Tag Archives: Nil Battey Sannata

Movie Review: Panga (2020)

3.5 Stars (out of 4)

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Even with only a few feature films under her belt, writer-director Ashwiny Iyer Tiwari has proven herself one of the most skilled makers of feel-good films out there. Her latest, Panga, follows the everyday struggles of a sweet family whose matriarch returns to the athletic career she left to raise her child.

Retiring from India’s national kabbadi team at age twenty-five wasn’t Jaya’s (Kangana Ranaut) plan when she found out she was pregnant. She had the full support of her husband Prashant (Jassi Gill) to resume her captaincy as soon as she was fit to do so. But when their son Adi was born premature and with a number of ailments, Jaya put all of her focus on raising her little boy.

Seven years later, Adi (Yagya Bhasin) is mostly fit and increasingly independent. Prashant tells his son about the life Jaya had before she became a mom — a history that Jaya has evidently never shared with the boy. Understanding what Jaya sacrificed for the family and excited by the prospect of having a professional athlete for a mother, Adi convinces Jaya to try and make a comeback.

Rather than manufacture a bunch of obstacles to put in Jaya’s way, Tiwari and her co-writer Nikhil Mehrotra keep Jaya’s journey realistic while mining the scenario for as much drama as possible. Doing so allows for an insightful examination of gendered divisions of labor within a household. Jaya threw herself fully into being a mom and a homemaker when Adi was born, but she still has a job outside of the house. Kabbadi teams in India are often sponsored by companies like railways, and Jaya kept her job selling train tickets even after her playing career ended.

As capable and helpful as both Prashant and Adi are, the house is still Jaya’s domain. How is she supposed to transfer seven years of accumulated knowledge to Prashant in the days before she heads to training camp? While their lives obviously won’t fall apart if the beds go unmade, it goes to show how we undervalue the effort it takes to make homemaking seem automatic.

Prashant’s promotion to household manager also highlights how removed many fathers are from the social networks that make child-rearing easier. He learns to rely on his neighbor and his cranky mother-in-law (played by Neena Gupta). He asks to be invited into the WhatsApp group for moms at Adi’s school.

A theme Tiwari introduced in her first feature, Nil Battey Sannata, and revisits in Panga is that of children coming to view their parents as individuals, not just their caretakers. Adi is mature enough to understand that playing kabbadi makes his mother happy, and that her happiness will require some inconvenience on his part. Yet he’s not so mature that he’s above throwing a tantrum when his dad screws up his makeup for the talent show or sulking when his mom has to sit on the bench during a game. It’s solid character writing.

What the story wants us to appreciate more than anything is that this family is nice. They are helpful, quick with a joke, and willing to make sacrifices for each other. They have supportive friends, especially Jaya’s former teammate Meenu (Richa Chadda) and her new teammate Nisha (Megha Burman). These strong bonds reinforce the feeling that this is a family that deserves happiness. The acting across the board is very good, with little Yagya Bhasin providing some great laughs.

Panga‘s kabbadi scenes are quite fun, emphasizing the teamwork required for success without feeling preachy. Selfishly, I would have appreciated a scene where Jaya explains the sport’s rules to Adi, but there’s more than enough context provided for kabbadi newbies like myself to understand the tension during the matches. This is a decent starter movie for Bollywood newcomers — and anyone in need of a cinematic pick-me-up.

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Movie Review: Nil Battey Sannata (2016)

nilbatteysannata3 Stars (out of 4)

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Nil Battey Sannata (“Good for Nothing” colloquially) is a heart-warming story about familial bonds and the importance of education. However, the movie is more than just feel-good fare, offering a canny exploration of the complexities of poverty.

Appu (Ria Shukla) is a typical teen, more fond of hanging out with her friends and mooning over film stars than studying. Also like many teens, she doesn’t understand the lengths her mother goes to just to keep a roof over their heads.

As a single mother and the family’s sole breadwinner, Chanda (Swara Bhaskar) wears a lot of hats. She works as a maid for Dr. Diwan (Ratna Pathak) in the morning and does odd jobs at night, washing dishes or sewing clothes. When she comes home, she cooks and cleans so that Appu can focus on her studies.

Even though Appu is in her final year of high school, mother and daughter haven’t discussed Appu’s future plans. Chanda assumed her own toil would enable Appu to go to college, an opportunity high school dropout Chanda never had. She is stunned when Appu says she wants to be a maid like her mom.

Director Ashwiny Iyer Tiwari’s story — co-written with her husband, Dangal director Nitesh Tiwari — doesn’t lay all of the blame on Appu, though the girl’s disdain for school is a huge hurdle. Her lack of ambition is partly a product of her surroundings. Everyone she knows is poor or a laborer, so what good will an education do her? Her friend, Pintu (Prashant Tiwari), plans to become a driver like his father. He’s befuddled when Chanda asks him if he wouldn’t rather own the car than drive for someone else.

Chanda’s perspective is also limited by her financial circumstances. She knows she can’t afford the tuition for medical school or engineering school, but she doesn’t know of any other jobs that could provide the comfortable lifestyle she envisions for Appu. By happenstance, Chanda meets a man being chauffeured in an air-conditioned car, and she learns that he’s the local tax collector. She immediately determines that’s the job that Appu must pursue.

Appu’s intellectual laziness has caused her to fall behind in math. With expensive tutoring out of the question, Chanda heeds Dr. Diwan’s advice and enrolls in Appu’s class so that she can tutor her daughter herself. Of course, nothing could be more mortifying to Appu than having her mom as a classmate, clad in a school uniform and all. Chanda’s efforts to help her daughter cause friction between the two of them, straining their formerly close bonds.

Bhaskar is charming and sympathetic as Chanda, though it’s hard not to pull for a mother who’ll go to any lengths for her daughter. Shukla’s job is harder given that Appu is often a pill, but the actress pulls it off, making her character relatable. Even at Appu’s worst moments, the audience can always tell that she’s a good kid at heart, thanks to Shukla’s performance.

The mother-daughter relationship is the core of Nil Battey Sannata, but Iyer Tiwari does an admirable job depicting a concept that’s hard to understand, namely the way poverty complicates all aspects of a person’s life. It’s easy to prescribe education as the ultimate solution to economic hardship, but Chanda’s and Appu’s story shows that money isn’t the only scarce resource for those on the margins. Time, experience, and connections are almost as important — and almost as rare, too.

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CSAFF 2016 Lineup Announced

The feature films competing in the seventh annual Chicago South Asian Film Festival have been announced. Competitors predominantly hail from India, but the festival includes films from Pakistan, Bangladesh, Sri Lanka, and the United States as well.

Hindi films account for half of the competition lineup. I’ve previously reviewed four of them:  Aligarh, Waiting, Masaan, and Island City. Two of the other three Hindi features — Nil Battey Sannata and Budhia Singh: Born to Run — released theatrically in India earlier this year, but not in the United States.

Aligarh, Waiting, and Masaan are all terrific, and Island City has its moments as well. This is a compelling lineup, and that’s just in regard to the Hindi films. The festival runs from October 5-10, 2016. The full schedule of screenings will be posted soon at the CSAFF website.