Tag Archives: Highway

Opening February 28: Shaadi Ke Side Effects

The romantic comedy Shaadi Ke Side Effects (“The Side Effects of Marriage“) opens in Chicago area theaters on February 28, 2014. The film is a sequel to 2006’s Pyaar Ke Side Effects, with Vidya Balan and Farhan Akhtar taking over the lead roles of Trisha and Sid from original stars Mallika Sherawat and Rahul Bose.

Shaadi Ke Side Effects opens on Friday at the AMC River East 21 in Chicago, Regal Gardens Stadium 1-6 in Skokie, Big Cinemas Golf Glen 5 in Niles, AMC South Barrington 30 in South Barrington, AMC Loews Woodridge 18 in Woodridge, and Regal Cantera Stadium 17 in Warrenville. It has a listed runtime of 2 hrs. 20 min.

Chicago fans long-awaiting the U.S. release of The Lunchbox will have to wait a little longer. It also releases in the U.S. on Friday, but only in New York and L.A. The Lunchbox opens in the Chicago area on March 7. Click here for the full list of where The Lunchbox will open in the U.S over the course of the next two months.

After posting solid first-weekend earnings, the wonderful drama Highway carries over for a second week at all of the above theaters except for the Woodridge 18. The South Barrington 30 gives a third weekend to Gunday and a fourth weekend to Hasee Toh Phasee.

Other Indian movies playing at the Golf Glen 5 this weekend include 1983 (Malayalam), Bheemavaram Bullodu (Telugu), Jaatishwar (Bengali, with English subtitles), and Thegidi (Tamil).

Box Office: February 21-23

The terrific drama Highway opened in 97 North American theaters on February 21, 2014, earning $326,654 in its first weekend (according to Box Office Mojo). Its per screen average of $3,368 bested all but three films in the top twenty. While $326,654 is a respectable return, it’s less than the first-week earnings of director Imtiaz Ali’s past projects.

In the summer of 2009, Love Aaj Kal produced Ali’s best-ever box office results in North America. Love Aaj Kal earned $1,241,762 from 102 theaters in its opening weekend ($12,174 average), ultimately raking in $2,430,083.

Ali’s unconventional romantic drama Rockstar performed well when it debuted in the fall of 2011, earning $612,235 from 112 theaters ($5,466 average) in its opening weekend. Rockstar went on to gross a total of $986,697.

Another summer romantic comedy scored for Ali in 2012, when Cocktail — a movie Ali wrote, but did not direct — earned $647,956 from 96 North American theaters in its first weekend ($6,750 average).

Over the course of their four- or five-week theatrical runs in North America, the total earnings for Ali’s past movies were nearly double what they earned in their opening weekend in theaters. Highway could fall short of doubling its initial take for a couple of reasons.

First, the release of Shaadi Ke Side Effects — a more conventional rom-com starring Vidya Balan and Farhan Akhtar — on February 28 could put a serious dent in Highway‘s second-weekend earnings. None of Ali’s other projects faced any new competition in their second weekend.

Second, Highway is likely to lose a significant number of screens on March 7 when three relatively high-profile movies release on the same day: Gulaab Gang, Total Siyapaa, and Queen.

For Highway to ultimately earn around $600,000 in North America, it’s going to need positive word of mouth to drive people to the theater this week and through next weekend. Given that I’ve heard from a couple of people who’ve already watched it twice in the theater, a $600,000 total is possible.

In its second weekend in U.S. and Canadian theaters, Gunday earned $122,188 from 118 screens ($1,035 average), bringing its total to $842,637 (according to Bollywood Hungama).

That may sound impressive, but consider that Hasee Toh Phasee posted average third week earnings of $1306 per screen ($36,587 from 28 screens) in the same weekend. While Hasee Toh Phasee‘s overall total is lower — $634,099 so far — it remains a better investment for theaters than Gunday.

Movie Review: Highway (2014)

Highway4 Stars (out of 4)

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Buy the soundtrack at Amazon

Writer-director Imtiaz Ali’s great strength is his ability to relate emotional truth. His characters act the way that regular people do, not the way that movie characters are supposed to.

Highway is the fullest realization of Ali’s gift for conveying truth. It often feels more like a documentary than a work of fiction. It’s an astounding accomplishment.

Smart directorial choices heighten the sense of immersion in the main plot. Past events and scenes not featuring the movie’s main character, Veera (Alia Bhatt), are primarily shown within a frame, while current events take up the whole screen.

