.

Over the weekend of July 25-27, Kick earned $1,023,427 from 163 theaters ($6,279 average) in North America. Check out the difference in per-screen averages when those figures are broken down by country:

  • Canada: $194,016 from 22 theaters; $8,819 average
  • USA: $829,411 from 141 theaters; $5,882 average

Kick‘s combined opening weekend gross ranks second for the year to date, less than $3,000 behind the opening weekend total of 2 States ($1,026,353). Kick‘s opening weekend per-screen average is third, trailing only The Lunchbox and 2 States.

[Update: Box Office Mojo reports significantly higher returns for Kick than the above figures from Rentrak, supplied by Bollywood Hungama. Mojo reports that Kick earned $1,071,373 from 177 theaters ($6,053 average), putting it comfortably ahead of 2 States for the best opening weekend of the year.]

Jai Ho‘s January opening weekend grossed $817,744 from 183 theaters ($4,469 average). In its second weekend — despite having no new Hindi movies in theaters to compete with — Jai Ho‘s business dropped by nearly 80%.

I suspect Kick will hold up better in its second weekend (which will also lack competition from any new Hindi films), thanks to its favorable summer release date and a slightly higher audience rating at IMDb (6.6 for Kick versus 6.0 for Jai Ho). When combined with its estimated mid-week earnings for the remainder of this week, even a disappointing second weekend would likely push Kick ahead of Queen on the list of highest earning Hindi films in North America in 2014. We’ll have to wait and see if it can best 2 States‘ total of $2,191,066 and move into second place behind The Lunchbox.

Three other Hindi movies remained in theaters in the shadow of Kick.

  • Humpty Sharma Ki Dulhania: Week 3; $38,575 from 30 theaters; $1,286 average; $839,175 total
  • The Lunchbox: Week 22; $6,159 from seven theaters; $880 average; $4,025,021 total
  • Ek Villain: Week 5; $262 from two theaters; $131 average; $770,615 total

Source: Rentrak, via Bollywood Hungama