Tag Archives: Naam Shabana

Movie Review: Naam Shabana (2017)

2 Stars (out of 4)

Buy the DVD at Amazon
Buy the soundtrack at iTunes

Taapsee Pannu’s supporting character Shabana was the best part of the 2015 spy thriller Baby, so spinning off an origin story for her made perfect sense. However, Naam Shabana is dull, doing neither the character nor the actress who plays her justice.

Too much time is spent on the “origin” part of Shabana’s story. We know that she is being recruited by a spy agency thanks to a number of long-distance shots of her overlaid with the markings of a camera’s viewfinder. It’s the same view through which two Indian spies scope out notorious gangster Mikhail in Vienna, right before Mikhail kills both of them.

The long-shots of Shabana are interspersed with the events of her ordinary college life. She’s on the university judo team, she hangs out with her pals, and she takes an economics class with Jai (Taher Shabbir Mithaiwala), a hunk with a crush on Shabana. She shares the details of her tragic childhood with Jai, adding backstory on top of backstory.

By the time the inciting incident triggers Shabana’s first contact with the head of the spy agency, Ranvir (Manoj Bajpayee), the movie is a quarter of the way over. There’s so much build up just get the ball rolling. Even then, the ball rolls very slowly.

Shabana first has to prove herself to the agency, even though they’ve been following her for years. There’s the obligatory training montage. Right when we’re ready for her to take the field and kick butt, Shabana disappears from the narrative for a full twenty minutes while other agents track down a crook named Tony (Prithviraj Sukumaran), whom they hope can lead them to Mikhail. When Shabana finally rejoins the fray, the action is interrupted by a ridiculous item number featuring Elli Avram.

Naam Shabana has about ninety minutes of material stretched to fill two-and-a-half hours. When one example of something would suffice, we’re shown two, just to pad things out. Although Baby creator Neeraj Pandey didn’t direct Naam Shabana — that credit belongs to Shivam Nair — Pandey did write the screenplay, complete with his tendency toward overly long runtimes.

A further disappointment is the way Shabana’s character is fleshed out from her small role in Baby. She’s mostly robotic, with a brief moment of hysteria that is drowned out by composer Sanjoy Chowdhury’s over-the-top score. (Did anyone else find the film’s closing theme awfully similar to the opening of “Day Tripper” by The Beatles?)

Shabana’s primary relationship is with her supportive but concerned mother (played by Natasha Rastogi). Their relationship provides the perfect opportunity to explore the natural pulling away from parents by young adults as they leave school and start their own lives–only taken to the extreme when the young adult becomes a spy. Instead, Mom simply vanishes from the story once Shabana joins the agency. It’s a huge miss in that it would’ve given a talented actress like Pannu more to do than just look cool in fight scenes (which she definitely does).

Cameos by key Baby cast members like Akshay Kumar, Anupam Kher, and Danny Denzongpa are well-integrated, but they come too late to rescue Naam Shabana from its plodding pace.

Links

Bollywood Box Office: March 31-April 2, 2017

Naam Shabana got off to an unimpressive start at the North American box office. From March 31-April 2, 2017, the spin-off prequel earned $157,655 from 90 theaters ($1,752 average; adjusted average of $2,021 from 78 theaters*). While no one expected Naam Shabana to match the opening weekend collections of Baby ($434,951 from 99 theaters) — the 2015 Akshay Kumar action flick that spawned it — Naam Shabana‘s performance was sub-par compared to other movies that released this year with a similar theatrical footprint. It opened in three more theaters than Phillauri but earned over $100,000 less than Phillauri did in its opening weekend, despite its marketing advantage as part of a franchise. Naam Shabana‘s ultimate total will likely fall short of $300,000.

Phillauri held up reasonably well in its second weekend in theaters, retaining about 27% of its opening weekend business. It earned $71,277 from 78 theaters ($914 average; adjusted average of $1,097 from 65 theaters). Its total earning stand at $417,054.

After its fourth weekend in theaters, Badrinath Ki Dulhania is closing in on a North American total of $2 million. It added another $31,760 from 26 theaters ($1,222 average), bringing its current total to $1,966,459. (Bollywood Hungama had no US theater data for Badrinath Ki Dulhania, so I used Box Office Mojo’s figures.)

The Ghazi Attack closed out its seventh (and hopefully final) weekend, earning $10 from one theater. Its total across all languages is $770,425.

*Bollywood Hungama frequently counts Canadian theaters twice in when they report figures for a film’s first few weeks of release. When possible, I verify theater counts at Box Office Mojo, but I use Bollywood Hungama as my primary source because they provide a comprehensive and consistent — if flawed — data set.

Sources: Box Office Mojo and Rentrak, via Bollywood Hungama

Opening March 31: Naam Shabana and For Here or to Go?

One new Hindi film opens in the Chicago area on March 31, 2017. Naam Shabana is a spin-off origin story about Taapsee Pannu’s character from the 2015 action film Baby.

Naam Shabana opens Friday at the AMC River East 21 in Chicago, MovieMax Cinemas in Niles, AMC South Barrington 24 in South Barrington, and Regal Cantera Stadium 17 in Warrenville. It has a listed runtime of 2 hrs. 9 min.

Also new this week is the timely English-language film For Here or to Go?, starring Ali Fazal as a Silicon Valley entrepreneur caught up in America’s convoluted immigration system.

For Here or to Go? opens Friday at all four of the above theaters. Click here for a national theater list. The movie has a runtime of 1 hr. 45 min.

Phillauri carries over for a second week at MovieMax, South Barrington 24, Marcus Addison Cinema in Addison, and AMC Loews Woodridge 18 in Woodridge. Both MovieMax and South Barrington 24 hold over Badrinath Ki Dulhania for a fourth week.

Other Indian movies showing in the Chicago area this weekend include: