Tag Archives: Siddharth

Bollywood Box Office: August 22-24

For a second weekend, Singham Returns held on to the top spot among Bollywood movies showing in North America. From August 22-24, 2014, the Ajay Devgn action sequel earned $218,164 from 127 theaters ($1,718 average), bringing its total earnings to $1,085,328. That total ranks sixth among Hindi films in North America in 2014, about $170,000 shy of Jai Ho.

The strong performance by Singham Returns forced new release Mardaani into second place for the weekend. (To be fair, Mardaani played on a third fewer screens than Singham Returns.) According to Bollywood Hungama, Mardaani earned $168,997 from 86 theaters, an average of $1,965.

I’m optimistic about Mardaani‘s second weekend for a few reasons. The movie has a high user rating of 8.1 stars at IMDb. Monday is a national holiday in the United States (Labor Day). And this Friday’s new release, Raja Natwarlal, will likely open on fewer than a hundred screens. All those factors could help Mardaani retain a good chunk of its first weekend earnings.

Complete North American box office figures for Akshay Kumar’s Entertainment remain impossible to come by. Based on the $143,699 the movie has earned in Canada so far, Entertainment‘s three-week North American total is likely around $500,000.

Other Hindi movies showing in North America include:

  • Siddharth: Week 6; $2,491 from one theater; $59,808 total
  • Kick: Week 5; $2,041 from four theaters ($510 average); $2,402,677 total
  • The Lunchbox: Week 26; $725 from two theaters ($363 average) ;$4,035,675 total

Sources: Box Office Mojo and Rentrak, via Bollywood Hungama

Movie Review: Chashme Baddoor (2013)

Chashme_Baddoor_(2013_film)_Poster3 Stars (out of 4)

Buy the DVD at Amazon
Buy the soundtrack at Amazon

Chashme Baddoor is an enjoyable comedy, and I’m not just saying that because Ali Zafar is adorable. And his hair looks so soft. And when he smiles, I feel like I’m floating.

Knowing that David Dhawan is responsible for both the film’s direction and updating the screenplay from 1981’s Chashme Buddoor, I expected the film to be as crude and tedious as some of his other recent comedies, like Rascals and Do Knot Disturb. Though it has a few annoying elements, Chashme Baddoor is a sweet, funny film about the ways love can interfere with friendship.

The plot focuses on three best friends living it up in Goa: bookish Sid (Ali Zafar) and two aspiring Lotharios, Jai (Siddharth) and Omi (Divyendu Sharma). Their landlady, Ms. Josephine (Lilette Dubey), and the tough-guy owner of the local bar, Mr. Joseph (Rishi Kapoor), can’t understand why a guy with as much potential as Sid hangs out with two losers.

The film introduces Jai and Omi first, which is something of a mistake, since they’re not as likeable as a Sid. The apparent risqué humor of Omi’s romantic poetry doesn’t translate well from spoken Hindi into English subtitles, and Jai is too brash. Their antics are often accompanied by irritating musical cues that had me reaching for my earplugs.

Jai and Omi take turns trying to woo the cute new girl in town, Seema (Taapsee Pannu). Both flame out, but conceal their failure from each other and Sid, inventing stories of romantic conquest. When Sid — having never seen Seema before — falls for her, Jai and Omi conspire to break the couple apart before Seema can reveal their rebuffed flirtations and subsequent lies.

More than just a pretty face, Zafar does a fine job playing Sid as a regular guy. He’s shy, but not mousey; scholarly, not nerdy. Sid’s presence has a calming influence on his buddies, and Omi and Jai are at their best when they’re with Sid.

Pannu likewise does a fine job with Seema, who is feisty without becoming a shrill caricature. She’s youthful but a bit more worldly and confident than Sid, enough to lead him to believe that she could be a lot more worldly than him.

Anupam Kher plays a double role as Seema’s father and uncle. Kher’s characters are even more outrageous than Omi and Jai and are accompanied by even noisier sound effects. This isn’t my favorite performance by Kher.

Kapoor and Dubey, however, are very cute as Joseph and Josephine, a pair of single adults whose courtship is heartwarming. Their story could’ve been more thoroughly integrated into the main plot, but they are delightful every minute they are on screen.

Even during its darkest moments, Chashme Baddoor never gets too dark. When romances and friendships are at risk of falling apart, there’s always a sense that the relationships can be saved, because the characters are all good at heart. This is unapologetic light entertainment that succeeds because it maintains a carefree air throughout.

