Tag Archives: Gulmohar

Best Bollywood Movies of 2023

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It’s time to bid adieu to 2023 with my Best Bollywood Movies of the year list!

First up is one of a few smaller family dramas that made my 2023 Top 10 Hindi films: Manoj Bajpayee’s Gulmohar. Filmmaker Rahul V. Chittella’s screenplay deftly introduces all of the story’s major points of conflict within the first five minutes, and the story treats LGBTQ issues with sensitivity.

Two big-budget, star-studded romances are next: Shraddha Kapoor & Ranbir Kapoor’s Tu Jhoothi Main Makkar and Alia Bhatt & Ranveer Singh’s Rocky Aur Rani Kii Prem Kahaani. I love a good spectacle with lavish dance numbers, and both films delivered.

Given how many of my negative reviews include variations of the phrase, “This could have been shorter,” it’s no surprise that I enjoyed the anthology Lust Stories 2. Four short stories in 2 hours and 12 minutes? Sold! (Especially when Sujoy Ghosh and Konkona Sen Sharma are directing two of those stories.)

The biopic Tarla is another of the smaller family dramas that made the cut for its thoughtful portrayal of a couple navigating gender roles in 1970s India.

Though it looks like a war movie on the surface, Pippa is a family film of sorts as well. Ishaan Khattar, Mrunal Thakur, and Priyanshu Painyuli portray siblings who all play a role in their nation’s war efforts. The real tanks used in Pippa are very cool, as is the choreography in the song “Main Parwaana.”

I really enjoyed writer-director Arjun Varain Singh’s digital-age romance Kho Gaye Hum Kahan, which featured its own trio of standout young performers: Ananya Panday, Adarsh Gourav, and Siddhant Chaturvedi.

Of all of 2023’s blockbuster action flicks, Shak Rukh Khan’s Jawan was the wildest and most fun.

My favorite of the smaller relationship dramas is Three of Us — a gorgeously-shot gem about fading memories. Shefali Shah is pitch-perfect as a woman with early-onset dementia, and she’s supported with great performances from Swanand Kirkire and Jaideep Ahlawat.

2023 was Jaideep Ahlawat’s year, not just because of his role in Three of Us, but also for his performance in my favorite movie of the year: Jaane Jaan. Sujoy Ghosh directed my very favorite Hindi film, 2012’s Kahaani, so I was predisposed to like Jaane Jaan (and his Lust Stories 2 short “Sex with Ex”). But Jaane Jaan is Ghosh at his best. Like Kahaani, Jaane Jaan is another thriller about a woman with a problem that’s set in an evocative locale. This time, Kareena Kapoor Khan is the woman in trouble in a gloomy hill town, and Ahlawat plays her unlikely helper. The film is tense and exciting, and the performances totally sell it. Jaane Jaan is why I like movies.

Kathy’s Best Bollywood Movies of 2023

  1. Jaane Jaan — stream on Netflix
  2. Three of Us — stream on Netflix
  3. Jawan — stream on Netflix
  4. Kho Gaye Hum Kahan — stream on Netflix
  5. Pippa — stream on Amazon Prime
  6. Tarla — stream on Zee5
  7. Lust Stories 2 — stream on Netflix
  8. Rocky Aur Rani Kii Prem Kahaani — stream on Amazon Prime
  9. Tu Jhoothi Main Makkar — stream on Netflix
  10. Gulmohar — stream on Hulu

Previous Best Movies Lists

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Movie Review: Gulmohar (2023)

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3 Stars (out of 4)

Watch Gulmohar on Hulu

As the members of the tight-knit Batra family prepare to go their separate ways, secrets threaten to create an irreparable rift. Strong performances and sensitive writing make Gulmohar a touching family drama.

Gulmohar is the name of the family’s Delhi estate built 34 years ago by Prabhakar Batra, the deceased head of the family. His widow Kusum (Sharmila Tagore) is selling the house and announces at a farewell party her intention to move to Pondicherry by herself. Her son Arun (Manoj Bajpayee) and his wife Indu (Simran) bought a large, new penthouse apartment assuming the whole family would continue to live together, but their son Adi (Suraj Sharma) and his wife Divya (Kaveri Seth) are looking for their own place, too.

Arun is not coping well with these changes. His father built their house as a symbol of family togetherness, and Arun idolized his dad. Arun’s discovery that not everyone had the same future plans as he did rattles him.

There are more secrets simmering under the surface of the Batra clan, none more shocking than the contents of a will dictated by Prabhakar that Kusum had kept hidden. But the root of the family’s problems is a tendency not to talk to one another, not just about troubles but about positive feelings as well. For example, Adi is convinced that he’s a disappointment to his father, and everyone tells him that’s not true — except for Arun.

Though the drama comes from all of the things that are going wrong for the Batra family, the movie is really about all of the things that they do right. Kusum’s belief in personal freedom and open-mindedness instills in all of the Batras a desire to chase unconventional dreams and love freely, safe in the knowledge that their family will always be there to support them. The family dynamic enables writer-director Rahul V. Chittella to weave LGBTQ subplots into the story.

Chittella’s screenplay is well-constructed. I re-watched the first five minutes of the film, and it’s impressive how many of the seeds of future conflicts are planted in that short span of time and how subtly it’s done. The opening scene is a large family party that introduces the major characters, and information is dispensed through snippets of conversations and even via the way people move throughout the house. It feels very natural, and only upon revisiting it did I realize how much work the scene was doing.

The whole cast is terrific, and all of the actors play off each other beautifully. Bajpayee and Simran are especially delightful as a married couple. The soundtrack is wonderful, with “Woh Ghar” being the standout track.

If there’s any complaint about Gulmohar, it’s that it could have looked more polished. The edges of shots are often blurry, giving frames a distracting, almost fish-eye effect. Still, that’s a minor knock against a movie that does a nice job of being what it wants to be: nice.

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