Ashutosh Gowarikar’s latest film, What’s Your Raashee? (“What’s Your Sign?”) opens in theaters this weekend. It may hold special interest for Chicagoans, since parts of the film were shot in the Windy City, earlier this year.
In What’s Your Raashee?, Harman Baweja plays a guy looking for love among twelve different girls, all played by Priyanka Chopra. (In your face, Eddie Murphy!) Baweja and Chopra previously starred together in the embarrassing Love Story 2050. The runtime for their latest film is listed as 3 hrs. 12 min.
Of last weekend’s two new Hindi films, Dil Bole Hadippa! bested Wanted in U.S. earnings: $351,457 to $217,432. Both films return for a second week at the Golf Glen 5 and South Barrington 30. The Cantera 30 is only bringing back Dil Bole Hadippa!.
There were plenty of movies in contention for the title of “Worst Bollywood Film of 2008.” Recent lousy offerings like Ghajini, Karzzzz, Oye Lucky! Lucky Oye! and Yuvvraaj threatened to overshadow crummy films from earlier in the year like Krazzy 4, Roadside Romeo and Summer 2007.
I decided to select the absolute worst movie of the year from films that I awarded zero stars when I reviewed them. Abhishek Bachchan starred in two of those movies: Sarkar Raj and Drona. I was tempted to give the dubious honor to Love Story 2050, if only because it suggested that we’ll all still be playing the Xbox 360 forty years from now.
But the worst movie of the year had to be the one that was most painful to watch, the one that wasn’t bad in a funny way (like Sarkar Raj, Drona and Love Story 2050), but was just bad. Based on those criteria, the Worst Bollywood Film of 2008 is Golmaal Returns. No other movie approached its level of immaturity and ineptitude. Everything about it was annoying, and if I hadn’t been reviewing it, I would’ve walked out of the theater after thirty minutes.
Congratulations, Golmaal Returns. May you never return again.
Zero Stars (out of 4)
In writer-director Harry Baweja’s vision of the future, people wear parachute pants, dance the Moonwalk, and play with Teddy Ruxpin dolls. The future as portrayed in Love Story 2050 looks a lot like America in the 1980s, only with hovercars. The characters don’t even travel to 2050 until halfway through the film, after an interminable present-day setup in which an obnoxious lout woos a young woman too bewitched by his luxurious hair to notice that he’s an idiot.
No Rating (violence, language); 179 minutes
This review originally appeared in The Naperville Sun on July 10, 2008