I just updated my list of Bollywood movies on Netflix with the return of 28 titles from Red Chillies Entertainment. (Thanks to @CinemaRareIN on Twitter for posting the list!) A few of the returning titles expired as recently as September 1. Here’s a list of all of the Red Chillies movies that are available on Netflix once again:
Though the impending theatrical release of Brahmastra: Part One — Shiva is dominating headlines right now, it’s actually a pretty busy week on the streaming services. Here’s what’s debuting on Netflix and Amazon Prime in the next several days:
Other titles like Dear Zindagi have also expired in recent weeks, but I don’t think this necessarily means that Netflix’s deal with Red Chillies is done for good and that the films are headed to another streaming service. Chennai Express returned to Netflix in August 2021, and Yodha and two other titles returned in January of this year. This could just be a reset before the start of a new streaming contract. However, there’s no guarantee that the above titles will return to Netflix, or that they will return quickly if they do, so prioritize watching them if you’re so inclined.
Last week, Netflix added a pair of Hindi movies, including Radhe Shyam and the Original film Thar, which is really good. The Tamil action flick Beast — starring Vijay and Pooja Hegde — debuts on Netflix May 10 (in the afternoon in the US). And Netflix recently moved Masaba Masaba into the “Worth the Wait” row on their New & Popular page, joining She. No Season 2 release dates for either series yet, though.
I’m a bit surprised that Eros Entertainment’s Paathshaala, starring Shahid Kapoor, isn’t opening in Chicago. The IPL cricket tournament has stalled movie releases internationally as well as in India. There’s a chance Chicago won’t get a new Hindi film until the star-studded Housefull releases on April 30.
2008’s Drona aspired to be an original, inspirational Indian superhero movie, but failed to reach its potential. Prince, while derivative of Western superhero movies, succeeds as a fun action flick sure to spawn a sequel.
Prince (Vivek Oberoi) is an anti-hero who makes James Bond look like a slacker. Prince is the world’s greatest thief, capable of pulling off outrageous international heists while avoiding capture. He has an arsenal of high-tech gadgets. He’s unbeatable in a fight. Women love him. And, to top it all off, he can dance.
The morning after a job, Prince wakes up to find a butler he doesn’t recognize tending to a mysterious bullet wound on his arm. He can’t remember anything about his life, not even his own name.
Prince is kidnapped by a secret Indian government agency operating covertly in South Africa. The agency leader, Colonel Khanna (Dalip Tahil), explains that Prince lost his memory while stealing a valuable antique coin. Of course, Prince doesn’t remember where he hid the coin.
His girlfriend and criminal partner, Maya, offers to help him. Prince doesn’t recognize Maya but accepts her help. Things get confusing when two other women show up, also claiming to be Maya.
Everyone Prince meets gives him conflicting information about why the missing coin is so special. Is it a tool to entrap a master criminal named Sarang? A magical artifact? A nano-weapon? The only way for Prince to learn the truth and recover his memory is to find the coin.
Prince works because it is self-aware. Hanging inside Prince’s “batcave” of gadgets and costumes are posters of Batman, Spider-man and Iron Man, American superheroes whose movies obviously inspired Prince.
The film is an improvement on one of producer Kumar Taurani’s previous efforts, Race. While Taurani hasn’t lost his love of preposterous explosions that make vehicles flip in midair, Prince‘s lead characters are more appealing that the jerks in Race.
When writing the inevitable sequels to Prince, there are a few flaws from the original that the filmmakers would be wise not to repeat. First are the disappointingly slow chase scenes. If terrain is too bumpy for jeeps and mopeds to operate at high speeds, shoot the scene in a different location.
Second is the woeful misuse of a shark tank. There is but one use for sharks in movies: eating people. That no one falls in the shark tank during a late scene is unforgivable.
Another underused prop is the villain Sarang’s bionic hand. While it looks like something out of Terminator, is doesn’t do anything apart from giving Sarang’s punches a little extra oomph. He could’ve at least, you know, crushed a guy’s throat with it or something.
Apart from a few missed opportunities for grisly deaths, Prince is a fun action movie that, while not mentally taxing, at least makes sense within the rules it sets for itself. In order to enjoy a 2 hour 15 minute Bollywood action movie, that’s often all that I require.
Finally, Chicago area Bollywood fans have a reason to return to the theater. Prince stars Vivek Oberoi as the world’s greatest thief, who loses his memory during the course of a heist. He has six days to recover his memory and save the world. The movie is produced by the same team behind Race, so expect logic-defying action scenes and minimal story.