Tag Archives: Sanjay Dutt

Opening July 23: Hotel Hollywood and Khatta Meetha

Two new Hindi movies will open in the Chicago area on Friday, July 23, 2010. The Akshay Kumar comedy Khatta Meetha gets the wider release, opening at four area theaters:

Khatta Meetha has a runtime of 2 hrs. 35 min.

Also opening on Friday is the supernatural thriller Hotel Hollywood, playing at the Golf Glen 5.

Sanjay Dutt starrer Lamhaa carries over for a second week at the Golf Glen 5. The romantic comedy I Hate Luv Storys, which has earned a total of $826,561 in U.S. theaters so far, gets fourth week at the South Barrington 30.

Last weekend, the satire Tere Bin Laden opened everywhere in the world except the United States. According to NDTV Movies, the filmmakers wanted to first gauge audience reactions to the movie in other countries, with hopes of a U.S. release several months later.

Other Indian movies showing around Chicago this weekend include Kutty Srank (Malayalam), Maryada Ramana (Telugu) and Sneha Geetham (Telugu) at the Golf Glen 5 and Thillalangadi (Tamil) at Sathyam Cinemas in Downers Grove.

Opening July 16: Lamhaa

One new Hindi movie opens in the Chicago area the weekend beginning July 16, 2010. Lamhaa stars Sanjay Dutt as a soldier in Kashmir and costars Bipasha Basu, Kunal Kapoor and Anupam Kher. Lamhaa opens on Friday at the Big Cinemas Golf Glen 5 in Niles.

Two Bollywood romantic comedies are also carrying over in area theaters. Milenge Milenge continues its run at the Golf Glen 5 and AMC South Barrington 30 in South Barrington, while I Hate Luv Storys gets a third week at the South Barrington 30 and AMC Loews Pipers Alley 4 in Chicago.

Other Indian movies showing around Chicago include the Telugu films Em Pillo Em Pillado, Sneha Geetham and Subhupradam, all at the Golf Glen 5.

Movie Review: Aladin (2009)

AladinPoster3 Stars (out of 4)

Buy the DVD at Amazon
Buy the soundtrack at Amazon

There aren’t many kid-friendly Bollywood movies released in the United States, and those that have opened here, like Saawariya and Roadside Romeo, have disappointed. Aladin is a delightful update of the classic fairytale that will amuse the whole family.

In this live action version of the story — which differs significantly from the animated Disney film — Aladin (Ritesh Deshmukh) is a lonely college student. His parents died under mysterious circumstances when he was young, and he lives alone in the book-littered home of his deceased grandfather. Fellow students tease him because of his name, demanding that he produce a genie from a lamp like the fairytale dictates.

Aladin’s crush on Jasmine (Jacqueline Fernandez), an American exchange student, appears destined to go unrequited until she buys him a lamp from the “Ancient Thing Store” as a birthday gift. He’s goaded into rubbing the lamp which, naturally, contains a genie.

The genie, named Genius (Amitabh Bachchan) is close to retirement and is eager for Aladin to use his three wishes before his genie contract gets renewed for another million years. The duo sets about trying to woo Jasmine on Aladin’s behalf. But Genius doesn’t know that Aladin is in danger from an evil ex-genie named Ring Master (Sanjay Dutt), who’s eager to regain his powers and take over the world.

One of Aladin‘s best features is that it looks terrific. The fictional town of Khwaish is a perfect fantasy city: narrow cobblestoned streets that wind uphill through buildings made of sand-colored bricks. Dance numbers are colorful and the special effects are relatively seamless.

As for the characters and plot, writer-director-producer Sujoy Ghosh keeps the story true to tradition, while giving it his own spin. Deshmukh does a great job as Aladin, a likable guy with such simple desires that he’s incapable of misusing his new-found power.

Ring Master is also a fitting villain. His motives are clear, and he’s got a group of creepy circus-inspired henchmen to help him, including a lion tamer, a firebreather and, inexplicably, a Star Trek Klingon.

