I updated my list of Bollywood movies on Netflix with a ton of new additions to the catalog. Netflix kicked off 2016 by adding seventeen (!) Hindi movies to the streaming catalog, along with a number of movies in other Indian languages, most notably director Mani Ratnam’s 2015 Tamil hit OK Kanmani. I added a category for films in other Indian languages at the bottom of my Netflix page. (January 2 update: Dum Laga Ke Haisha is also now on Netflix!)
Here’s a list of all the Bollywood films added to Netflix today:
Detective Byomkesh Bakshy! and Piku are two of my favorite movies of 2015, and I can’t wait to check out Randeep Hooda in Main Aur Charles, which didn’t open in US theaters. A number of these films — like Katiyabaaz and Kshay — were hits on the festival circuit, and this is the first opportunity for a wide audience to see them. Same for the Gujarati film The Good Road, India’s official submission to the 86th Oscars, which was also added today.
The family comedy Ferrari Ki Sawaari gets a third weekend at the Golf Glen 5 and South Barrington 30, having earned $377,448 in the U.S. so far. Patang — my pick for the best Hindi film currently showing in area theaters — carries over at the Golf Glen 5.
Other Indian movies showing at the Golf Glen 5 this weekend include the Malayalam movie Spirit, the Tamil film Saguni and its Telugu version, Shakuni.
Access Bollywood reader TS alerted me to a new trailer for Salman Khan’s Ek Tha Tiger that has English subtitles. The film releases on August 15. Enjoy:
A kite festival sounds like a serene setting for a film, but kite flying is a kind of contact sport in India. That knowledge adds depth to the festive backdrop of Patang (“The Kite”), a lovely film by debutant director Prashant Bhargava.
The action in Patang takes place over three days around Uttarayan, the annual kite festival in Ahmedabad. Jayesh (Mukkund Shukla) returns to his hometown after five years away to show the festival to his adult daughter, Priya (Sugandha Garg). Priya uses her video camera to record festival preparations, which include merchants strengthening kite string with a paste made from boiled rice before coating the string in ground glass. The glass-coated string allows competitors to slice the strings of opposing kites
Jayesh is financially well-off, so a lack of funds can’t explain the infrequency of his visits from his home in Delhi. The hostile reception he gets from his nephew, Chakku (Nawazuddin Siddiqui), offers a clue. Jayesh is received more warmly by his mother and his sister-in-law, Sudha (Seema Biswas), wife of his deceased older brother.
As Jayesh tries to recreate the kite-flying triumphs of his youth at a party for friends and family, it becomes apparent that he is a know-it-all. He scolds Priya for wearing a tank top and dancing in public, fearful that she’ll ruin his reputation. This drives her straight into the arms of a cute electronics store clerk, Bobby (Aakash Maheriya).
Jayesh has other plans aimed at improving the lives of his relatives, but he sets them in motion without asking for their consent. Sudha picks up on something about Jayesh: for a guy who seems to have all the answers, he doesn’t seem happy.
The story in Patang unfolds slowly and without a typical narrative structure. The film is presented in an almost documentary-style format, as though a camera crew dropped in for the three days of the festival and left immediately after. It’s enjoyably languid, but not slow.
The downside of shooting documentary-style is that it’s often impossible not to be aware of the camera. Shots are interrupted by passersby. The camera is sometimes set at an awkward distance from the actors. And the editing occasionally consists of rapid-fire cuts between closeups of the actors’ faces.
There were moments when I wanted to be able to ignore the technique and just watch what was happening. The best shots in the whole movie come from a stationary camera pointed at the sky, watching the kites as they soar.
The performances are universally sound, anchored by Seema Biswas as Sudha. After the death of her husband, Sudha becomes the head of the household, though she defers to her mother-in-law. Biswas portrays Sudha as a woman whose good-nature isn’t overwhelmed by her tremendous responsibilities or Jayesh’s attempts to control things from afar. She treats Priya with a warmth the girl doesn’t get from her father.
The most intriguing relationship is between Chakku and a street kid named Hamid (Hamid Shaikh). Chakku spends his days hanging with Hamid and several other boys of around ten, stealing from street vendors and shooting off fireworks. Perhaps Jayesh is right to suggest that it’s time for Chakku to grow up and get a real job.
Bhargava has a real knack for storytelling and atmosphere and gets great performances from his cast. I’m looking forward to his future films.
The other movie making its theatrical debut this weekend is Patang (“The Kite”), a terrific independent film that started making the festival rounds last year. It stars Seema Biswas and Nawazuddin Siddiqui.
Patang opens in Chicago on June 15 at the AMC River East 21 and June 22 at the Golf Glen 5. The film’s website has a complete list of opening dates and locations, which includes theaters in New York, New Jersey, California, and a number of Canadian cities. Given the film’s indie status, it’s only guaranteed one week at each theater (though that may increase if ticket sales are good). Catch it while you can. Patang has a runtime of 92 minutes.
Last weekend’s new release, Shanghai, gets a well-deserved second week at the Golf Glen 5, South Barrington 30, and Cantera 17. Rowdy Rathore carries over for a third week at the Golf Glen 5 and South Barrington 30, having earned $654,352 in the U.S. so far.