Buy the soundtrack at Amazon or iTunes
Even with only a few feature films under her belt, writer-director Ashwiny Iyer Tiwari has proven herself one of the most skilled makers of feel-good films out there. Her latest, Panga, follows the everyday struggles of a sweet family whose matriarch returns to the athletic career she left to raise her child.
Retiring from India’s national kabbadi team at age twenty-five wasn’t Jaya’s (Kangana Ranaut) plan when she found out she was pregnant. She had the full support of her husband Prashant (Jassi Gill) to resume her captaincy as soon as she was fit to do so. But when their son Adi was born premature and with a number of ailments, Jaya put all of her focus on raising her little boy.
Seven years later, Adi (Yagya Bhasin) is mostly fit and increasingly independent. Prashant tells his son about the life Jaya had before she became a mom — a history that Jaya has evidently never shared with the boy. Understanding what Jaya sacrificed for the family and excited by the prospect of having a professional athlete for a mother, Adi convinces Jaya to try and make a comeback.
Rather than manufacture a bunch of obstacles to put in Jaya’s way, Tiwari and her co-writer Nikhil Mehrotra keep Jaya’s journey realistic while mining the scenario for as much drama as possible. Doing so allows for an insightful examination of gendered divisions of labor within a household. Jaya threw herself fully into being a mom and a homemaker when Adi was born, but she still has a job outside of the house. Kabbadi teams in India are often sponsored by companies like railways, and Jaya kept her job selling train tickets even after her playing career ended.
As capable and helpful as both Prashant and Adi are, the house is still Jaya’s domain. How is she supposed to transfer seven years of accumulated knowledge to Prashant in the days before she heads to training camp? While their lives obviously won’t fall apart if the beds go unmade, it goes to show how we undervalue the effort it takes to make homemaking seem automatic.
Prashant’s promotion to household manager also highlights how removed many fathers are from the social networks that make child-rearing easier. He learns to rely on his neighbor and his cranky mother-in-law (played by Neena Gupta). He asks to be invited into the WhatsApp group for moms at Adi’s school.
A theme Tiwari introduced in her first feature, Nil Battey Sannata, and revisits in Panga is that of children coming to view their parents as individuals, not just their caretakers. Adi is mature enough to understand that playing kabbadi makes his mother happy, and that her happiness will require some inconvenience on his part. Yet he’s not so mature that he’s above throwing a tantrum when his dad screws up his makeup for the talent show or sulking when his mom has to sit on the bench during a game. It’s solid character writing.
What the story wants us to appreciate more than anything is that this family is nice. They are helpful, quick with a joke, and willing to make sacrifices for each other. They have supportive friends, especially Jaya’s former teammate Meenu (Richa Chadda) and her new teammate Nisha (Megha Burman). These strong bonds reinforce the feeling that this is a family that deserves happiness. The acting across the board is very good, with little Yagya Bhasin providing some great laughs.
Panga‘s kabbadi scenes are quite fun, emphasizing the teamwork required for success without feeling preachy. Selfishly, I would have appreciated a scene where Jaya explains the sport’s rules to Adi, but there’s more than enough context provided for kabbadi newbies like myself to understand the tension during the matches. This is a decent starter movie for Bollywood newcomers — and anyone in need of a cinematic pick-me-up.
- Panga at Wikipedia
- Panga at IMDb
- My review of Bareilly Ki Barfi
- My review of Nil Battey Sannata
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Kathy, yours was a great review for Panga. I watched it last night, on Hotstar, with my other daughter, the one who’s been at college so hasn’t been watching much Bollywood. She enjoyed it. I’ll just add a few comments to yours.
I liked the movie within the first five minutes. As any follower of Bollywood movies knows, usually it takes at least 15 minutes for things to get rolling. This movie had married humor dialogue in the first five that draws you in. Jaya kicks her husband in her sleep. I think all of us who are married can relate to snoring, being whacked, or something while the partner slumbers on. Prashant’s line of “We’re on the same team” is priceless. There’s more dialogue that is completely relatable as real life.
While there is music in the movie, there’s no singing or dancing for those who want to know. None of the music on Hotstar had subtitles.
Megha Burman plays Nisha well. Jaya tricks Nisha at the introduction, making her think she’s a coach. Nisha is willing to forgive the deception and they become friends. That shows a maturity that a lot of late teens and early 20s don’t always have. I’ve told my kids for years and years before college, if you have to pick a group partner ALWAYS pick the mom going back to school. She won’t let you down. She’s isn’t going to stop twice. Nisha is willing to help Jaya adjust to the changes since she was in Kabaddi. Nisha encourages Jaya even when Jaya wants to give up and has fears. Her performance is noteworthy.
I am looking forward to buying the DVD when it becomes available.
Glad you and your daughter enjoyed it, Jill! Panga is a pretty good film even for people who don’t watch Bollywood movies, and that funny opening scene is a good example why. I can think of a few people who are probably going to get a copy of the DVD from me for Christmas this year.
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