Streaming Video News: January 19, 2024

I updated my list of Bollywood movies on Netflix with today’s surprise additions of the Hindi romantic drama Starfish and the Telugu action film Salaar (also available in Kannada, Malayalam, and Tamil). Netflix also announced a February 9 premiere date for the Original thriller movie Bhakshak, starring Bhumi Pednekar.

Two Irrfan Khan movies will expire from Netflix next month. Talvar (which is great) leaves February 1, followed by the Bengali film Doob: No Bed of Roses on February 4.

I also updated my list of Bollywood movies on Amazon Prime with Thursday’s debut of the Hindi series Indian Police Force, starring Sidharth Malhotra in his first web series.

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Movie Review: Tiger 3 (2023)

2.5 Stars (out of 4)

Watch Tiger 3 on Amazon Prime

The latest entry in Salman Khan’s Tiger action franchise, Tiger 3, is in keeping with the two previous films, both in terms of quality and theme. What’s new is that the announcement of the YRF Spy Universe — which happened a few years after the second Tiger film, 2017’s Tiger Zinda Hai — means that Tiger 3 features a cameo by Shah Rukh Khan’s Pathaan and a preview of what’s next for Hrithik Roshan’s Kabir from War.

Tiger 3 picks up with the semi-rogue Indian spy Tiger (Khan) on a mission to rescue fellow RAW agent Gopi (Ranvir Shorey, from Ek Tha Tiger) in Afghanistan. With his dying breath, Gopi reveals that Tiger’s wife — semi-rogue Pakistani spy Zoya (Katrina Kaif) — is working with a terrorist outfit.

Tiger is surprisingly quick to believe his friend over his wife, but Gopi’s intel is partly correct. Zoya is being blackmailed by her former mentor and ex-deputy director of Pakistan’s intelligence agency, Aatish Rehman (Emraan Hashmi). Rehman has a vendetta against Tiger and Zoya, and he poisons their son Junior (Sartaaj Kakkar) to get them to do his bidding.

Pakistan’s Prime Minister Irani (Simran) has proposed demilitarization talks with India, and Rehman is determined to stop the talks and seize control of Pakistan’s government for himself. He forces Tiger and Zoya to steal nuclear codes in exchange for the antidote for Junior. The married spies are rendered traitors in the eyes of the nations they love.

The screenplay relies heavily on news broadcasts to convey information, so seemingly everyone around the globe knows secret agent Tiger’s identity. This is extra weird since it’s very easy to disguise one’s self in this world. Zoya fist-fights Tiger while he’s dressed like a roadie for Lynyrd Skynyrd, and she doesn’t recognize him until he pulls off his fake beard.

As in previous Tiger films, Zoya’s action scenes are the highlights. This includes the bathhouse towel fight sequence that featured prominently in the movie’s trailer. In the film, the bathhouse scene is intercut with shots of Tiger rappelling down a clock tower, which blunts some of the effect of the towel fight (perhaps deliberately — the franchise is named after Tiger, not Zoya, after all).

Tiger’s action scenes are fine, but they lack the dynamism that Kaif brings to Zoya. Further, the cameo by Shah Rukh Khan’s wisecracking Pathaan emphasizes just how little there is to Tiger’s personality. This is a franchise that relies on the audience’s pre-existing affection for the leading man.

As in Tiger Zinda Hai, Junior exists when the plot needs him to, then disappears. Tiger 3 even introduces another surrogate son character in the second half of the film who likewise appears on-screen until his plot utility runs out.

What Tiger 3 does have going for it that earlier films didn’t is a compelling villain in Aatish Rehman, played with great presence by Hashmi. Rehman puts Tiger and Zoya in seemingly impossible situations, keeping the tension high throughout.

Perhaps the biggest selling point of the Tiger franchise is its dedication to the idea that peace between India and Pakistan is a worthwhile goal. Across all three movies, Tiger, Zoya, and their teams work together to save lives and prevent war. It’s a welcome respite from the violent nationalism that pervades so many Hindi action films these days.

