Tag Archives: M.S. Dhoni: The Untold Story

Bollywood Box Office: October 7-9, 2016

If you’re squeamish, you may not want to look at the gruesome opening weekend numbers for Mirzya in North America. From October 7-9, 2016, Mirzya earned $54,717 from 111 theaters ($493 average). The modern adaptation of a Punjabi folktale fared significantly better in Canada, which contributed 28% of the gross earnings ($15,111) from 14% of the total theaters (16). The per-theater average in Canada was $944, versus $417 in the United States. [Update: Sumit Chadha of Reliance Entertainment told me via Twitter that the total number of theaters was 95 — 79 in the US and 16 in Canada. That would make the US per-theater average $501 and the combined average $575. Even with the revised numbers, Canada’s contribution was still outsized.]

It is really, really hard to launch new Bollywood stars in North America. Heck, even films starring well known supporting actors in lead roles struggle to make money here (looking at you, Banjo). Thus, it made absolutely zero sense to release Mirzya — which stars newbies Harshvardhan Kapoor and Saiyami Kher — into 111 theaters. The ceiling is simply too low. Even if Mirzya had earned the exact same amount from half as many theaters, that would have only boosted its per-theater average to about $1,000, which is still way below average.

Every other Hindi film to open in more than 100 theaters here this year earned at least $250,000 in its first weekend, with per-theater averages greater than $2,000. As enjoyable as Mirzya is, it was never going to hit those benchmarks. Better to have started with a smaller footprint and added theaters based on demand. With no such demand, this opening weekend just looks awful.

M.S. Dhoni: The Untold Story held up okay in its second weekend. It earned another $277,863 from 259 theaters ($1,073 average). Its total earnings of $1,611,755 rank it in seventh place for the year so far in North America. Its second-weekend business fell about 75% from its opening weekend, a sharper drop than the six films ranked above it on this year’s list, including Fan, which saw its second-weekend business drop by 74%. M.S. Dhoni also earned $76,000 less than Fan did in its second weekend, despite showing in ten more theaters.

Pink continued to put up a fight in its fourth weekend in North America. It earned another $31,019 from 22 theaters ($1,410 average), bringing its total earnings to $1,210,483. It needs less than $25,000 to overtake Udta Punjab for tenth place for the year, and less than $30,000 to bump Mohenjo Daro out of ninth place.

Baar Baar Dekho stuck around for a fifth weekend in one theater, earning $340 and bringing its total to $981,226.

Source: Rentrak, via Bollywood Hungama

Opening October 7: Mirzya

One Hindi movie opens in the Chicago area on October 7, 2016, and it’s likely to be the last new Hindi film we get until Ae Dil Hai Mushkil and Shivaay release on the 28th. The epic fantasy romance Mirzya hits theaters weeks before its special showing at the Chicago International Film Festival.

Mirzya opens on Friday at MovieMax Cinemas in Niles, AMC South Barrington 30 in South Barrington, and Regal Cantera Stadium 17 in Warrenville. It has a listed runtime of 2 hrs. 15 min.

M.S. Dhoni: The Untold Story carries over for a second week at MovieMax, South Barrington 30, Cantera 17, AMC River East 21 in Chicago, Regal Round Lake Beach Stadium 18 in Round Lake Beach, Muvico Rosemont 18 in Rosemont, Marcus Addison Cinema in Addison, and AMC Loews Woodridge 18 in Woodridge.

Pink gets a fourth week at MovieMax and the South Barrington 30.

The seventh annual Chicago South Asian Film Festival starts tonight and runs through Monday. This year’s lineup features terrific films like Aligarh, Waiting, Masaan, and Island City.

Other Indian movies playing in the Chicago area this weekend:

Bollywood Box Office: September 30-October 2, 2016

M.S. Dhoni: The Untold Story got off to a cracking start in North American theaters. From September 30-October 2, 2016, the sports biopic earned $1,096,026 from 282 theaters ($3,887 average). It’s only the third movie of the year to earn more than $1 million in its opening weekend here, behind Sultan and Fan. M.S. Dhoni‘s opening weekend per-theater average ranks thirteenth for the year, indicating a slightly extravagant theatrical footprint.

In its third weekend, Pink took in another $126,301 from 60 theaters ($2,105 average), bringing its total to $1,146,431, good for tenth place in North America for the year. Also notable is that Pink is the only 2016 film to triple its opening weekend earnings over the course of its theatrical run — and it only took seventeen days to do it.