The writing in Aladin is solid, especially for a Bollywood comedy (see my review of Deshmukh’s other recent film, Do Knot Disturb). Several scenes are laugh-out-loud funny, and there are no extraneous plot threads or characters.

For parents of children who don’t understand Hindi, Aladin is a good introduction to movies with English subtitles, even if it is long at 2 hrs. 12 min. The story is familiar, so all that’s required is that the child be old enough to read English with some speed: third or fourth grade, perhaps. There’s no objectionable material, and no “gross” kissing (this is Bollywood, after all).

One note to parents who themselves aren’t familiar with Bollywood films: it’s worth telling kids that Amitabh Bachchan, who plays the genie, is one of the coolest guys in Indian cinema. He was an action star when he was younger and has always been a lady’s man. It’s the only way to explain why a man old enough to be a grandfather is rapping about “shorties.”

Opening October 30: Aladin and London Dreams

If you can’t get enough Sanjay Dutt, you’re in luck. He’s back in theaters in one of the two new Bollywood films opening in the Chicago area this weekend.

Dutt plays the villain in a live-action version of Aladin, which also stars Ritesh Deshmukh as the title character and Amitabh Bachchan as the genie. Aladin‘s runtime is listed as 2 hrs. 12 min.

This weekend’s other opening is London Dreams, starring Ajay Devgan and Salman Khan as pals whose friendship is tested by international rock stardom. London Dreams has a runtime of 2 hrs. 30 min.

Both movies will open in the Chicago area at the AMC Cantera 30 in Warrenville and AMC South Barrington 30 in South Barrington. London Dreams will play at the AMC Loews Pipers Alley 4 in Chicago and Big Cinemas Golf Glen 5 in Niles as well.

Older Hindi movies sticking around in theaters include Blue and All The Best, both at the South Barrington 30 and Golf Glen 5. Blue will also continue showing at the Cantera 30.

Other Indian films in Chicago area theaters this weekend include the Telugu movie Ek Niranjan and the Malayalam movie Pazhassi Raja at the Golf Glen 5. Sathyam Cinemas in Downers Grove will show the Tamil movie Kanden Kadhalai.

Movie Review: All The Best (2009)

allthebest1 Star (out of 4)

Buy the DVD at Amazon
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For the first two hours, All The Best is a tolerable if uninspired slapstick comedy. But, due to the movie’s racist final scene, it’s not worth watching.

The movie focuses on aspiring rock star Vir (Fardeen Khan), who lives off of the largess of his globe-trotting step-brother, Dharam (Sanjay Dutt). In order to get a larger monthly allowance from Dharam, Vir tells his brother that his girlfriend, Vidya (Mugdha Godse), is actually his wife.

Since the two brothers rarely see each other, the lie goes unchallenged until Dharam lands in town for a layover on his way to the small African country of Lesotho. The layover turns into an extended stay when the country experiences a military coup.

Vir turns to his best friend, Prem (Ajay Devgan), for help. Since this is a comedy, all of Prem’s ideas to deceive Dharam make things worse, especially when Dharam mistakes Prem’s wife, Jhanvi (Bipasha Basu), for Vir’s pretend wife, Vidya.

The bulk of the humor centers on mistaken identities and the friends’ attempts to keep the truth from hot-tempered Dharam. Basu and Ashwini Kalsekar, who plays Vir’s maid, Mary, are the most successful at generating laughs.

But All The Best falls back on the same cliche seen in many recent Bollywood comedies: gangsters. If one were to form an impression of modern India based solely on Hindi cinema, India would seem as overrun with gangsters as Chicago was in the 1920s, only with the gangsters more inept and less threatening than their American predecessors.

The most pathetically unfunny of the bunch is Topu (Johny Lever), the mute gang leader. He communicates with his lackeys by banging a spoon against a glass, as though he were trying to get a newly-married couple to kiss at their wedding reception. It’s the stupidest gimmick since the mute villain in Karzzzz, who communicated via a musical keypad on his wrist.

