Tag Archives: 2024

Movie Review: Vijay 69 (2024)

2.5 Stars (out of 4)

Watch Vijay 69 on Netflix

Vijay 69 is a compact slice-of-life flick that’s funny and touching. The new Netflix Original movie created by Yash Raj Entertainment — the OTT arm of Yash Raj Films — fits perfectly on a streaming service.

Anupam Kher stars as the titular 69-year-old Vijay. A neighbor sees him jump into the ocean for a late night swim and assumes it’s a suicide attempt. Curmudgeonly Vijay turns up at church the next morning in the middle of his own funeral.

Even more upsetting to Vijay than being declared dead after only a few hours of fruitless searching is the eulogy his best friend Fali (Chunky Panday) wrote for him. The speech mentions that Vijay was good at rummy and once won a garba dance contest, but that’s about it.

Vijay is incensed that the eulogy didn’t mention the bronze medal he won in a national swimming competition, but that happened decades ago. When he sits down to write his own list of achievements, he can’t think of anything else. Though he has good friends, a caring daughter and grandson, and memories of his beloved wife Anna, he realizes he’s been running out the clock since she died from cancer fifteen years ago.

Inspiration for how to beef up his eulogy comes when an 18-year-old boy in his apartment colony starts training to become the youngest Indian to complete a triathlon. A quick internet search reveals that Vijay would beat the current record holder for oldest Indian triathlete by two years if he competed. Even though no one believes he can do it, Vijay vows to finish the triathlon.

The conflict in Vijay 69 is absurd in a good way. Vijay becomes rivals with the teenage athlete Aditya (Mihir Ahuja, who played Jughead in The Archies). Vijay trains under the eccentric Coach Kumar (Vrajesh Hirjee), who has local kids pelt Vijay with water balloons to make him run faster. As the old man swims laps, Coach shouts, “You’re a sea snake! You’re a sea otter! You’re an underwater mountain goat!”

Writer-director Akshay Roy (Meri Pyaari Bindu) clearly had fun with the dialogue in Vijay 69, making Vijay’s foul mouth a continual source of laughs. One can only imagine the challenge subtitler Neena Kiss faced trying to come up with English equivalents for Vijay’s colorful language.

Kher does a nice job humanizing Vijay, making him more than just a grumpy Gus. He’s vulnerable and openly shows gratitude for his friends. The unexpected alliance he eventually forms with Aditya is quite sweet.

Panday stops just short of making Fali into a caricature, allowing the affection his character feels for Vijay to shine through. Hirjee is delightful in a role I wished was bigger.

Vijay 69 suffers most when it tries to be a more conventional sports movie. Filmmaker Roy doesn’t trust the drama inherent in sport to carry the story, and instead relies on too many shots of characters struggling to increase dramatic tension. After the umpteenth closeup of Vijay looking like he’s going to have a heart attack while riding a bike, the emotional effectiveness wanes.

That said, the film’s sub-two-hour runtime keeps it from overstaying its welcome, even if it does become heavy-handed at the end. Vijay 69 is a nice story that’s small enough in scale to suit at-home viewing but worthy of one’s undivided attention.

Links

Streaming Video News: November 7, 2024

I updated my list of Bollywood movies on Netflix with today’s streaming debuts of the Telugu film Devara: Part 1 and Kareena Kapoor Khan’s mystery The Buckingham Murders, available with fully Hindi-dubbed dialogue. Hopefully we’ll get the original English/Hindi version soon. [Update: The Hindi/English version of The Buckingham Murders is now available and is the default version.] The Netflix Original comedy drama Vijay 69 premieres on Friday.

November is a busy month for Netflix Indian Originals. Here’s what we have to look forward to:

I also updated my list of Bollywood movies on Amazon Prime with today’s streaming debut of Rajinikanth’s Vettaiyan. Yesterday, the Indian spin-off series Citadel: Honey Bunny premiered. I was really disappointed by it, especially since I liked the original Citadel series.

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Movie Review: CTRL (2024)

3.5 Stars (out of 4)

Watch CTRL on Netflix

Filmmaker Vikramaditya Motwane’s Netflix Original film CTRL chillingly reminds the audience to do something we regularly neglect: read the fine print.

The film opens with the rapid social media ascent of influencers Nella (Ananya Panday) and Joe (Vihaan Samat), a romantically-involved couple who document their dates and travels on their channel. We see their relationship evolve through their social media posts, which increasingly feature sponsored products. Their lives are entangled as much financially as they are emotionally.

Nella surprises Joe on-camera while he’s out at a meal with friends, only to find him kissing a girl she doesn’t know. Nella’s dramatic meltdown in the restaurant becomes meme-fodder, and we see other creators using her blowup to make their own material.