Last weekend’s new release, Banjo, tanked hard in its second weekend. Business fell by 98%, and Banjo earned just $287 from two theaters ($144 average). Its total stands at $25,511.

Other Hindi films still in North American theaters:

  • Baar Baar Dekho: Week 4; $1,990 from five theaters; $398 average; $980,343 total
  • Freaky Ali: Week 4; $38 from one theater; $65,615 total

Source: Rentrak, via Bollywood Hungama

Movie Review: M.S. Dhoni — The Untold Story (2016)

m-s-dhonitheuntoldstory2 Stars (out of 4)

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Watching M.S. Dhoni: The Untold Story leaves one encumbered with questions. Chiefly: “Why does this movie exist, other than to cash in on a nation’s love for its cricket captain?” The choice to make a fictionalized biopic about Dhoni’s life is bizarre.

The choice is especially weird because Mahendra Singh Dhoni has an unremarkable origin story. A gifted natural athlete, he chooses cricket over his first love, soccer, simply because his middle school team needs defenders. He excels quickly, gaining renown throughout the region. The community enthusiastically supports the lad, although his dad (Anupam Kher) also wants young Dhoni to study, just in case his sporting career doesn’t pan out.

Dhoni’s mundane childhood eats up the first hour of a three-hour-long movie. Yet writer-director Neeraj Pandey doesn’t allow enough time to explain the more complicated aspects of Dhoni’s career as he grows into a young man, played by Sushant Singh Rajput.

Audience members who don’t already understand the interconnections between India’s various cricket leagues — youth, national, semi-pro, etc. — are at a loss. Without such understanding, there are no meaningful stakes. When Dhoni misses out on a chance to play for the national under-19 team but gets called to play for another trophy instead, the significance and impact on his career trajectory aren’t explained.

The most compelling part of Dhoni’s journey comes during a multiple-year stint playing cricket for a team owned by a railroad that also requires its players to work for the railroad during the day. The company-provided accommodations sleep four people in a one-bedroom apartment. Is this how professional cricket in India works? Couldn’t he find better working conditions elsewhere? Why does a railroad even own a cricket team?

Pandey’s story doesn’t answer those questions, nor does it delve into Dhoni’s feelings during this lull. The closest we get to introspection is Dhoni telling his boss that he’s depressed, and the boss responding with a “life is like cricket” speech.

The real Dhoni is a charismatic guy, yet we see none of that spark in the fictional version. Rajput’s delivery is flat, his demeanor serious. Pandey’s Dhoni is sanitized to avoid any chance of offending the man himself (or his rabid fans).

Instead of casting a third actor to play Dhoni as a teenager, Pandey uses computer effects to shrink Rajput, similar to the technique used on Chris Evans in the first Captain America movie before scrawny Steve Rogers mutates into a superhero. The effects in M.S. Dhoni are not up to the same standard as those used in the Marvel movie, so Rajput just looks like a creepy, miniature version of his 30-year-old self. The brief sequence isn’t essential to the narrative, so it should’ve been left out.

M.S. Dhoni is a sports movie devoid of inspiration. A documentary would’ve been more compelling since it would’ve allowed us to hear from Dhoni in his own words, offering insight into the athlete’s persona that Pandey refuses to examine. There is no “untold story,” as promised by the subtitle.

Links

Opening September 30: M.S. Dhoni — The Untold Story

The sports biopic M.S. Dhoni: The Untold Story is the only new Hindi film opening in the Chicago area on September 30, 2016. Sushant Singh Rajput plays the legendary Indian cricket captain.

M.S. Dhoni: The Untold Story opens Friday in the following local theaters: AMC River East 21 in Chicago, Century 12 Evanston/Cinearts 6 in Evanston, Regal Round Lake Beach Stadium 18 in Round Lake Beach, MovieMax Cinemas in Niles, Muvico Rosemont 18 in Rosemont, AMC South Barrington 30 in South Barrington, Regal Cantera Stadium 17 in Warrenville, and AMC Loews Woodridge 18 in Woodridge. It has a listed runtime of 3 hrs. 4 min.

Banjo carries over for a second week at the South Barrington 30. Pink gets a third week at the South Barrington 30, Cantera 17, and MovieMax, which also holds over Baar Baar Dekho.

Other Indian movies showing in the Chicago area this weekend: