With an increased amount of traffic to my website in the last couple of weeks, I thought I should give a quick explainer of how Access Bollywood operates for anyone new to the site. First of all, welcome newcomers! I update my lists of Indian movies on Netflix and Indian movies on Amazon Prime every day with new additions to the catalogs and info on upcoming releases and expiration dates, when available. I used to take weekends off, but I’m switching to a 7-day-a-week schedule for the foreseeable future. We need something to keep our spirits up these days, and if I can help alert folks to new movies to watch, I’m gonna do it.
The “Newly Added” section at the top of my Netflix page has all of the Indian movies and series that have been added in the last month, plus international projects that feature prominent Indian actors, like Netflix’s April release Extraction, starring Randeep Hooda and Manoj Bajpayee. Because Amazon Prime adds so many more titles than Netflix every month (75 in the last week alone), all of the new additions from the last seven days are at the top of the “Newly Added” section of my Prime page. Below that are all the 2020 releases added in the last month.
In happy news, Eros Now is offering two free months of streaming if you sign up using the code STAYSAFE. I haven’t used Eros Now in a while, but their catalog is massive, with content across multiple languages as well as original films and series. The only sort option is “Most Popular” — though you can winnow results down by “Language” and “Decade” — so it can be hard to find what you’re looking for. Here are some of my favorite films in the Eros Now catalog (the title links to the movie’s Eros Now page, the star-ranking to my review). Stay safe! — Kathy
What stands out most on my Top Ten list for 2013 is the diversity of genres represented. No matter what you’re in the mood for, there’s a really good movie on this list. (Click on the title of each movie to read my original review.)
In addition to the great variety on the list, all the movies mentioned are accessible to an international audience. Familiarity with Hindi movies and their structure may enhance one’s appreciation of Phata Poster Nikla Hero or Commando: A One Man Army, but a lack of prior experience shouldn’t keep Bollywood newcomers from enjoying them. In fact, Commando‘s best selling point is that it’s a martial arts action flick with a romantic dance number in the middle.
D-Day also features my single favorite scene in any movie from 2013: a heartbreaking song montage about the doomed relationship between an assassin (Arjun Rampal) and a prostitute (Shruti Haasan).
My favorite Hindi movie of 2013 offers the perfect mix of passion and drama in a beautiful setting. If I could dream up an ideal romantic movie, it would be Lootera. [Buy it on DVD here.]
Writers Vikramaditya Motwane and Bhavani Iyer took a short story by O. Henry and adapted it to depict a tumultuous time period in India, as family fortunes were dismantled in the years following partition. Imagine trying to cope with the heightened emotions of first love while your way of life is turned on its head. Such are the circumstances for Pakhi (Sonakshi Sinha) and her beau, Varun (Ranveer Singh).
Fans of Victorian literature or contemporary period dramas like Downton Abbey: Lootera is made for you.
Of all the movies that I never needed to see, a sequel to 2008’s idiotic Race is near the top of my list. Nevertheless, Race 2 hits the big screen on January 25, 2013. Let’s hope Deepika Padukone and Jacqueline Fernandez can help returnees Saif Ali Khan and Anil Kapoor make this Race a more enjoyable experience than the first one.
While I don’t have the U.S opening weekend earnings figures for Matru Ki Bijlee Ka Mandola, they presumably weren’t good. The film drops from the schedules at three local theaters, only carrying over at the Golf Glen 5, South Barrington 30, and AMC River East 21 in Chicago.
Other Indian films showing in the area this weekend include Seethamma Vakitlo Sirimalle Chettu (aka SVSC, Telugu) at the Golf Glen 5, River East 21, and Cinemark at Seven Bridges in Woodridge; Naayak (Telugu) at the Golf Glen 5 and Seven Bridges; and Bavuttiyude Namathil (Malayalam) at the Golf Glen 5. Thanks to the Cinemark at Seven Bridges for noting at their website that both of the Telugu movies are being shown without English subtitles.
In my attempt to find the best way to explain why I like an unconventional movie like Matru Ki Bijlee Ka Mandola as much as I do, I found my answer in my review of director Vishal Bhardwaj’s previous effort, the magnificent 7 Khoon Maaf:
“7 Khoon Maaf is an all-or-nothing film. It either works for you or it doesn’t. Its strangeness will be a turn-off for some viewers, while others will lament a lack of explosive action scenes. But, if you’re in the mood for something a little different, beware: Susanna might just steal your heart.”
I feel the same way about Matru Ki Bijlee Ka Mandola (MKBKM, henceforth). I love it, but I understand why some people won’t. It’s a slow burn, with characters that are hard to pin down and a few odd elements that have to be accepted on faith rather than understood with reason. I think it’s fabulous.