Such lame gimmicks might be forgivable, if not for the movie’s final scene, involving several characters from Lesotho. They speak in something that’s supposed to sound like Swahili, even though Swahili isn’t an official language of Lesotho. I can’t prove it, but I’m guessing the filmmakers didn’t spring to hire an actual Swahili translator, and that the words are just gibberish that’s supposed to sound “African.” [Update: A kind Access Bollywood reader, Samuel, let me know that the language is in fact Swahili.]

If that weren’t insulting enough, three of the characters are Indian actors — including Bipasha Basu — in blackface make up. Coming just a few weeks after American musician Harry Connick Jr. took an Australian comedy troupe to task for the same offense, All The Best‘s racist attempt at humor comes off as particularly crude.

For Indian cinema to be taken seriously in the rest of the world, it needs to drop these outdated, racist jokes. Bollywood’s top stars need to lead the way. Bipasha Basu should have refused to perform the scene in blackface, just as Akshay Kumar should’ve said no to his blackface scene in Kambakkht Ishq.

Movie Review: Blue (2009)

blue2 Stars (out of 4)

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I recently read a post about older actors, including guys like Bruce Willis and Sylvester Stallone, who should retire from action roles. It’s time to add Sanjay Dutt to that list.

I’ll admit that Dutt was perfectly suited for his role in 2008’s Kidnap, in which he had to kick butt in order to rescue his daughter. But his role in Blue should’ve gone to a younger man.

In Blue, Dutt plays Sagar, a broke fisherman who lives in the Bahamas and works for his pal, wealthy playboy Aarav (Akshay Kumar). Their friendship doesn’t make much sense; I doubt that in real life Kumar goes clubbing with his gardener.

Even more ridiculous is Sagar’s relationship with his girlfriend, Mona (Lara Dutta). Dutta is nearly twenty years younger than Dutt and looks it. Why Mona — a hot, young woman living in the Bahamas — would settle for a poor, old fisherman with no prospects defies explanation.

After some opening scenes in which Sagar and Aarav wrestle a shark (I’m not kidding), the movie cuts abruptly to a new set of characters. A young guy named Sam (Zayed Khan) races motorcycles and gets involved with some shady people, including the lovely Nikki (Katrina Kaif). He’s paid to deliver a satchel to an address somewhere in Thailand.

As I was watching the movie, this task seemed tricky to me since Sam only had a motorcycle. Perhaps he had to take the satchel to the airport?

After an explosive motorcycle chase, Sam tells Nikki, “I’m going to hide out in the Bahamas.”

Wait! We’re not in the Bahamas anymore? A simple line on screen saying “Bangkok, Thailand” when the scenes with Sam started would’ve been nice.

Turns out Sam is Sagar’s younger brother. Much younger, apparently, since Khan is 21 years younger than Dutt in real life.

There’s only the thinnest thread of a plot holding Blue together, and it involves finding treasure on a sunken ship in order to pay off the people from whom Sam fled. Scenes involving the story account for approximately 15% of the movie; the rest is made up of chase scenes, dance numbers, underwater fights, shark footage, shots of womens’ butts and crotch-shots of bikini-clad Lara Dutta. Blue embodies the phrase “style over substance.”

The action scenes are reasonably well done, and the underwater shots are impressive. But being impressed by the movie’s technical execution doesn’t lead one to care about the characters, and I simply didn’t care about any of them.

Perhaps I’m not in the demographic Blue is hoping to appeal to. If I were a 15-year-old boy, I might be more  easily dazzled by the girls in bikinis and the water ski chase scenes. But wouldn’t a 15-year-old boy rather watch an action hero who’s closer to his own age than to that of his father? Or worse, his grandfather?

Opening October 16: Blue, All The Best, and Main Aurr Mrs. Khanna

The Diwali holiday weekend brings three big Hindi films to Chicago area theaters, with Sanjay Dutt playing major roles in two of them.