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Movie Review: Kho Gaye Hum Kahan (2023)

3.5 Stars (out of 4)

Watch Kho Gaye Hum Kahan on Netflix

Kho Gaye Hum Kahan thoughtfully explores relationship challenges in the age of social media. Debutant writer-director Arjun Varain Singh integrates smartphones into the lives of his characters organically, emphasizing their importance without letting the tech overshadow the humans at the heart of the story.

Three Mumbai twentysomethings have been best friends forever. Imaad (Siddhant Chaturvedi) can afford to pursue his dream of being a stand-up comedian, thanks to his rich dad (played by Rahul Vohra). Corporate consultant Ahana (Ananya Panday) shares an apartment with Imaad but is dating Rohan (Rohan Gurbaxani). Personal trainer Neil (Adarsh Gourav) lives with his working-class parents and wants to open his own gym.

Their love lives are rocky. Rohan asks Ahana to take a break but immediately posts suspicious cupcake photos to his Instagram and likes posts by a beautiful baking influencer. Neil is hooking up with another influencer named Lala (Anya Singh), who’s also one of his personal training clients — although Neil is convinced their relationship is more exclusive than it is. Imaad uses a fake name to meet women on Tinder, then ghosts them after they have sex.

Imaad’s romantic fortunes change when he meets Simran (Kalki Koechlin), a photographer working on an exhibition about Tinder users. She’s older and more mature than Imaad is, yet they have enough fun together for them to consider committing to one another.

Meanwhile, Neil is increasingly angry at Lala’s refusal to make their relationship public and for her flirting with a potential advertiser. Ahana posts racy photos to her own Instagram account in order to get Rohan’s attention. It works.

The trio also decide to go into business together and make Neil’s dream of owning a gym a reality. Ahana quits her dead-end office job to focus on a business strategy, and Imaad invests the money — although his dad warns him that money isn’t the only thing that can be lost when you start a company with your friends.

While the characters’ relationship problems aren’t new, Director Singh skillfully shows how constant access to social media adds a fresh layer of complexity to them. Smartphones have only been around for an eye-blink of human history, and it’s unreasonable to expect us as a species to immediately adapt individually and culturally to the profound emotional consequences of such technological advancement. Singh’s screenplay — which was co-written with Zoya Akhtar, Reema Kagti, and Yash Sahai — offers a comprehensive snapshot of this moment in history for Generation Z.

The only real complaint about the writing is Imaad’s stand-up comedy material. Stand-up routines within movies are often uncomfortable to watch, and none of the writers are themselves comedians. That said, Imaad’s material sounds amateurish enough to befit his status as a comic who hasn’t hit it big yet. Chaturvedi does reasonably well given the challenge of performing the sometimes awkward material he’s given.

Neil is the most volatile of the main characters, and Gourav plays him within the perfect emotional range. When Neil takes revenge via social media, it reinforces the technological themes in Singh’s story.

Panday is so natural as Ahana that she disappears into the role, delivering a subtle and wholly believable performance. This should erase any doubts for those still skeptical of Panday’s abilities.

Kho Gaye Hum Kahan puts a modern spin on the classic problems of young adulthood. I’m excited to see what Arjun Varian Singh does next.

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Streaming Video News: January 5, 2024

Happy New Year! I updated my list of Bollywood movies on Netflix with this week’s additions of the Tamil horror flick Conjuring Kannappan (also available in Kannada, Malayalam, and Telugu) and the Telugu film Hi Nanna (also available in Kannada, Malayalam, Tamil, and in Hindi as Hi Papa).

I also updated my list of Bollywood movies on Hulu with the debut of the Malayalam series Perilloor Premier League (also available in Bengali, Hindi, Kannada, Marathi, Tamil, and Telugu).

Finally, I updated my list of Bollywood movies on Amazon Prime with addition of the Malayalam film Kaathal – The Core. The big news is that Tiger 3 debuts on Prime on January 7. [Update: Tiger 3 is streaming now on Prime.] Amazon also released the official trailer for Sidharth Malhotra’s new web series Indian Police Force, premiering January 19:

Kangana Ranaut’s action film Tejas is now showing on Zee5.

