Tag Archives: Movie

Which Scenes Were Censored in Homebound?

On the day of Homebound‘s global theatrical release, Indian journalist Aroon Deep published a list of edits demanded by the Central Board of Film Certification (CBFC) before the film could play in India. These changes weren’t required for the international theatrical release of the movie, and audiences elsewhere were able to watch the original version. I saw the unedited version of Homebound, and I loved it.

Fans across the globe should care about this, because Homebound‘s streaming partner Netflix is likely to carry the edited version. [Update: Netflix is carrying the censored version.] The Indian government presumably wouldn’t allow the original to stream on Netflix in India, and it wouldn’t make logistical sense to carry a separate version just for subscribers outside of India.

Given the sensitive nature of the film’s subject — discrimination faced by Indian Muslims and Dalits — what kinds of changes did the CBFC demand from Homebound? Here’s the list Aroon Deep published on September 26:

A few of these are standard requests, such as showing the title in both English and Hindi and adding alcohol warnings. But a number have to do with changes to dialogue and visuals, some of which could alter or dilute filmmaker Neeraj Ghaywan’s intent. Note how vague many of the instructions are, like Cut No. 10: “Deleted and suitably replaced the visuals of news.” There’s no way to tell what was cut or how it differs from what replaced it.

Since Aroon Deep and I have both seen Homebound in the versions available in our respective countries — him the Indian edit and me the international original — we compared notes to see what was changed. I’m mostly reliant on English subtitles over spoken Hindi, so any dialogue is from the translated English subtitles unless otherwise specified. We looked at four key cuts:

Cut No. 4: “Deleted the dialogue ‘Aloo gobi… khate hain’ at TCR 11.33”

This is from a scene where an older Muslim cop encourages Shoaib to go work in Dubai. All the note tells us is that the original dialogue was something like: “Aloo gobi… is called.” What the cop says is, “At least over there, no one will ask you, ‘Is your aloo gobi halal, too?'” That’s what I could gather from my limited Hindi. The English subtitle is translated as, “At least over there, no one will ask you, ‘Do you slaughter your vegetables, too?’.”

Cut No. 9: “Deleted the scene at TCR 01.22.19”

Though much of the scene where Chandan pretends to be of a higher caste in order to find out his exam results from a police administrator who complains about the quota system is the same, one closing line appears to be absent. The administrator — who knows Chandan is lying — says as he’s leaving, “If a pig wears a lion’s skin, it doesn’t become a lion.”

Cut No. 10: “Deleted and suitably replaced the visuals of news.”

A news report explains how migrant workers are forced to return home on foot due to prolonged COVID-19 quarantine measures that closed businesses. A closing segment of the report is missing from the edited version: “Last week, some officials accused a Muslim missionary group of being a ‘super-spreader.’ Calling this fake news, the opposition condemned the allegations and urged citizens not to spread rumors on social media.”

Cut No. 13: “Modified the visuals of the car passing by at 01:38.20 mins. approx.”

As Shoaib and Chandan walk along a deserted road, a car passes them but does not stop. The car in the edited version is a plain white SUV, but the car in the original had a red light on top, indicating it to be some kind of government or police vehicle.

Thanks again to Aroon Deep for making the censor sheet public and helping me figure out what changed from the original. You can follow his reporting on X (née Twitter) here.

Renting Aamir Khan’s Latest Movie on YouTube

Aamir Khan forged a new path for the digital release of Sitaare Zameen Par. He declined licensing offers from major subscription streaming services in favor of renting the film directly to consumers via YouTube. This allowed fans around the world to access the movie at a price cheaper than the cost of a monthly subscription.

I rented Sitaare Zameen Par on YouTube (review to come). I found the process pretty easy, though it somewhat depends on your intended playback method. Here’s what I did:

In the United States, Sitaare Zameen Par costs $6.99 to rent. I saved the film in my YouTube “Watch Later” playlist, so I accessed it from there. However, the easiest place to find it is at the Aamir Khan Talkies YouTube account in their Janta Ka Theatre playlist. Sitaare Zameen Par is in there along with other movies for rent. Here’s the current list with their US rental prices (note that Aamir charges more for movies where he’s the star LOL):

Dangal — $5.99
Lagaan — $5.99
Taare Zameen Par — $5.99
Jaane Tu… Ya Jaane Na — $3.99
Secret Superstar — $3.99

Out of curiosity, I checked how the prices compared to a few other Hindi movies available for rent on YouTube. Chak De India rents for $1.99, and Shabaash Mithu rents for $3.99 (in high definition, like the Aamir Khan films).