The first is Blue, an undersea adventure in which Dutt and Akshay Kumar search for treasure on a sunken ship, surrounded by sharks. Kylie Minogue adds a song to A. R. Rahman’s soundtrack: the absurdly-titled “Chiggy Wiggy.” Blue‘s runtime is listed as 1 hr. 55 min.

Next is the second Sanjay Dutt starrer, All The Best. It’s a comedy involving gangsters and a plot to trick Dutt’s wealthy character into believing his step-brother is married. I can’t make heads or tails of it based on the official story summary, nor can I figure out how Ajay Devgan’s auto mechanic character figures into the plot. I have very low expectations for All The Best, which has an official runtime of 2 hrs. 24 min.

Finally, the drama Main Aurr Mrs. Khanna, starring Kareena Kapoor as the title character. After a falling out with her husband (Salman Khan), she must choose between him and another man, played by Sohail Khan, Salman’s real-life younger brother. Main Aurr Mrs. Khanna has a runtime of 2 hrs. 15 min.

All three movies will open on Friday, October 16 at Big Cinemas Golf Glen 5 in Niles, AMC South Barrington 30 in South Barrington and AMC Cantera 30 in Warrenville. Blue will also open at AMC Pipers Alley 4 in Chicago and supposedly the Milan Theaters in Waukegan (call the theater first to verify).

Entering its third week in theaters is Wake Up Sid, which has earned $611,574 in U.S. theaters so far. It will continue to play at the Cantera 30 and South Barrington 30. Also continuing for a third week at the South Barrington 30 is Do Knot Disturb. Its total U.S. earnings amount to $213,525.

Other Indian films playing in the Chicago area this weekend include the Tamil film Aadhavan at the Golf Glen 5 and a trio of movies at Sathyam Cinemas in Downers Grove: Eeram (Tamil), Unnaipol Oruvan (Tamil) and Mahatma (Telugu).

Opening July 31: Love Aaj Kal

loveaajkalsmallOpening Friday, July 31, 2009, is the Saif Ali Khan-Deepika Padukone romance Love Aaj Kal (“Love Nowadays”). The movie follows the story of two love affairs, one taking place in 2009 and another that happened in 1965. It’s reportedly a remake of the Taiwanese film Three Times.

In the Chicago area, Love Aaj Kal will run at the AMC Loews Pipers Alley 4 in Chicago, Big Cinemas Golf Glen 5 in Niles, AMC South Barrington 30 in South Barrington and AMC Cantera 30 in Warrenville. The film’s runtime is listed as 2 hrs 10 min.

Sanjay Dutt’s Luck is getting a second week at AMC South Barrington 30 and Big Cinemas Golf Glen 5, which is also carrying over New York for a sixth week. Luck earned $112,309 in its opening weekend in U.S. theaters.

Another Indian film opening in the Chicago area this weekend is the Telugu movie Magadheera, playing at Sathyam Cinemas in Downers Grove.

Opening July 24: Luck

luckSanjay Dutt’s latest film, Luck, opens in theaters this Friday, July 24. Dutt plays a gangster in a movie about the role luck plays in several characters’ lives. Luck will run at the AMC South Barrington 30 in South Barrington and at the Big Cinemas Golf Glen 5 in Niles.

Both theaters are carrying over New York for an impressive fifth week in U.S. theaters. As of last weekend, New York has earned $981, 866 in America.

The Golf Glen 5 will also feature Akshay Kumar’s Kambakkht Ishq, which has so far earned $1,408,522 in the U.S., as well as the Tamil movie Achchamundu! Achchamundu! and the Malayalam film Pattanathil Bhootham.

Movie Review: EMI (2008)

2 Stars (out of 4)

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As economies around the world falter, what could be timelier than a movie about the danger of credit card debt? The film even ends with the written warning: “Take Loans Responsibly.” EMI (an acronym for “Easy Monthly Installment”) is an uneven but watchable comedy about a tough collections agent (Sanjay Dutt) who changes his image by helping folks out of debt, instead of beating them up for money — his usual collection method. The film’s best scene is an early dance number featuring Arjun Rampal that pays tribute to Saturday Night Fever, white leisure suit and all.