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Streaming Video News: December 22, 2023

I updated my list of Bollywood movies on Netflix with today’s premiere of the Netflix Original Malayalam documentary Curry & Cyanide: The Jolly Joseph Case. Yesterday was busy, with the additions of Aadi Keshava (Telugu), Kuiko (Tamil), and Sajini Shinde Ka Viral Video (Hindi).

I also updated my list of Bollywood movies on Amazon Prime with the premiere of the Amazon Original Hindi film Dry Day. The Tamil flick 80s Buildup was added as well.

I’m taking much of the rest of 2023 off, but there are a lot of Hindi films hitting streaming in the days to come. Here’s what to look forward to (note that titles on Amazon Prime and Zee5 may be available in the United States the day before):

December 26 — Kho Gaye Hum Kahan on Netflix
December 28 — Shastry Virudh Shastry and Three of Us on Netflix; 12th Fail on Hulu
December 29 — Dono, Once Upon Two Times, & Safed on Zee5; Wedding.con, Season 1 on Prime

If you really, really want to plan ahead for the future, I wrote a massive preview of all of the new Indian Original series and movies coming to Netflix in 2024 and beyond for What’s on Netflix. It was quite the undertaking, but I’m pleased with the results.

Thanks again for another wonderful year at Access Bollywood — and special thanks to everyone who donated via PayPal and Venmo! Merry Christmas and Happy New Year! — Kathy

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Movie Review: The Archies (2023)

2 Stars (out of 4)

Watch The Archies on Netflix

One of Netflix’s most highly anticipated Original films turned out to be one of its most underwhelming. Much of the hype leading up to the release of The Archies had to do with its cast of newcomers, some from prominent Bollywood families. None of them are at fault for the film’s problems, which are rather due to uncharacteristic missteps by the film’s writer-director, Zoya Akhtar.

Based on the Archie comic books, the movie takes place in 1964 in the fictional Anglo-Indian hill town of Riverdale, India. The story is centered around the town’s teenagers, including Archie (Agastya Nanda, Amitabh Bachchan’s grandson), his neighbor Betty (Khushi Kapoor, Sridevi’s daughter), her best friend Veronica (Suhana Khan, Shah Rukh Khan’s daughter), and their pals Reggie (Vedang Raina), Jughead (Mihir Ahuja), Ethel (Aditi Saigal, aka “Dot”), and Dilton (Yuvraj Menda).

There are various romantic entanglements and crushes within the group, the most chaotic of which is Archie’s fondness for both Betty and Veronica. Those complications get pushed aside when Veronica’s wealthy father Hal (Satyajit Sharma) pressures the town council to let him build a hotel in the middle of Green Park: a place important to Riverdale’s young people. Archie and friends get a quick education in political organizing and band together to save the park.

When the story focuses on the teens, it’s pretty entertaining, if mostly surface level. Mihir Ahuja as Jughead is the only one with prior acting experience, and his performance is the most assured. The rest of the young actors show promise, particularly Suhana Khan’s dancing and Khushi Kapoor’s attentiveness toward her fellow performers during scenes.

Things slow down when the adults get involved, sapping the dynamism from the film. The teens are absent from a lot of these scenes, shining a spotlight on their expository nature. Was there no better way to convey information than via grownups sitting around talking?

The slow periods stand out because The Archies is structured more like musical theater than a typical “Bollywood” movie. Many of the songs flow out of conversations and have lyrics that are literal rather than metaphorical. You can sense how scenes would physically transition from one to another were this to be turned into a stage musical. Even in this movie version, the scenes with adults talking need to feel just long enough to allow for a set change to happen in the background, and no longer.

Considering that The Archies is a musical, it’s unfortunate that its songs are so forgettable. “Sunoh” and “Va Va Voom” — the two tunes Netflix used in their promotions for the film — are the best of the lot. Instead of using an upbeat number during a rally for the park, Akhtar uses the ballad “Yeh Saari Aawazein.” Betty periodically sings some of her diary entries, but the performance style is too contemporary and feels out of place.