For playback, I opted to watch Sitaare Zameen Par via the YouTube app on my Apple TV. However, the film can’t be rented through the Apple TV app directly. I had to rent it via the YouTube app on my phone first before I could play it on the Apple TV.

Overall, the picture and sound quality are good, comparable to other subscription streaming services. Turning the subtitles on and off is annoying in the Apple TV app. It kept accidentally fast-forwarding the movie when I tried to reach the “closed caption” menu.

I used my phone to cast the film from YouTube to my Chromecast and found it much easier to access the audio and subtitle menus, as you have to pause the movie before interacting with other menus. Since you have to use your phone to rent the movie anyway, I’d probably just cast from my phone to the Chromecast and skip the Apple TV for future YouTube rentals.

I’m not sure if this new rental format will be an industry game changer, but I hope it gives filmmakers an alternative avenue to digital accessibility. The major streamers are being more cautious about licensing content, and smaller films struggle to find an online home as a result. At the right price point, this could help these movies widen their reach after their theatrical runs end (or allow them to bypass theaters altogether).

Worst Bollywood Movies of 2024

While I normally make a Top 10 (or Bottom 10, I guess) list of the worst movies of the year, I didn’t feel like I saw enough truly terrible Hindi films in 2024 to warrant a lengthy list. I’m instead going to highlight the four most problematic 2024 releases that I watched. Here are the worst of the worst:

Fighter was easily the most disappointing movie of 2024. Deepika Padukone and Hrithik Roshan in an action-packed Top Gun knockoff sounds like a recipe for success. Unfortunately, a jingoistic climax takes what should have been something silly and fun to a dark place.

Dibakar Banerjee tried to recreate the experience of watching a reality show, a Twitch stream, and sitting in a Zoom meeting for his anthology sequel LSD 2: Love Sex aur Dhokha 2. It’s an awkward format that is less enjoyable than doing any of the three things it mimics.

Annu Kapoor in drag could not save the dated, unfunny romantic comedy Luv Ki Arrange Marriage.

My worst movie of 2024 was admittedly one of the most entertaining that I watched all year, albeit for the wrong reasons. Horror director Vikram Bhatt went all-in on CGI for his latest, making a movie filmed almost entirely in front of a green-screen with sets and effects added in later. This isn’t unusual — one can’t exactly shoot a movie in outer space or on an alien planet — but it requires a lot of time and money to make it look convincing. Bhatt didn’t spend enough of either of those, resulting in a movie that looks cheap and weightless. His approach may be high-tech, but it doesn’t yield better results than his earlier films like Raaz or even Creature 3D. But if you want a laugh, watch my Worst Bollywood Movie of 2024: Bloody Ishq!

What was your least favorite movie of 2024? Let me know in the comments!

Kathy’s Worst Bollywood Movies of 2024

  1. Bloody Ishqstream on Hulu
  2. Luv Ki Arrange Marriagestream on ZEE5
  3. LSD 2stream on Netflix
  4. Fighterstream on Netflix

Previous Worst Movies Lists

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Best Bollywood Movies of 2024

With the first theatrical releases of 2025 due to make their streaming debuts any day now, it’s time to wrap up 2024. I wasn’t able to get to all of the films I wanted to review (sorry, Madgaon Express), but I did have 35 Hindi movies to choose from. Here are my Top 10 Bollywood Movies of 2024:

Sequels can’t help but be compared to the films that spawned them. Thankfully, Stree 2 had the same spooky, funny energy as the original Stree from 2018.

Choosing Laapataa Ladies as India’s submission to the most recent Oscars opened it up to unfair criticism, especially after it failed to make the shortlist for Best International Feature. Still, it’s a very cute story that introduced some fresh new acting talent.

If you’ve read any of my previous “Best of” lists, you know that they almost always include a Vidyut Jammwal action flick. This time it’s Crakk: Jeetegaa Toh Jiyegaa! (which is unfortunately not available anywhere in the United States at the time of this writing).

I’m a sucker for buddy comedies about women, and Tabu, Kareena Kapoor Khan, and Kriti Sanon came through with the heist flick Crew.

The movie that India’s selection committee should have picked as its Oscar submission was All We Imagine as Light, a great look at the alienation of modern day life in the city.