The plot of MKBKM is the opposite of high-concept. In short, the story is about a wealthy man’s attempt to convert his land and the small village that sits on it into a massive factory, shopping mall, and apartment complex. Naturally, the villagers object to the plan, as do the man’s servants, his daughter, and strangely enough, the man himself.
See, the rich man, Mandola (Pankaj Kapur) has a dual personality: he’s a ruthless, ambitious tycoon in the sober light of day, and a populist by night, once he starts drinking. His handler, Matru (Imran Khan), is supposed to keep Mandola away from liquor. But Matru has little incentive to do so, as Mandola is a nicer guy when he’s drunk. Early in the film, an inebriated Mandola leads the villagers in a protest outside the gates of his own mansion, until he sobers up and realizes what he’s doing.
Mandola wants the factory in part to woo a fetching government minister, Chaudhari Devi (Shabana Azmi), and also to secure a prosperous future for his only daughter, Bijlee (Anushka Sharma). He’s gone so far as to get Bijlee engaged to the minister’s son, Baadal (Arya Babbar), who, Matru repeatedly reminds Bijlee, is an idiot. Matru and Bijlee are, of course, a far more appropriate couple, despite their differences in economic class.
Bhardwaj includes a number of quirky elements in the film to elevate it beyond a simple parable about the dangers of progress at any cost. A scene in which Mandola confirms his plans with Chaudhari explicitly evokes images of the witches in Macbeth and takes place amid ruins on a hilltop reminiscent of Weathertop in The Fellowship of the Ring.
Promos for MKBKM featured one of the recurring visual themes: a life-sized hot pink buffalo that Mandola sees whenever his longing for his beloved liquor becomes too strong.
My favorite oddball touch is the way Bhardwaj deals with something that would’ve been a throw-away gag in any other movie. When Baadal first sees Bijlee in the movie, he’s accompanied by an African folk dance group that he purchased in an attempt to impress her. Rather than just disappear after the joke is over, the folk group remains through the rest of the film. They take over a room in Mandola’s mansion, join in dance numbers, and protest alongside the villagers.
That detail alone makes the movie for me. What else would one expect to happen to a foreign dance group transported to rural India? Bhardwaj — who co-wrote the screenplay with Abhishek Chaubey — takes a practical problem and turns it to his advantage.
The performances are great throughout: Pankaj Kapur growls his way through his dialog as cantankerous Mandola; Anushka Sharma is as spunky and lovable as ever; Azmi and Babbar are appropriately diabolical; and Imran Khan is clever and sexy as a budding revolutionary, whose sidekicks include an old man, a blind preteen, and a transvestite.
Matru Ki Bijlee Ka Mandola is a must see. Even if you don’t love it, you won’t see anything else quite like it.
I don’t want to set my hopes for Matru Ki Bijlee Ka Mandola too high, but combining the skill of director Vishal Bharadwaj with the talents of actors Anushka Sharma and Imran Khan sounds like a recipe for success.
Last weekend’s new release, Table No. 21, opened to a paltry $31,658 in U.S. theaters, less than half of what Dabangg 2 earned in the same weekend (Dabangg 2‘s third weekend in theaters). Nevertheless, Table No. 21 carries over at the South Barrington 30.
Salman Khan films seem to generate a kind of force field. They pull in such a large share of the available audience that there are never any releases of note within a couple of weeks of the release of anything starring Salman Khan. The pattern holds true again for Dabangg 2, which opens on December 21. No new Hindi films are opening in the Chicago area on Friday, December 14, 2012, and there likely won’t be anything new besides Dabangg 2 in area theaters until Matru Ki Bijlee Ka Mandola debuts on January 11, 2013.
Looks like my fears of a prolonged Bollywood drought were unfounded. Two new Hindi films open in Chicago area theaters on October 19, 2012. Getting the wider release of the two is director Karan Johar’s Student of the Year.
Also making its debut is the animated film Delhi Safari. Note that the version releasing this weekend is in Hindi, voiced by Indian actors like Akshaye Khanna and Boman Irani. Fandango‘s capsule description of the movie includes the information for the English-language version of the film releasing on December 7, featuring the voices of Jane Lynch and Cary Elwes.
Delhi Safari opens on Friday at the Golf Glen 5, South Barrington 30, and Cantera 17. It has a runtime of 1 hr. 50 min. If you need added incentive to see the film, take a picture of your Delhi Safari ticket stub and you can win a $50 Toys R’ Us gift card.
The charming English Vinglish continues to perform well at the box office, having earned $1,405,758 in its first two weeks in U.S. theaters. It carries over for a third week at the Golf Glen 5, South Barrington 30, and Cantera 17.
The South Barrington 30 also holds over OMG Oh My God for a fourth week and Barfi! for a sixth, with is total U.S. earnings standing at $2,779,172.