Tag Archives: Ghoul

TV Review: Ghoul (2018)

3 Stars (out of 4)

Watch Ghoul on Netflix

Ghoul pulls no punches in its depiction of the dangers of state-sanctioned religious intolerance. The show’s monsters are scary, but not as terrifying as the vision of the future presented by writer-director Patrick Graham.

The miniseries comprises three episodes, each with a runtime between 40-45 minutes (excluding closing credits). In all, Ghoul is about as long as a feature film. I appreciated the built-in breaks, which occur at logical points in the plot. This is a perfect kind of storytelling format for a streaming video platform, and I won’t be surprised to see it become more common as filmmakers adapt to changing audience viewing habits.

Graham keeps the scares to a minimum in the first episode: “Out of the Smokeless Fire,” establishing a world where every day is a nightmare for those on the wrong side of new societal divisions. A fascist Indian government cracks down on homegrown terrorism by outlawing certain religious texts and practices, burning books and whisking away citizens believed to harbor anti-nationalist sentiments for “re-education.” The only people targeted in crackdowns are Muslims, although the show doesn’t specifically identify the government as Hindu nationalist.

Naive patriotism inspires Nida Rahim (Radhika Apte) to enlist in the military, despite being the daughter of an Islamic scholar (played by S.M. Zaheer). She’s convinced that the government’s harsh tactics truly are about national security and not religious oppression, as her father believes — so much so that she turns in her own father for re-education. Soon after, she’s posted at a secret government prison to aid the interrogation of notorious terrorist Ali Saeed (Mahesh Balraj), who is captured in the show’s opening, half-dead and surrounded by the corpses of his followers. But why would the military assign Nida, a junior interrogator, to such a high-profile case?

The last two episodes draw from any number of horror films in which the characters are trapped in a remote location with a monster, their terror turning them against one another when their survival depends on them working together. Few of the soldiers and prisoners get any meaningful character development other than Colonel Sunil Dacunha (Manav Kaul), whose idea it was to bring Nida in, and Lieutenant Laxmi Das (Ratnabali Bhattacharjee), Dacunha’s skeptical second-in-command.

Although the relative anonymity of the other soldiers signals their expendability, it also highlight’s the shows message that any agent of a fascist government is liable for its crimes. Not every soldier in Dacunha’s prison personally tortured prisoners, but all of them knew about it and did nothing to stop it. The jail’s cremation room is a stark visualization of the parallels to Nazism present throughout Graham’s screenplay.

When Ghoul‘s namesake creature finally appears, the story becomes quite scary, playing on the fears of those within the prison. Several of the soldiers, including Dacunha, are haunted by the way engaging in torture has warped their sense of morality — not enough to stop torturing people, unfortunately — allowing the monster to play on their guilt. The scares in Ghoul are more psychological than surprise driven, and there’s a considerable amount of blood.

Nida is plagued by her own guilt, and she has no allies in her new surroundings. Apte is compelling in the lead role, showing both Nida’s grit and vulnerability. Bravely, the series doesn’t downplay her commitment to the totalitarian government. She’s willing to follow orders until the moment she’s absolutely convinced that she’s been duped. Nor does Ghoul try to make Dacunha more sympathetic than he should be. Kaul depicts Dacunha as conflicted, but unquestionably a bad person. Ghoul knows which way its moral compass points, and it’s not afraid to show it.

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Streaming Video News: August 24, 2018

I updated my list of Bollywood movies on Netflix because the horror series Ghoul is now available for streaming. The Netflix original series stars Radhika Apte and Manav Kaul, and it consists of three 45-minute episodes. On behalf of my fellow cowards, I appreciate that the whole series can be finished in one sitting with plenty of daylight hours to spare.

In other Netflix news, Chennai Express is set to expire on August 30, which is weird since it was just added on August 7. I’m not sure what’s up with that, but if it’s in your queue, you’d best watch it while you can in case it really disappears for good. Netflix also announced its acquisition of the movie Garbage by the director Q (Quashiq Mukherjee), with an anticipated premiere date later this year (possibly as early as September).

I also updated my list of Bollywood movies on Amazon Prime with some newly added Marathi, Tamil, and Telugu films, joining Race 3 on the service for your weekend viewing pleasure. For everything else new on Prime — Bollywood or not — check Instant Watcher.