Some of my favorite performances of 2024 were by Deepak Dobriyal and Vikrant Massey in the tense serial killer drama Sector 36.

The most exciting action movie of the year was Kill. Watching Lakshya punch, kick, and hack his way through goons on a crowded train provided nonstop thrills.

Alia Bhatt makes an appearance on this list as an action heroine in the jailbreak drama Jigra. Vasan Bala is one of my favorite directors, and casting Bhatt as a sister who’ll do anything to save her imprisoned brother was a genius choice.

One of my other favorite filmmakers took a huge risk in shooting a thriller that consists almost entirely of footage meant to look like it was shot on a smartphone, and boy did it pay off. Vikramaditya Motwane trusted Ananya Pandey to lead the claustrophobic mystery CTRL as an influencer lured into a technological trap, and he was repaid with a career-best performance in a gripping film.

The best Hindi movie of the year told the true story of a controversial artist via a clever, memorable mix of narrative techniques. Diljeet Dosanjh and Parineeti Chopra shone in their leading roles in my new favorite movie from writer-director Imtiaz Ali. The Best Bollywood Movie of 2024 is Amar Singh Chamkila!

What was your favorite Hindi film of 2024? What would have made your Top 10 list? Let me know in the comments!

Kathy’s Best Bollywood Movies of 2024

  1. Amar Singh Chamkilastream on Netflix
  2. CTRLstream on Netflix
  3. Jigrastream on Netflix
  4. Killstream on Hulu; buy/rent on Amazon
  5. Sector 36stream on Netflix
  6. All We Imagine as Lightbuy/rent on Amazon
  7. Crewstream on Netflix
  8. Crakk
  9. Laapataa Ladiesstream on Netflix
  10. Stree 2stream on Amazon Prime

Previous Best Movies Lists

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Movie Review: Anuja (2024)

3 Stars (out of 4)

Watch Anuja on Netflix

Two sisters in Delhi face a difficult choice when one of them is offered a potential way out of poverty. Filmmaker Adam J. Graves uses Anuja‘s brief 22-minute runtime to make a meaningful critique of child labor in this Oscar-nominated short drama film.

9-year-old Anuja is played by Sajda Pathan, who herself lives in a Delhi shelter for children. Anuja and her older sister Palak (Ananya Shanbhag) are orphans who work 14-hour days in a garment factory.

Word of Anuja’s illegal employment has gotten around, as has her natural talent for mathematics. A teacher named Mishra (Gulshan Walia) comes to the factory to invite her to take a placement test for a boarding school, though she’ll have to find 400 rupees to pay for it. But the factory’s owner Verma (Nagesh Bhonsle) isn’t keen on letting one of his employees get away.

The invitation presents a real dilemma for the girls. Palak’s old enough to accept the limits of her own prospects and to understand that this may be her sister’s one chance at a better life. But they are the only family each other have, and it’s not easy to give that up for an uncertain future. Anuja doesn’t even know what a boarding school is, so why would she want to leave her sister to go to one?

Both Pathan and Shanbhag do a really nice job playing the sisters, who are hard not to care about. Much of the film’s short runtime is dedicated to showing their fondness for one another, as well as their protective instincts. Though it makes logical sense for Anuja to pursue her education, the emotional cost for both sisters is very clear.

The most effective moment in Graves’ narrative — which is produced by a host of industry notables including Mindy Kaling, Priyanka Chopra Jonas, and Oscar winner Guneet Monga Kapoor — is a fleeting one. As Anuja runs through a fancy clothing store fleeing its security guard, she spots a mannequin dressed in one of the garments she sewed. It’s a powerful condemnation of the exploitation underlying the fashion industry, and a it’s a reminder for the audience to become more informed consumers. Ignorance of the plight of workers is no excuse for supporting child labor.

Links

Movie Review: Sharmajee Ki Beti (2024)

3 Stars (out of 4)

Watch Sharmajee Ki Beti on Amazon Prime

First-time feature director Tahira Kashyap Khurrana (wife of actor Ayushmann Khurrana) shows a lot of promise with her comedy-drama Sharmajee Ki Beti (“Sharmajee’s Daughter“). The story peeks into the lives of five women and girls–all with the last name Sharma–living in the same apartment building, as they deal with different gender-related problems.

