I updated my list of Bollywood movies on Netflix with 35 Indian movies that were just added to the streaming catalog. Three Tamil films, two Malayalam movies, and the 2018 Punjabi drama Asees are now available, along with a trove of Hindi films released theatrically from 2006-2015. Most of the titles are new to Netflix. Here are links those I’ve previously reviewed:
Both the South Barrington 30 and Golf Glen 5 carry Chennai Express ($5,294,853) this weekend. South Barrington also holds on to Satyagraha ($736,826), while the Golf Glen 5 is showing Shuddh Desi Romance. As if to underscore what a lousy weekend this is for new Hindi films — no offense, Warning — Golf Glen is even bringing back the July release Bhaag Milkha Bhaag.
The action-comedy Phata Poster Nikla Hero opens in Chicago area theaters on September 20, 2013. I’m not impressed with Shahid Kapoor’s acting in the trailer, but the bit with Sanjai Mishra as a fraudulent screenwriter is hilarious. Check it out:
Last weekend’s despicable new release, Grand Masti — which earned $223,222 in its first weekend in the U.S. — carries over at all four of the above theaters.
The terrific romcom Shuddh Desi Romance gets a third week at the Golf Glen 5, Cantera 17, and South Barrington 30, which is also holding over Satyagraha ($724,088 in the U.S.) and Chennai Express ($5,266,322 in the U.S.).
Only one new Hindi movie is set to open in Chicago area theaters on September 13, 2013, and it looks painful. The bawdy comedy Grand Masti stars Ritesh Deshmukh, Vivek Oberoi, and Aftab Shivdasani as three guys trying to cheat on their wives. If you have to include this many exclamation points in your official plot synopsis, your movie probably isn’t that funny.
Grand Masti opens on Friday at the AMC River East 21 in Chicago, Big Cinemas Golf Glen 5 in Niles, AMC South Barrington 30 in South Barrington, and Regal Cantera Stadium 17 in Warrenville. (Note: At the showing I attended at the Cantera this morning, the film had no English subtitles.) If you just can’t wait until tomorrow to see Grand Masti, the River East 21 has a pair of showings tonight. The movie has a listed runtime of 2 hrs. 15 min.
Sadly, John Day isn’t opening in the Chicago area.
Last weekend’s other new release, Zanjeer, carries over at the South Barrington 30 and Cantera 17. The Golf Glen 5 is holding over the film’s Telugu version, Thoofan, for a second week, but not the Hindi version.
Satyagraha gets a third week at the Golf Glen 5, South Barrington 30, and Cantera 17, having earned $672,951 in the U.S. so far. With total U.S. earnings of $5,220,926, Chennai Express chugs along for a sixth week at the Cantera 17 and South Barrington 30, which also holds over Madras Cafe for fourth week.
Two new Hindi flicks hit Chicago area screens on September 6, 2013. Shuddh Desi Romance (listed at some theaters as “Random Desi Romance“) features rising stars Parineeti Chopra and Sushant Singh Rajput alongside newcomer Vaani Kapoor in a romcom love triangle.
Also new in theaters this weekend is Zanjeer, a remake of the 1973 film of the same name starring Amitabh Bachchan. The remake stars Ram Charan, Priyanka Chopra, and Sanjay Dutt.
Zanjeer opens on Friday at the River East 21, Golf Glen 5, South Barrington 30, and Cantera 17. Its runtime is listed at IMDb as 2 hrs. 17 min. The Golf Glen 5 is also carrying the Telugu version of Zanjeer, Thoofan.
After posting solid earnings of $500,402 over the extended holiday weekend in the U.S., Satyagraha gets a second week at the River East 21, Golf Glen 5, South Barrington 30, and Cantera 17.
Madras Cafe gets a third weekend at the South Barrington 30 and Cantera 17.
Chennai Express is still going strong with earnings of $5,122,240 in the U.S. so far. It gets a fifth weekend at the South Barrington 30, Woodridge 18, and Cantera 17.
Indian politics is tricky business. Not only is it plagued by the usual greed and corruption that seems to affect governments everywhere, but there’s also bribery at every level of bureaucracy, from the lowliest clerk to the highest minister.
Still, it’s not so complicated that it’s beyond comprehension, even to one who lives outside the system as I do. In Satyagraha, writer-producer-director Prakash Jha offers such obvious, detailed explanations for everything that it borders on condescending.
Among the larger themes critical of a government so bloated it can no longer serve the common man is the story of the moral improvement of an aspiring telecom magnate: Manav (Ajay Devgn). He’s introduced on the occasion of his best friend’s wedding. Akhilesh (Indraneil Sengupta) dreams of improving Indian infrastructure before one day following in the footsteps of his father, Dwarka (Amitabh Bachchan), and becoming a teacher. Dwarka criticizes Manav for choosing big business over a life of social service, and Manav leaves before he can see Akhilesh wed to Sumitra (Amrita Rao).
Three years later, Manav returns to the town of Ambikapur for Akhilesh’s funeral, which follows what appears to be a random road accident. (Be warned that his death scene is gruesome.) Investigative journalist Yasmin (Kareena Kapoor) discovers that Akhilesh’s death may have been connected to the collapse of a bridge he was working on. Also during Manav’s return, Dwarka becomes the face of a revolution, after he’s jailed for slapping a corrupt bureaucrat (who totally deserved it).
There’s nothing inherently wrong with the story, it’s just the way it’s told. Thematically, Satyagraha is like an imitation of Swades — a very heavy-handed imitation. Instead of allowing Manav’s inevitable change to social activist to occur in the course of the story, we’re told at every step of the way why things are happening. Dwarka’s preaching on the evils of capitalism are emblematic of the film’s tendency to tell more than it shows.
Even the music goes over the top to provoke emotions: A crowd gathers to protest Dwarka’s imprisonment; patriotic music swells; the crowd begins to sing: “The public rocks!” It’s corny.
Considering that Satyagraha is all about corruption, an instance of product placement — in which Sumitra instructs her maid to open up a box of name-brand rice: “because we have to cook the rice right” — feels particularly icky.
The A-list cast generally delivers performances befitting the actors’ stardom. Manoj Bajpayee is at his reptilian best as the most corrupt of the corrupt politicians. Arjun Rampal’s hair is as luxurious as ever in his role as a student leader.
Again, there’s nothing really wrong with Satyagraha. There are just more inspiring political films out there.