Tag Archives: Ratna Pathak

Movie Review: Nil Battey Sannata (2016)

nilbatteysannata3 Stars (out of 4)

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Nil Battey Sannata (“Good for Nothing” colloquially) is a heart-warming story about familial bonds and the importance of education. However, the movie is more than just feel-good fare, offering a canny exploration of the complexities of poverty.

Appu (Ria Shukla) is a typical teen, more fond of hanging out with her friends and mooning over film stars than studying. Also like many teens, she doesn’t understand the lengths her mother goes to just to keep a roof over their heads.

As a single mother and the family’s sole breadwinner, Chanda (Swara Bhaskar) wears a lot of hats. She works as a maid for Dr. Diwan (Ratna Pathak) in the morning and does odd jobs at night, washing dishes or sewing clothes. When she comes home, she cooks and cleans so that Appu can focus on her studies.

Even though Appu is in her final year of high school, mother and daughter haven’t discussed Appu’s future plans. Chanda assumed her own toil would enable Appu to go to college, an opportunity high school dropout Chanda never had. She is stunned when Appu says she wants to be a maid like her mom.

Director Ashwiny Iyer Tiwari’s story — co-written with her husband, Dangal director Nitesh Tiwari — doesn’t lay all of the blame on Appu, though the girl’s disdain for school is a huge hurdle. Her lack of ambition is partly a product of her surroundings. Everyone she knows is poor or a laborer, so what good will an education do her? Her friend, Pintu (Prashant Tiwari), plans to become a driver like his father. He’s befuddled when Chanda asks him if he wouldn’t rather own the car than drive for someone else.

Chanda’s perspective is also limited by her financial circumstances. She knows she can’t afford the tuition for medical school or engineering school, but she doesn’t know of any other jobs that could provide the comfortable lifestyle she envisions for Appu. By happenstance, Chanda meets a man being chauffeured in an air-conditioned car, and she learns that he’s the local tax collector. She immediately determines that’s the job that Appu must pursue.

Appu’s intellectual laziness has caused her to fall behind in math. With expensive tutoring out of the question, Chanda heeds Dr. Diwan’s advice and enrolls in Appu’s class so that she can tutor her daughter herself. Of course, nothing could be more mortifying to Appu than having her mom as a classmate, clad in a school uniform and all. Chanda’s efforts to help her daughter cause friction between the two of them, straining their formerly close bonds.

Bhaskar is charming and sympathetic as Chanda, though it’s hard not to pull for a mother who’ll go to any lengths for her daughter. Shukla’s job is harder given that Appu is often a pill, but the actress pulls it off, making her character relatable. Even at Appu’s worst moments, the audience can always tell that she’s a good kid at heart, thanks to Shukla’s performance.

The mother-daughter relationship is the core of Nil Battey Sannata, but Iyer Tiwari does an admirable job depicting a concept that’s hard to understand, namely the way poverty complicates all aspects of a person’s life. It’s easy to prescribe education as the ultimate solution to economic hardship, but Chanda’s and Appu’s story shows that money isn’t the only scarce resource for those on the margins. Time, experience, and connections are almost as important — and almost as rare, too.

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Movie Review: Kapoor & Sons (2016)

Kapoor&Sons4 Stars (out of 4)

Buy the movie at Amazon or iTunes
Buy the soundtrack at Amazon or iTunes

Kapoor & Sons packs enough of an emotional wallop to leave one reeling. It’s going to be tough to beat when the Best of 2016 rankings come out.

The Kapoor family — father Harsh (Rajat Kapoor), mother Sunita (Ratna Pathak), elder son Rahul (Fawad Khan), and younger son Arjun (Sidharth Malhotra) — reunite at the bedside of ailing patriarch Amarjeet (Rishi Kapoor) when he suffers a heart attack just before his 90th birthday. The birthday provides a reason for the boys to linger for a few days in their childhood home.

All of the undercurrents of tension between the family members surface as soon as the boys come home. Harsh and Sunita are shorter with one another than they used to be, though they fall back into old patterns with their sons. Rahul is the golden boy, his room a shrine to his accomplished youth. Perpetual screw-up Arjun finds his bedroom re-purposed as his mom’s closet, overrun with purses and exercise equipment.

There’s trouble between the boys, too. Rahul waits for his brother to grow up, while Arjun harbors resentment toward Rahul, not just for his exalted status but by a suspicion that it may have come at Arjun’s expense. None of these concerns are addressed openly, leaving wounds to fester.

Two people make the trip home worthwhile. First, Grandpa Amarjeet, whose abundant love for his grandsons only grows when they teach him how to watch pornography on his iPad. Second, Tia (Alia Bhatt): a fun-loving neighbor who meets the boys separately and charms them both.

Kapoor & Sons is beautifully balanced, with funny moments juxtaposed against serious revelations. Writer-director Shakun Batra and co-writer Ayesha Devitre Dhillon set the perfect tempo, allowing subplots and relationships to develop at a pace that never feels rushed.

Behind all of the action is a beautiful, evocative score by Sameer Uddin. Of all the film’s wonderful qualities, the score may be the very best.

The acting in Kapoor & Sons is top-notch, the whole cast striking the right tone under Batra’s direction. Ratna Pathak and Rajat Kapoor are so strong as a couple whose marriage suffers after their kids have grown up and moved out. It’s wonderful to watch Alia Bhatt and Sidharth Malhotra grow as young actors.

Fawad Khan is hypnotic. His acting is graceful and grounded and stands out even when compared to the film’s other great performances.

Rishi Kapoor is terrific as well, equal parts funny and moving as an old man who just wants his family to be happy again. His makeup and prosthetics (designed by Greg Cannom) age the 63-year-old Kapoor effectively, without being distracting.

Two supporting performances of note belong to Sukant Goel as Arjun’s pal Wasim and Fahim Shaikh as Wasim’s bodybuilding brother, Boobly, who steals every scene he’s in.

Batra’s directorial debut Ek Main Aur Ekk Tu showed a ton of promise, though it was marred by a frustrating ending. Those frustrations are nowhere to be found in Kapoor & Sons, a mature, satisfying film. Well done.

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