As she deals with the implosion of her relationship and career, Nella spots a comment advertising an AI service that can remove someone from your digital life. She signs up for the service and creates a virtual assistant “Allen” — who looks like a mop-topped cartoon version of Ranveer Singh and is voiced by Aparshakti Khurana — instructing him to erase Joe from all of the photos and videos on her computer.

Allen asks Nella questions about the photos as he removes Joe pixel by pixel, acting as the confidant she lost in her breakup. When she’s ready to go to sleep, Allen says he can keep deleting Joe overnight if she gives him full access to all of her computer’s systems. She doesn’t think twice before agreeing.

If this were a sci-fi movie, this is where Allen would turn out to be a super-smart AI that takes over Nella’s life. But because CTRL is set in reality — where AI is nowhere near capable of doing that — what happens next is less dramatic, but more frightening because of its mundanity. Nella’s permission allows a developer to remotely access her desktop and all of her apps and files. The human on the other end can snoop around as much as they want — writing, copying, and deleting to their heart’s content while Nella snoozes.

We’re all guilty of agreeing to corporations’ conditions without really knowing what we’re consenting to, whether that’s how the company uses our data or signing away our rights to sue. CTRL is so effective because of how believable it is in its depiction of a worst-case corporate overreach scenario borne out of consumer inattention.

Ananya Panday has been a compelling performer since she debuted, and she demonstrates what a top-tier leading lady she is in CTRL. She acts nearly all of her scenes alone, addressing the camera directly while filming her own video content or interacting with Allen on her laptop. Even without other actors to play off of, she hits every emotional note perfectly, making the audience care deeply for Nella even as she creates new problems for herself.

In the hands of a less-skilled filmmaker, telling a story entirely via social media posts and footage shot through laptop cameras and video calls could come across as gimmicky. But Motwane is so talented that the visual flow of the film feels totally natural. The spell breaks a little when we’re shown footage of other influencers’ posts or cable news reports, but since it’s clear that this is what Nella is watching, it makes narrative sense.

Here’s hoping that some politician watches CTRL and makes it their mission to pursue greater regulation of AI. Trusting corporations to do the right thing is foolish.

Links

Streaming Video News: November 1, 2024

I updated my list of Bollywood movies on Netflix with yesterday’s timely addition of 2007’s Bhool Bhulaiyaa (which I enjoyed). It joins Bhool Bhulaiyaa 2 for streaming, in case you want to catch up on the franchise before heading to the theater for Bhool Bhulaiyaa 3 this weekend.

If those films have you in a spooky mood, I wrote about all the Indian Original horror movies and series on Netflix for What’s on Netflix (with a bonus list of all the licensed Indian horror films currently streaming).

And if that still isn’t enough scary content for you, I appeared on the “Bollywood Horror Top 13” episode of the Bollywood Drafts podcast. Josh Hurtado, Erin Fraser, Matt Bowes, and I had a spirited discussion about the best Hindi horror flicks, but ultimately I got to choose the movie that ranked #1.

Back over at What’s on Netflix, I also posted a mega roundup of all the new Indian content added to Netflix in September and October.

There are a number of Indian films expiring from Netflix in November:

I also updated my list of Bollywood movies on Amazon Prime with yesterday’s addition of the Tamil film Black.

Finally, I updated my list of Bollywood movies on Hulu with the addition of the Tamil film Lubber Pandhu (also available dubbed in Hindi and Malayalam).

Things will be busy on the streamers next week, with the following debuts scheduled:

November 6: Citadel: Honey Bunny, Season 1 on Prime (at 1:30 pm ET)
November 7: The Buckingham Murders on Netflix
November 8: ARM (Malayalam) on Hulu; Vettaiyan (Tamil) on Prime; Vijay 69 on Netflix

Happy Diwali! — Kathy

Streaming Video News: October 9, 2024

The big Indian Independence Day 2024 theatrical releases are now streaming!

I updated my list of Bollywood movies on Amazon Prime with today’s addition of Stree 2: Sarkate Ka Aatank. If you need a refresher, Stree was recently added to Amazon Prime as well. I really enjoyed the first film, so I’m excited to watch the sequel.

John Abraham’s action flick Vedaa is now on ZEE5.

I also updated my list of Bollywood movies on Netflix with the streaming debut of the dramedy Khel Khel Mein, which stars Akshay Kumar, Taapsee Pannu, and Vaani Kapoor.

If that’s not enough Akshay Kumar for you, his July release Sarfira is expected to land on Hulu tomorrow. I’ll update this post and my list of Bollywood movies on Hulu with a link when it becomes available. [Update: Sarfira is now streaming on Hulu.]

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Streaming Video News: October 4, 2024

I updated my list of Bollywood movies on Netflix with today’s premiere of Vikramaditya Motwane’s thriller CTRL, starring Ananya Panday. Earlier this week, the streamer added the Tamil hit GOAT – The Greatest of All Time.