The disappointing quality of the songs is countered by novel, entertaining choreography. There’s something going on in every corner of the screen in the tune “Everything Is Politics.” “Dhishoom Dhishoom” is danced entirely on roller skates. On top of that, the film’s styling and costuming is top-notch.

Good elements like choreography and costume design can’t counterbalance the film’s structural issues and overall underwhelming vibe, unfortunately. Akhtar’s vision for The Archies is interesting, but the execution isn’t up to her usual high standards.

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Movie Review: Christmas as Usual (2023)

2.5 Stars (out of 4)

Watch Christmas as Usual on Netflix

Indian comedian and actor Kanan Gill is the romantic lead in a Norwegian Christmas movie. Yes, you read that correctly. Gill stars in the English/Norwegian Netflix Original film Christmas as Usual.

Jashan (Gill) and his girlfriend Thea (Ida Ursin-Holm) live together in Los Angeles. He proposes marriage a few weeks before Christmas. She accepts, despite their short courtship, and then invites him to spend Christmas with her family in Norway.

In what is quickly revealed to be a recurring problem, Thea neglects to share some very important information. She doesn’t tell her mom Anna-Lise (Marit Andreassen) that Jashan is Indian. Anna-Lise is awkward from the moment Jashan steps out of the taxi, and things don’t really get any better.

Christmas in Thea’s family — which includes her brother Simen (Erik Follestad), sister-in-law Hildegunn (Veslemøy Mørkrid), and little niece Ronja (Matilde Hovdegard) — is a multi-day schedule of events that must be completed in a specific way, more to alleviate anxiety rather than because anyone enjoys them. It’s been this way every since Thea’s dad died.

Given how rigidly Thea’s family adheres to tradition, it’s in everyone’s best interest for Thea to share the rules with Jashan in advance. But she doesn’t. Virtually all of the conflict in Christmas as Usual stems from Thea needlessly withholding information. The simplistic plot mechanism neutralizes a lot of opportunities for humor in what is at times a pretty funny film.

It also undercuts the “culture clash” angle that the movie is going for. Anyone who’s not Norwegian would struggle with Christmas at Thea’s house, accidentally deviating from rules that they don’t even know exist. At some point, it’s fair to call into question how much of Anna-Lise’s disapproval of Jashan is just racism and not him being an outsider.

To its credit, Christmas as Usual directly addresses some of Norway’s persistent racism. Jashan has a humorous reaction to finding out that there is a (real) spice brand named “Hindu.” It’s also entertaining when Simen and Hildegunn make some well-meaning but clumsy attempts to connect with Jashan about his heritage.

Those who primarily watch Indian films will appreciate Jashan’s use of a well-timed Hindi curse word and a closing scene set to “Punjabi Wedding Song” from Hasee Toh Phasee.

When jokes land, it’s largely thanks to Gill’s terrific performance. He gets the tone of the humor just right and elevates the written material with his perfect delivery. Who knew “Christmas movie boyfriend” was a role that would suit him so well?

It’s hard to get a sense of Ursin-Holm’s abilities since Thea spends most of her time grimacing at the unfortunate consequences of her refusal to communicate.

Christmas as Usual doesn’t veer far from the standard Christmas movie formula — which is fine, since familiarity is part of the genre’s appeal. But Kanan Gill’s surprisingly charming performance makes this one to consider when you’re in a Christmas mood.

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Streaming Video News: December 8, 2023

I updated my list of Bollywood movies streaming on Netflix with a bunch of new additions yesterday. The big one is the premiere of the Original film The Archies, but Netflix also added  the Hindi theatrical release Dhak Dhak, the Malayalam movie Adrishya Jalakangal, and the Tamil flick Jigarthanda Double X (also available in Hindi, Kannada, Malayalam, and Telugu). The week’s other unexpected new addition is the Norwegian holiday film Christmas as Usual, which stars comedian Kanan Gill, of all people.

A lot of Indian movies will expire from Netflix in the next month, including the great thriller Andhadhun. Here’s what’s leaving and when:

I also updated my list of Bollywood movies on Amazon Prime with the global debut of the Original comedy Mast Mein Rehna Ka, starring Neena Gupta and Jackie Shroff.