Kashyap Khurrana makes the mistake that plenty of filmmakers have made before by treating “women’s issues” as a single theme that can be addressed in its entirety in one film. It’s not a fatal flaw, but it does make the screenplay — which was written Kashyap Khurrana — feel unfocused at times.

The character whose arc least successfully integrates with the rest is that of Tanvi Sharma (Saiyami Kher), a single woman living in the building. She’s a state-level cricket player, but her actor boyfriend Rohan (Ravjeet Singh) only cares about her looks. Kher does a fine job showing Tanvi’s attempts to reconcile her self-image with the one Rohan wants her to present, but it’s a thin premise. The movie wouldn’t have suffered without her plotline.

Kashyap Khurrana had everything she needed for a full film with the four remaining Sharma ladies: the mother-daughter pairs of Jyoti (Sakshi Tanwar) & Swati (Vanshika Taparia) and Kiran (Divya Dutta) & Gurveen (Arista Mehta). Daughters Swati and Gurveen are 13-year-old best friends. Jyoti teaches at a coaching center, while Kiran is a stay-at-home mom.

Between them, Jyoti and Kiran face a lot of the problems of modern motherhood. Jyoti struggles to balance her career and the satisfaction it gives her with her duties to her sweet husband Sudhir (Sharib Hashmi) and to Swati. On the flip side, Kiran feels isolated after moving from Patiala to Mumbai, especially with her businessman husband Vinod (Parvin Dabas) acting distant and staying out late. Tanwar and Dutta are both terrific, but Dutta really makes the most of her sympathetic role.

The real stars of Sharmajee Ki Beti are the girls, Swati and Gurveen. The whole movie could have been about them. Their story arcs are that endearing and their performances are that charming. Swati is OBSESSED with the fact that she’s the only girl in her class that hasn’t gotten her period yet. Gurveen tolerates Swati’s constant menstrual talk, while coming to grips with her own preoccupation with one of the pretty older girls at school.

Kashyap Khurrana’s strongest attribute as a director is her faith in her actors, and that faith extends to the two teens playing Swati and Gurveen. The girls have long dialogue exchanges that are shot in one take, and Taparia and Mehta are more than up to the task. Their scenes together are the most immersive in the movie, because they feel like real friends. Keeping the camera on them for as long as Kashyap Khurrana does while both of them are in frame adds to the immersion.

I cannot say enough wonderful things about Vanshika Taparia as Swati. She gives an outstanding performance. She’s hysterically funny when bemoaning her delayed puberty. She’s also crushing in the way only a teen girl can be when her mom forgets to pick her up from school. The recent boom (comparatively speaking) in Hindi movies about teenagers gives me hope that we’ll get to see more of Taparia sooner rather than later. Her performance alone is reason enough to watch Sharmajee Ki Beti.

Links

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Streaming Video News: June 27, 2024

I updated my list of Bollywood movies on Amazon Prime with today’s world premiere of the Hindi film Sharmajee Ki Beti, starring Divya Dutta and Saiyami Kher.

Today’s other world premiere Hindi film is Nawazuddin Siddiqui’s Rauta Ka Raaz, streaming now on Zee5.

I also updated my list of Bollywood movies on Hulu with today’s addition of the Hindi-dubbed version of the Malayalam film Aavesham. 2014’s Total Siyapaa is also now streaming. It’s not that great.

Finally, I updated my list of Bollywood movies on Netflix with the addition of the Telugu film Bhaje Vaayu Vegam. I also wrote a preview of Wild Wild Punjab for What’s on Netflix ahead of the film’s July 10 release.

If you’re looking for a fun podcast to listen to this weekend, I was recently a guest on the Bollywood Drafts Podcast. The premise of the podcast is to take a collection of films and rank them in reverse order from 13 to 1 to find the best movie of the bunch. Past topics include the films of Shah Rukh Khan and Sanjay Leela Bhansali. For our episode, four of us — me, Shah Shahid, Nim Kaur, and Erin Fraser — ranked the movies that have won the Filmfare Award for Best Actress in the 21st Century. My unorthodox playing style may have driven host Manish Mathur a little crazy. Please give it a listen here. It was a blast to record!

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Best Bollywood Movies of 2023

It’s time to bid adieu to 2023 with my Best Bollywood Movies of the year list!

First up is one of a few smaller family dramas that made my 2023 Top 10 Hindi films: Manoj Bajpayee’s Gulmohar. Filmmaker Rahul V. Chittella’s screenplay deftly introduces all of the story’s major points of conflict within the first five minutes, and the story treats LGBTQ issues with sensitivity.

