I updated my list of Bollywood movies on Netflix with the addition of Gunjan Saxena: The Kargil Girl, a new biopic starring Janhvi Kapoor as the first woman to fly in combat for the Indian Air Force. An uplifting film to catch while you can is 2015’s Dhanak, which expires from Netflix on August 20. Two siblings trek across Rajasthan on foot hoping to find Shah Rukh Khan, who they believe can cure the little boy’s blindness. It’s really, really good.
Netflix also released the trailer for the new Original series Masaba Masaba, a fictionalized version of the life of fashion designer Masaba Gupta (daughter of actress Neena Gupta). Both Gupta women star in the series, and the trailer highlights a few celebrity guest cameos.
I also updated my list of Bollywood movies on Amazon Prime with dozens of Indian films added in the last week, including a bunch of Hindi titles from Reliance Entertainment and Shemaroo Entertainment. Here are the ones I’ve reviewed:
If you watch any of these movies, make it Love Story 2050. The vision for the future laid out in this sci-fi flick Priyanka Chopra wishes we’d all forget is hilarious in the worst possible ways. I’d have to re-watch it to be sure, but it might qualify as “so bad, it’s good.”
Vidyut Jammwal’s new action flick Khuda Haafiz debuted on Hotstar today. The streamer also unveiled the trailer for Sanjay Dutt’s Sadak 2, which premieres on August 28.
I decided to select the absolute worst movie of the year from films that I awarded zero stars when I reviewed them. Abhishek Bachchan starred in two of those movies: Sarkar Raj and Drona. I was tempted to give the dubious honor to Love Story 2050, if only because it suggested that we’ll all still be playing the Xbox 360 forty years from now.
But the worst movie of the year had to be the one that was most painful to watch, the one that wasn’t bad in a funny way (like Sarkar Raj, Drona and Love Story 2050), but was just bad. Based on those criteria, the Worst Bollywood Film of 2008 is Golmaal Returns. No other movie approached its level of immaturity and ineptitude. Everything about it was annoying, and if I hadn’t been reviewing it, I would’ve walked out of the theater after thirty minutes.
Congratulations, Golmaal Returns. May you never return again.
While this film’s explicit goal is to inform movie-goers about the plight of Indian farmers driven to suicide because of their extreme poverty, the farmers get second billing to five wealthy medical students who spend their month-long rural internships doing everything they can to get back to civilization. When the brats finally decide to help the farmers after a series of bizarre, violent events, they do so by returning to the city to stage a PR campaign, rather than staying in the country to provide desperately needed medical services. Summer 2007 falls well short of accomplishing its goal.
No rating (violence, rape, language, drug use); 174 minutes