2.5 Stars (out of 4)

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Agni has novelty on its side, as Hindi films about firefighters are rare. The film’s action scenes are exciting, but the family drama interspersed throughout drags.

Set in 2017, Agni follows the crew of a Mumbai firehouse, led by their chief, Vitthal (Pratik Gandhi). A series of high-rise fires cause massive damage and the death of a firefighter. It’s not long before the station’s investigator Avni (Saiyami Kher) finds a connection between accelerants found at multiple scenes. It looks like the city has an arsonist on the loose, and a skilled one at that.

Meanwhile, the police are looking for the perpetrator of a daring daytime assassination of a politician. The investigation is led by Vitthal’s brother-in-law Samit (Divyenndu), one of Mumbai’s top cops. Samit and his officers beat and threaten to kill suspects until they get a lead connecting them to some of the burned buildings. If the police and firefighters work together, they can solve the case in no time, right?

Not so fast. In the film, the police look down on firefighters, who get a much smaller share of public accolades and government funding compared to the cops. This feeling of disrespect is heightened for Vitthal, whose pre-teen son Amya (Kabir Shah) idolizes his uncle Samit.

As someone who lives outside India, I feel at a disadvantage because I’m not sure if public disrespect for firefighters is real and if there’s a rivalry with the police or they are just conceits of the movie. If they are, then the story may have had an underlying levels of context easily understood by locals. If it’s not, filmmaker Rahul Dholakia’s script — co-written with Vijay Maurya — needed to elaborate on how this disrespect manifests. The film is light on specifics.

Most of the inter-agency disrespect in the story comes from mean-spirited jokes directed at Vitthal at a housewarming party in Sumit’s new luxury apartment. That party scene is awkward, as is a family dinner at a Japanese restaurant. The rivalry between Sumit and Vitthal isn’t interesting, and it takes away from the real source of Vitthal’s hurt: the fact that Amya has grown up and no longer sees his dad as the coolest guy on the planet. The father-son angle has much more emotional appeal but doesn’t get enough screentime.

Even more time is wasted on scenes inside Sumit’s police station, where he and his cronies beat confessions out of people. If the story is about firefighters, focus on the firefighters.

Agni is at its best when Vitthal’s crew is actively battling blazes. The action scenes are well-executed and exciting, with lots of real flames. Any CGI is integrated so well as not to draw attention to itself, and the editing makes it seem as though the characters are in real danger.

Gandhi does a fine job as the character holding all the narrative threads together. He’s at his best in scenes with other firefighters like Avni, his friend Jazz (Udit Arora), and fellow station chief Mahadev (Jitendra Joshi). Sai Tamhankar gives an understated performance as Vitthal’s wife Ruku. I wish she’d played a bigger role.

Despite some slow parts in the first half, Agni‘s story pace picks up as it nears its conclusion. Dholakia’s screenplay sprinkles enough action scenes throughout to reward one’s continued attention.

Links

• Agni at Wikipedia
• Agni at IMDb

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