Two big-budget, star-studded romances are next: Shraddha Kapoor & Ranbir Kapoor’s Tu Jhoothi Main Makkar and Alia Bhatt & Ranveer Singh’s Rocky Aur Rani Kii Prem Kahaani. I love a good spectacle with lavish dance numbers, and both films delivered.

Given how many of my negative reviews include variations of the phrase, “This could have been shorter,” it’s no surprise that I enjoyed the anthology Lust Stories 2. Four short stories in 2 hours and 12 minutes? Sold! (Especially when Sujoy Ghosh and Konkona Sen Sharma are directing two of those stories.)

The biopic Tarla is another of the smaller family dramas that made the cut for its thoughtful portrayal of a couple navigating gender roles in 1970s India.

Though it looks like a war movie on the surface, Pippa is a family film of sorts as well. Ishaan Khattar, Mrunal Thakur, and Priyanshu Painyuli portray siblings who all play a role in their nation’s war efforts. The real tanks used in Pippa are very cool, as is the choreography in the song “Main Parwaana.”

I really enjoyed writer-director Arjun Varain Singh’s digital-age romance Kho Gaye Hum Kahan, which featured its own trio of standout young performers: Ananya Panday, Adarsh Gourav, and Siddhant Chaturvedi.

Of all of 2023’s blockbuster action flicks, Shak Rukh Khan’s Jawan was the wildest and most fun.

My favorite of the smaller relationship dramas is Three of Us — a gorgeously-shot gem about fading memories. Shefali Shah is pitch-perfect as a woman with early-onset dementia, and she’s supported with great performances from Swanand Kirkire and Jaideep Ahlawat.

2023 was Jaideep Ahlawat’s year, not just because of his role in Three of Us, but also for his performance in my favorite movie of the year: Jaane Jaan. Sujoy Ghosh directed my very favorite Hindi film, 2012’s Kahaani, so I was predisposed to like Jaane Jaan (and his Lust Stories 2 short “Sex with Ex”). But Jaane Jaan is Ghosh at his best. Like Kahaani, Jaane Jaan is another thriller about a woman with a problem that’s set in an evocative locale. This time, Kareena Kapoor Khan is the woman in trouble in a gloomy hill town, and Ahlawat plays her unlikely helper. The film is tense and exciting, and the performances totally sell it. Jaane Jaan is why I like movies.

Kathy’s Best Bollywood Movies of 2023

  1. Jaane Jaanstream on Netflix
  2. Three of Usstream on Netflix
  3. Jawanstream on Netflix
  4. Kho Gaye Hum Kahanstream on Netflix
  5. Pippastream on Amazon Prime
  6. Tarlastream on Zee5
  7. Lust Stories 2stream on Netflix
  8. Rocky Aur Rani Kii Prem Kahaanistream on Amazon Prime
  9. Tu Jhoothi Main Makkarstream on Netflix
  10. Gulmoharstream on Hulu

Previous Best Movies Lists

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Movie Review: Thank You for Coming (2023)

2 Stars (out of 4)

Bhumi Pednekar showcases her ability to master any kind of material in the sex-positive comedy Thank You For Coming. Unfortunately, poor pacing and inconsistent world-building keep this progressive story from reaching its full potential.

Pednekar plays Kanika Kapoor, an energetic single woman in her early 30s with an unfulfilling sex life. The film opens with a recounting of all of the disappointing men she’s dated, from a selfish high school boyfriend to a much older professor (played by Anil Kapoor). After we receive all this background and are introduced to her gynecologist mom and conservative grandmother, we learn Kanika has decided to marry a well-to-do nerd named Jeevan (Pradhuman Singh). Better to be hitched and unsatisfied than alone and unsatisfied, she figures.

For some reason, all of Kanika’s exes are invited to the couple’s engagement party. After a drunken night, Kanika wakes up in her hotel room alone. The only thing she remembers is that she finally had her first orgasm, but she doesn’t know who was with her when it happened. She and her pals set out to find the mystery lover before the wedding takes place.

Kanika’s hotel room revelation marks the halfway point in the story, which is way too late in the proceedings, especially since the material that proceeds it is only okay. Besides a few funny moments from Kanika — made all the more entertaining by Pednekar’s committed delivery — there’s a lot of dialogue that isn’t particularly humorous or informative. Critical information that will be relevant later is said in passing rather than shown, so it hardly even registers as something that might be important to the story.