Zee5 premiered its own new Original Hindi film yesterday: Pankaj Tripathi’s Kadak Singh.

Finally, I updated my list of Bollywood movies on Hulu with the debut of the Telugu series Vadhuvu (also available in Bengali, Hindi, Kannada, Malayalam, Marathi, and Tamil).

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Streaming Video News: December 1, 2023

I updated my list of Bollywood movies on Netflix with the addition of a couple of theatrical releases: Akshay Kumar’s disaster drama Mission Raniganj and Bhumi Pednekar’s comedy Thank You for Coming (which I thought was okay). Some older Telugu films were added as well:

If you missed any of the Indian content Netflix added last month, my November roundup is now up at What’s on Netflix.

I also updated my list of Bollywood movies on Amazon Prime with the addition of the Malayalam film Garudan and two new Amazon Original series: Shehar Lakhot (Hindi) and Dhootha (Telugu).

Next week is going to be really busy for new streaming-exclusive Hindi films. The big one, of course, is The Archies (read my preview at What’s on Netflix) on Netflix on Thursday, December 7. [For some reason, Netflix is adding the theatrical release Dhak Dhak that day as well.] Then, on December 8 — although more likely the afternoon of the 7th in North America — Amazon Prime debuts the comedy Mast Mein Rehna Ka starring Jackie Shroff and Neena Gupta and Zee5 launches the Pankaj Tripathi thriller Kadak Singh. Clear your schedule, ’cause there’s gonna be a lot of new stuff to watch!

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Movie Review: Apurva (2023)

1 Star (out of 4)

Watch Apurva on Hulu

A kidnapped woman fights for her life in the survival thriller Apurva, which is nowhere near as exciting as that summary makes it sound.

Apurva opens not with the title character — played by Tara Sutaria in what is clearly supposed to be her breakout, solo-heroine role — but with her kidnappers: a dull quartet of crude, violent thieves lead by Jugnu (Rajpal Yadav). Sukkha (Abhishek Banerjee) is second in command, with Balli (Sumit Gulati) and Chhota (Aaditya Gupta) rounding out the group. They beat people to death and have literal pissing contests out in the bleak Chambal desert. They’re too cliched to be scary, even though composer Ketan Sodha tries his best to make them seem so with some threatening background music.

After spending too much time with these dullards, we finally meet Apurva. She’s on a bus to Agra to surprise her fiance Sid (Dhairya Karwa) for his birthday. En route, Jugnu & Co kill the bus driver and rob the passengers. Sid calls during the robbery, and Sukkha answers, telling him they’re taking beautiful Apurva with them.

Just in case we doubted whether a man engaged to a woman who cares enough to surprise him for his birthday would actually want her back, we get a flashback and song montage detailing Apurva’s introduction to Sid and their bubbly courtship. With their mutual affection confirmed, we can rest assured that Apurva has a reason to live and that Sid will try to save her.

Thus Apurva endures one of the least-interesting movie kidnappings ever. She spends a good chunk of time knocked out after Chhota slaps her. At one point, an astrologer (Rakesh Chaturvedi Om) randomly wanders into the ruins of the village where they’re holding her, despite it being well off the road and miles from anyplace inhabited.

Things get even sillier when writer-director Nikhil Nagesh Bhat — the filmmaker responsible for last year’s awful movie Hurdang — tries to tie the astrologer’s presence into the plot via a flashback with Sid that only highlights just how illogical his involvement is. Then again, that kind of fits in a movie where I repeatedly yelled at the main character to “just run!” when she was sitting there, waiting for her captors to find her.

Apurva is so insubstantial that there’s little chance for Sutaria to show off any heretofore unseen acting chops. She spends much of the film slowly moving barefoot through the ruins or yelling while lifting heavy objects, despite the fact that there’s nothing around to muffle sounds and her captors would obviously hear her. The thieves are a bunch of hapless jackasses, and Sid isn’t present enough for Karwa to have an impact. If you want to watch a “woman in trouble” film, watch Anushka Sharma in NH10 instead.

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