Speaking of Indian box office hits, I wrote about the biggest theatrical blockbusters streaming on Netflix for What’s on Netflix.

Yesterday, ZEE5 premiered the Anupam Kher drama The Signature.

I also updated my list of Bollywood movies on Amazon prime with the new Hindi series about social media influencers called The Tribe.

Next week could be a busy week on the streaming services. Akshay Kumar’s film Sarfira is coming to Hulu on October 11 (probably the 10th in the United States), along with the Tamil movie Vaazhai. Other theatrical releases likely making their streaming debuts on October 10 include Khel Khel Mein on Netflix, Stree 2 on Amazon Prime, and Vedaa on ZEE5, though none of those have been officially announced yet. We’ll have to see what happens next week.

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Streaming Video News: September 26, 2024

I updated my list of Bollywood movies on Netflix with today’s streaming debut of the spy thriller Ulajh, starring Janhvi Kapoor and Gulshan Devaiah. Yesterday, the streamer added the Telugu action flick Saripodhaa Sanivaaram. Earlier this week, Netflix released a trailer for Vikramaditya Motwane’s thriller CTRL starring Ananya Panday. It premieres October 4 and looks creepy:

I also updated my list of Bollywood movies on Amazon Prime with today’s streaming debut of the romantic thriller Auron Mein Kahan Dum Tha, starring Ajay Devgn and Tabu.

Today’s brand new Hindi OTT release is the romance Love, Sitara starring Sobhita Dhulipala, now showing on ZEE5.

Finally, I updated my list of Bollywood movies on Hulu with Season 2 of the Hindi series Taaza Khabar. Akshay Kumar’s July box office flop Sarfira comes to Hulu October 11.

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Movie Review: All We Imagine as Light (2024)

3.5 Stars (out of 4)

Mumbai — a crowded city where it’s easy to be lonely. A place to live that never quite feels like home. That’s the experience of three women in the engaging international feature All We Imagine as Light.

Prabha (Kani Kusruti) is head nurse at a hospital in Mumbai. She grew up elsewhere speaking Malayalam but has learned Hindi to thrive in the city.* She’s married, but her husband works in a factory in Germany. He hasn’t called in over a year.

Since she’s effectively single and rent is expensive, Prabha lives with Anu (Divya Prabhu), a junior nurse who’s also a transplant to the city. Anu has something of a reputation, since other hospital workers have seen her meeting up with a young man: her Muslim boyfriend Shiaz (Hridhu Haroon).

Prabha’s own beau — kindly Dr. Manoj (Azees Nedumangad) — knows she is married, but he waits for her after work to give her treats or share his poetry. The relationship is chaste, but it fills a void in Prabha’s life.

The arrival of a mysterious package shakes up Prabha’s routine and forces her to look at her life as it truly is. There’s no note in the package or a return address, only a fancy rice cooker — made in Germany.

Director Payal Kapadia lets these scenes in the city unfold at an unhurried pace, giving the audience time to understand the rhythms of the characters’ lives. It’s an enjoyable way to be carried along in a drama where the problems are important, but not necessarily urgent. It took a long time for Prabha’s life to become the way it is, after all.

She and Anu get an outside perspective when Parvaty (Chhaya Kadam, Laapataa Ladies) —  a widow who works at the hospital — asks for their help moving back to her village. Parvaty has lived in the same Mumbai apartment for two decades, but lacking the proper paperwork, re-developers are evicting her. It’s like she was never there at all.

Only in stepping outside the bounds of the city can any of the women see the way it constrains the very opportunities it promises to make possible: opportunities for love, belonging and happiness.

Outside of the city, the story loses a bit of momentum. Some of that is intentional, as it represents a new physical and mental space for the characters to inhabit, but it didn’t quite work for me. Kapadia has such a clear vision of life in the city that I was sad to let that go.

Kusruti, Prabhu, and Kadam are great individually, but especially together. Their performances are easy and natural, and that extends to their rapport. They are the heart of a movie that is very enjoyable to watch.

*One thing I’d love to see the film do before its US theatrical release is to code the English subtitles in different colors depending on which language is being spoken. The characters speak a mix of Hindi, Malayalam, and Marathi, and it would enhance the understanding of their relationships if it was easier for non-Indian-language speakers to tell who was speaking in what language with whom.

Links

Movie Review: Sector 36 (2024)

3.5 Stars (out of 4)

Watch Sector 36 on Netflix

One of Netflix’s most challenging Original Hindi films makes insightful social commentary in a fictional retelling of a real-life tragedy.

Sector 36 is based on the 2006 Noida serial murders and takes place in approximately the same area at the same time. Over the course of a couple of years, more than twenty children go missing from a slum in Sector 36 populated by poor families who’ve migrated from other parts of India to find work near Delhi. Inspector Ram Charan Pandey (Deepak Dobriyal) — the police officer in charge of the area — tells each parent the same thing: the kid will turn up, just hang your “Missing” poster on the board with all of the other posters. That’s as far as his investigations ever go.

