Nil Battey Sannata (“Good for Nothing” colloquially) is a heart-warming story about familial bonds and the importance of education. However, the movie is more than just feel-good fare, offering a canny exploration of the complexities of poverty.
Appu (Ria Shukla) is a typical teen, more fond of hanging out with her friends and mooning over film stars than studying. Also like many teens, she doesn’t understand the lengths her mother goes to just to keep a roof over their heads.
As a single mother and the family’s sole breadwinner, Chanda (Swara Bhaskar) wears a lot of hats. She works as a maid for Dr. Diwan (Ratna Pathak) in the morning and does odd jobs at night, washing dishes or sewing clothes. When she comes home, she cooks and cleans so that Appu can focus on her studies.
Even though Appu is in her final year of high school, mother and daughter haven’t discussed Appu’s future plans. Chanda assumed her own toil would enable Appu to go to college, an opportunity high school dropout Chanda never had. She is stunned when Appu says she wants to be a maid like her mom.
Director Ashwiny Iyer Tiwari’s story — co-written with her husband, Dangal director Nitesh Tiwari — doesn’t lay all of the blame on Appu, though the girl’s disdain for school is a huge hurdle. Her lack of ambition is partly a product of her surroundings. Everyone she knows is poor or a laborer, so what good will an education do her? Her friend, Pintu (Prashant Tiwari), plans to become a driver like his father. He’s befuddled when Chanda asks him if he wouldn’t rather own the car than drive for someone else.
Chanda’s perspective is also limited by her financial circumstances. She knows she can’t afford the tuition for medical school or engineering school, but she doesn’t know of any other jobs that could provide the comfortable lifestyle she envisions for Appu. By happenstance, Chanda meets a man being chauffeured in an air-conditioned car, and she learns that he’s the local tax collector. She immediately determines that’s the job that Appu must pursue.
Appu’s intellectual laziness has caused her to fall behind in math. With expensive tutoring out of the question, Chanda heeds Dr. Diwan’s advice and enrolls in Appu’s class so that she can tutor her daughter herself. Of course, nothing could be more mortifying to Appu than having her mom as a classmate, clad in a school uniform and all. Chanda’s efforts to help her daughter cause friction between the two of them, straining their formerly close bonds.
Bhaskar is charming and sympathetic as Chanda, though it’s hard not to pull for a mother who’ll go to any lengths for her daughter. Shukla’s job is harder given that Appu is often a pill, but the actress pulls it off, making her character relatable. Even at Appu’s worst moments, the audience can always tell that she’s a good kid at heart, thanks to Shukla’s performance.
The mother-daughter relationship is the core of Nil Battey Sannata, but Iyer Tiwari does an admirable job depicting a concept that’s hard to understand, namely the way poverty complicates all aspects of a person’s life. It’s easy to prescribe education as the ultimate solution to economic hardship, but Chanda’s and Appu’s story shows that money isn’t the only scarce resource for those on the margins. Time, experience, and connections are almost as important — and almost as rare, too.
- Nil Battey Sannata at Wikipedia
- Nil Battey Sannata at IMDb
- My review of Dangal
Great incisive review as usual. I’ll be sure to look this one up. I feel Swara is a wonderful actress yet to get her due.
Thanks, Amin! I totally agree about Swara.
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This is one movie where the language adds immensely to the fun. Chanda speaks pure lower class vernacular like pretty much every maid I’ve come across in the Hindi belt. And the parts where she scolds her daughter are hilarious. I lost it when she breaks down in frustration and calls Appu “you donkey” right after reminding her to watch her language. Sbe plays the Indian mom to perfection.
The movie did get a bit preachy towards the end. I think they introduced the “tax collector” as a gag but then decided to take it seriously at some point, which required the 5 minute monologue at the end to justify. Could have done without that.
But all things considered this was a wonderful movie. Swara Bhaskar was perfect in her role.
Thanks for explaining how Chanda’s manner of speaking adds to the movie’s humor, Pankaj! It makes me appreciate the film even more, in retrospect.
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