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Movie Review: Striker (2010)

4 Stars (out of 4)

Buy or rent the movie at iTunes
Buy the DVD at Amazon
Buy the soundtrack at Amazon

When I sat in front of my computer to watch Striker on YouTube, I had some concerns. I was glad that I didn’t have to drive over an hour to the only theater near me that was showing it, but I wondered if I’d be as immersed in the experience watching it at home as I would be in the theater. Within minutes, Striker‘s riveting characters put my fears to rest.

Striker flashes back and forth through three time periods in the life of Surya (Siddharth), a young man who lives in Malvani, a Mumbai ghetto. As a child in 1977, he watches his older brother playing carrom — a table game like billiards, where small wooden disks are flicked with the fingers into corner pockets. Surya excels at the game but loses interest as he gets older.

Flash forward to 1988. Surya works as a courier who specializes in transporting jewelry and large amounts of cash. Because it’s a risky job — he’s responsible for repaying the money if he’s robbed en route — Surya pays a broker to find him a lucrative manual labor job in Dubai.

When the broker disappears with Surya’s money, his childhood friend, Zaid (Ankur Vikal), comes up with a scheme to get it back: playing carrom for money. Zaid runs errands for the local don, Jaleel (Aditya Pancholi), and is able to get Surya into some high stakes games.

Jaleel is, of course, not to be trusted. He and his goons don’t brandish weapons openly, but there’s an unmistakable air of menace about them. Zaid isn’t much more reliable, given his drug use and frequent arrests. And the rules governing life in Malvani are in flux after the arrival of a tough police inspector, Farooque (Anupam Kher).

In 1992, a time when religious riots are engulfing Malvani, Surya turns to Inspector Farooque for help. The movie begins and ends in this timeframe.

Striker opens with a note from the filmmaker, Chandan Arora, stating that the movie is based on true stories from people who live in Malvani. The movie’s structure, which shows Surya at various points in his life rather than following one linear narrative, makes Surya seem more like a real person than a typical hero. He’s not the poor kid who grows up to transcend his meager upbringing by leading a righteous life. He’s a guy who doesn’t have many options and occasionally tries to make good choices, but often doesn’t.

Zaid is the most interesting character in the film. Vikal plays Zaid as just charming enough to get by without any real vocation or goals. But, from the moment he shows up in the 1988 timeframe, it’s clear that whatever fate awaits Zaid is not a happy one.

Striker is wonderfully atmospheric. Malvani isn’t a slum as decrepit as the one in Slumdog Millionaire. It’s a neighborhood with houses and shops and various places to get into trouble. The carrom-playing scenes are as evocative as any scenes set in the smoky pool halls of Hollywood films. Appropriately, there are no song-and-dance numbers. Striker will appeal to fans of mainstream American films, inviting them to explore Indian movies beyond the musical masala fare.

Runtime: 2 hrs. 7 min.

Notes on the YouTube viewing experience:
I was impressed with the quality of the YouTube rental experience. The movie downloaded in its entirety almost immediately, so I didn’t have to pause and wait for the video to load. The English subtitles appeared in white text on a black band below the main movie, making them easier to read against a consistently colored background (and, I presume, easier to ignore if you don’t need them). I’d happily rent more movies from YouTube in the future, especially if they’re made available the same day as the theatrical release.

Opening February 5: Striker

It’s a light weekend for Bollywood films in Chicago, with only one new movie opening. Striker stars Siddharth as a poor kid who makes his way in life as a carrom hustler. It opens on Friday, February 5, 2010 at the Big Cinemas Golf Glen 5 in Niles.

If you can’t make it to Niles to see Striker, fear not. Fans in the United States can watch the movie on YouTube for $4.99 starting on Friday, the same day that it opens in theaters. Follow this link to Studio 18’s YouTube page, then click on the red “US visitors click here” arrow in the upper right corner of the page.

Striker will be available for free to YouTube users in other countries starting on February 6. This is the first collaboration between YouTube and a Bollywood studio to provide streaming film content, and I hope the experiment works.

As for last week’s new releases, the Golf Glen 5 is carrying over Ishqiya, while the AMC South Barrington 30 in South Barrington is carrying over Rann. 3 Idiots gets an astounding seventh week on screens at the South Barrington 30 and AMC Cantera 30 in Warrenville.

Veer leaves theaters after two weeks, having earned $499,685 in the United States.

The Golf Glen 5 is showing a host of other Indian films this weekend, including Asal (Tamil), Bindaas (Telugu), Happy Husbands (Malayalam) and a remastered version of 1957’s Maya Bazaar (Telugu). Sathyam Cinemas in Downers Grove features the movies Goa (Tamil), Namo Venkatesa (Telugu) and Vairam (Malayalam).