The film begins with un-subtitled footage of preparations for Veera’s wedding, shown within a black frame. Veera doesn’t look particularly happy in any of the footage.

The image fills up the whole screen in order to show Veera sneaking out of her house to meet her betrothed, Vinay (Arjun Malhotra), who’s not pleased to act as Veera’s chauffeur on a nighttime jaunt. She says she feels stifled in the bustling house and wants to run away. He would rather get home as soon as possible.

The couple stumbles into a robbery at a gas station, and Veera is taken hostage by a gang of petty thieves led by Mahabir (Randeep Hooda). Only once they’ve made their escape do the thieves realize they’ve captured a rich man’s daughter, and they’re not happy about it. They know that Veera’s father will use all of his substantial resources to find her, so they hit the road with Veera in tow.

Veera’s initial fear gives way to fascination as she sees parts of India that she never knew existed. It occurs to her that, even though she’s vacationed all over the world, she’s never seen anything outside of her hotel.

It cannot be overstated how brilliant Alia Bhatt is as Veera. So much is demanded from her — from expressing childlike wonder to terror to heartbreak — and she excels at every turn. A simple scene in which Veera laughs with delight at the sight of a roaring mountain river is impeccable.

Hooda is perfectly cast as Mahabir, who winds up growing nearly as much as his young captive does. Gruff and taciturn by nature, Mahabir slowly allows Veera to coax vague information about his troubled past out him, forming a bond with her that he wishes didn’t exist.

Mahabir’s gang is freer than their leader is in expressing their amusement with their charge. One of the goons — Aadoo (Durgesh Kumar) — is particularly charming, staring at Veera with the same wide-eyed fascination with which she regards nearly everything she sees.

So much about Highway is beautiful: the performances, the mountain scenery, A.R. Rahman’s gorgeous score. There are a number of times when not much seems to happen, but those are some of the best moments. Ali allows the audience time to breathe and soak in the atmosphere he’s created. It’s a wonderful experience.

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Opening February 21: Highway

One of my most anticipated movies of 2014 — director Imtiaz Ali’s Highway — opens on February 21. According to the director, stars Alia Bhatt and Randeep Hooda shot most of the movie without a script.

Highway opens on Friday in five area theaters: AMC River East 21 in Chicago, Regal Gardens Stadium 1-6 in Skokie, Big Cinemas Golf Glen 5 in Niles, AMC South Barrington 30 in South Barrington, and Regal Cantera Stadium 17 in Warrenville. It has a listed runtime of 2 hrs. 15 min.

After a solid opening weekend, Gunday continues for a second week at all of the above theaters, plus the AMC Loews Woodridge 18 in Woodridge. The cute rom-com Hasee Toh Phasee gets a third weekend at the Golf Glen 5, South Barrington 30, and Cantera 17.

Other Indian movies showing at the Golf Glen 5 this weekend include Ezhu Sundara Rathrikal (Malayalam) and Idhu Kathirvelan Kadhal (Tamil). The Tamil remake of Band Baaja BaaraatAaha Kalyanam — plays at the AMC Loews Streets of Woodfield 20 in Schaumburg and Cinemark at Seven Bridges in Woodridge.

New Trailers: December 16, 2013

With the new year just around the corner, there are a ton of new trailers out promoting movies scheduled for release in 2014. Let’s start with the biggest flick first: Salman Khan’s Jai Ho, opening January 24.

The trailer — like most of the trailers below — doesn’t have English subtitles, so I’m obviously missing out on the dialogue. Based on the visuals, I can’t see what differentiates this from any other recent Salman Khan film. I find Salman charming, but I’m tired of watching him play the same part: a morally perfect, invincible hero whose only character flaw is that he doesn’t have a girlfriend at the start of the movie. I want to see Salman play a character with room for growth: a washed up boxer who takes to the ring for one last fight, even though it might kill him; an upright family man who risks his reputation to save his wife and kids; an undercover cop whose constant lion-roaring threatens to blow his cover.

Next up is the romantic comedy Hasee Toh Phasee, releasing on February 7. Parineeti Chopra is terrific, so I’m looking forward to this.

The excellent costumes look like reason enough to see Gunday when it comes out on February 14.

Check out the gorgeous scenery in director Imtiaz Ali’s Highway, opening February 21.