The audience already knows what’s happening to the missing children. They’re being abducted, raped, and murdered by Prem (Vikrant Massey), caretaker of a large home next to the slum owned by businessman Balwar Singh Bassi (Akash Khurana). Prem disposes of parts of the bodies in the sewers outside the house, so he isn’t going out of his way to conceal his crimes. Since the police won’t investigate, he can do what he wants.

That changes when Prem mistakenly tries to abduct Ram Charan’s daughter Vedu (Ihana Kaur) during a festival. Prem is masked, so Ram Charan doesn’t see his face after he drops Vedu and runs off. However, the close encounter is enough for the inspector to follow up on some of the tips provided by other parents of missing children, one of whom was last seen entering Bassi’s house.

It’s quite the indictment of Ram Charan’s lack of empathy that he isn’t compelled to act until his own daughter is endangered, but he’s undeterred once he begins. Yet he quickly realizes that his own prior laziness is not the only obstacle standing in the way of justice for the missing kids. His interview with Bassi is cut short when the businessman calls his old school friend, Jawahar Rastogi (Darshan Jariwala) — Ram Charan’s boss. Rastogi tells the inspector to back off and suspends him when he doesn’t.

At the same time that Ram Charan is warned against investigating further, the child of a rich industrialist is abducted and held for ransom. Every resource at the police department’s disposal is thrown at retrieving the child and catching his kidnappers. Ram Charan sees where the department’s priorities lie, and they aren’t with the citizens of Sector 36.

Systems theorist Stafford Beer coined the phrase: “The purpose of a system is what it does.” Sector 36 is a perfect example of that phenomenon. The purpose of the police force that Ram Charan works for is not to protect the innocent, or solve crimes in an effort to give them justice. It’s to protect the rich and keep the poor vulnerable–basically, to ensure nothing threatens the current power structure.

I’m not qualified to speak to caste elements that may factor into Sector 36‘s story, but the film does a wonderful job illustrating how those at the top of the class hierarchy foment discord among those beneath them in order to maintain their own positions. Ram Charan feels superior to those living in the slum he oversees and lords his authority over the officers working under him. Rastogi knows that any of those lower officers would jump at the chance to take Ram Charan’s place. Because Prem works in a comfortable house for a boss with connections, he feels superior to those migrant workers living in the slum, even though he came from a small village himself.

Yet even as powerful men like Bassi and Rastogi purport to look out for those who report to them, they really only look out for one another. They use the system to maintain their protected positions. Ram Charan, Prem, the other cops, and the migrant workers all have more in common with one another than Bassi or Rastogi — but you could never convince any of them that that’s true.

Director Aditya Nimbalkar and screenwriter Bodhayan Roychaudhury convey all this through compelling character interactions and clever pacing. There’s a real level of finesse from a first-time feature director and first-time screenwriter. It’s a little less surprising when you realize that Nimbalkar previously worked as an associate director for Vishal Bhardwaj, whose productions are basically a farm system for future directorial talent.

The main thing working against Sector 36 early on — besides a subject matter that will be too intense for some — is that it’s disgusting. The camera cuts between shots of a human body being chopped and a shots of a butcher chopping meat. It feels like a cheap shock tactic.

That said, it’s worth enduring the gore for career performances by Massey and Dobriyal. This will likely be the most vile character Massey ever plays, and he makes Prem as intriguing as he is loathsome. Dobriyal shines as a character who is flawed and complicated and up against a system that makes it hard for him to be his best self. His performance is outstanding.

Sector 36 is not an easy film to watch, not just because of the crimes that inspired it but because of what it reveals about the system that allowed them to happen in the first place (and that still exists). As grim as the movie is, the only way to imagine a better world is to really examine what’s wrong with the one we have now.

Links

Streaming Video News: September 13, 2024

I updated my list of Bollywood movies on Netflix with today’s debut of the Netflix Original film Sector 36. If you want more information about the Hindi thriller before you dive in, I previewed Sector 36 for What’s on Netflix. Other new additions earlier this week include the Telugu movie Aay, the Tamil film Mr. Bachchan, and the comedy special Ahir Shah: Ends.

I also updated my list of Bollywood movies on Amazon Prime with yesterday’s streaming premiere of the Hindi theatrical release Bad Newz.

Yesterday, ZEE5 debuted the Hindi historical thriller Berlin. It also released a trailer for Sobhita Dhulipala’s Original film Love Sitara, which debuts on ZEE5 on September 27:

Finally, I updated my list of Bollywood movies on Hulu with the debut of the new Tamil series Goli Soda: Rising (also available in Bengali, Hindi, Kannada, Malayalam, Marathi, & Telugu).

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]