One strange choice by director Karan Boolani and writers Radhika Anand and Prashasti Singh is that they hardly feature Kanika’s cool and very movie-friendly job. A new acquaintance Rushi (Shehnaaz Gill, who is bubbly and fun in her role) says that she is a super fan of Kanika’s work as a food blogger. The only time we see Kanika actually working is in a single, brief scene where her friend’s teenage daughter Rabeya helps her take some food photos. That’s it.

Incorporating food into films would’ve been an easy way to provide visual interest in a movie prone to telling, not showing. Plus, one of the film’s themes is about Kanika accepting herself as she is, and being a popular food blogger would seem to be a pretty big endorsement of one’s self-worth. Instead, the movie reduces Kanika’s whole being down to her floundering sex life.

Thank You for Coming makes compelling points about the double standards held against women who pursue sexual satisfaction. It’s particularly effective in a subplot featuring Rabeya that calls back to Kanika’s own troubled high school romance and its effects on her reputation.

Still, there’s too much dull, inessential fluff in Thank You for Coming, keeping it from being the snappy comedy it should be. Pednekar is a delightful lead, but the story lets her down.

Links

Worst Bollywood Movies of 2022

While plenty of the Hindi films that I reviewed in 2022 could be described as bland but inoffensive, there were still enough stinkers to warrant making a list of the biggest duds. Without further ado, here are my eight Worst Bollywood Movies of 2022.

Ram Setu makes the cut as an example of what happens to a potentially good film when you target it for the lowest common denominator. There’s lots of evidence that writer-director Abhishek Sharma knows what a better version of his Akshay Kumar adventure flick would have looked like, but Sharma takes the easy way out to avoid hassle.

Plan A Plan B and Cobalt Blue both suffer from awkward dialogue delivered poorly. The juvenile sex jokes of Plan A Plan B sound like they were from the screenplay’s first draft, while Cobalt Blue‘s characters speak as though they are reading lines from the novel from which the film was adapted.

I’m a little conflicted about putting Heropanti 2 on this list because it is 100% the most fun Hindi film of last year, but it’s also a complete mess. The plot makes no sense and neither do the characters, yet it’s a raucous and silly good time. I’ve re-watched the scene where Tara Sutaria shatters a mostly full bottle of Champagne by tossing it onto the ground rather than setting it on a table like a normal person god knows how many times.

Govinda Naam Mera is what happens when twists and attempts at audience misdirection go out of control, resulting in a muddled story populated by inscrutable characters.

The dingy thriller Cuttputlli winds up on the list for fetishizing violence against women and for being hypocritical about police brutality, which is only bad until the hero of the story wants revenge on a suspect. Then it’s okay. Also, 54-year-old Akshay Kumar plays a character who’s supposed to be 36.

Double XL is easily the biggest disappointment on the list (no pun intended). I had high hopes for this comedy starring Huma Qureshi and Sonakshi Sinha as a pair of women who overcome weight prejudice to pursue their dreams, but the screenplay feels like a rough draft that offers little insight about an important subject.

By the time the credits rolled on the final film on this list, I knew it was going to be my worst movie of the year. I had trouble imagining any other film that could come from such a morally corrupt place, and thankfully I was correct. My Worst Bollywood Movie of 2022 is Hurdang.

Hurdang stars Sunny Kaushal as a violent, privileged cheater whom the film positions as a poster-child victim of an affirmative action policy that seeks to redress caste discrimination. The movie contends that because some students might have to alter their paths to stable, desirable middle-class government jobs, it’s better to perpetuate a discriminatory system. In Hurdang, there’s no contradiction between the meritocracy that the film contends exists and a hero who steals exam answers. It’s a garbage movie that’s truly the worst of the worst of 2022.

Kathy’s Worst Bollywood Movies of 2022

  1. Hurdang – stream on Netflix
  2. Double XL – stream on Netflix
  3. Cuttputlli – stream on Hulu
  4. Govinda Naam Mera – stream on Hulu
  5. Heropanti 2 – stream on Amazon Prime
  6. Cobalt Blue – stream on Netflix
  7. Plan A Plan B – stream on Netflix
  8. Ram Setu – stream on Amazon Prime

Previous Worst Movies Lists

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]