Buy the soundtrack at iTunes
Buy the book at Amazon
Half Girlfriend is a tiresome retread of a familiar Bollywood setup. The world within the film exists for the manipulation and satisfaction of the male lead character, regardless of the toll it takes on the woman he pursues.
Just as in another problematic movie from earlier in 2017 — Badrinath Ki Dulhania — Half Girlfriend tries to justify its outdated formula by having its main character hail from a state with a bad reputation regarding gender equality. Half Girlfriend‘s Madhav (Arjun Kapoor) is from Bihar, a state that borders Badrinath’s Uttar Pradesh. Neither movie is interested in actually addressing the causes or consequences of inequality in either state, just in appropriating a regressive mindset so that the female lead can be treated as a prop rather than a real person.
Lest we dismiss Madhav as some uneducated hick, the story — based on a book by Chetan Bhagat and adapted for the screen by Tushar Hiranandani and Ishita Moitra — emphasizes that he’s the son of a royal family. He lives in a mansion with his mother (played by Seema Biswas), who runs a school in their small town.
Yet, Madhav is so privileged and insulated that only after he graduates with a degree in sociology from St. Stephens College in Delhi does he ask his mother, “Why don’t any girls attend our school?” How did he not notice that earlier?!
As with so many Bollywood heroes before him, it’s Madhav’s job to bend the universe to his will. That primarily takes the form of him forcing everyone to engage with him in Hindi, even though instruction at St. Stephens is conducted exclusively in English. No matter how high the stakes, Madhav steadfastly refuses to apply himself enough to become proficient in English. The movie rewards him at every turn by having English speakers claim to have understood Madhav’s “heart,” if not his words.
Then there’s Riya (Shraddha Kapoor), with whom Madhav is smitten on first sight. “Such a beautiful girl plays basketball?” he wonders, insultingly. He’s apparently never heard of hoops legend/fashion model Lisa Leslie, which is surprising since Madhav’s a b-ball nut and a big fan of “Steven Curry.”
The basketball in Half Girlfriend is absolutely terrible, by the way. The camera only shoots the actors from the shoulders up since apparently neither of them learned how to dribble for their roles as college athletes. (Frankly, their entire performances in Half Girlfriend lack commitment.) Also, a scene in which Madhav wildly airballs dozens of attempted half-court shots is unbelievable. That’s a shot serious basketball players practice for fun from an early age.
Once Madhav decides that he wants beautiful, popular Riya for his own, he follows her everywhere, memorizing every detail she posts on Facebook. They strike up a friendship on the court, but she’s clearly not interested in him romantically. She pulls her hand away whenever he tries to touch it. Well, she tries to, but Madhav literally won’t let her go.
Madhav’s roommate Shailesh (Vikrant Massey) — who is otherwise the voice of reason in the film — says that the only way to know Riya’s feelings for sure is to “get her in the room.” In case that didn’t sound rapey enough, Madhav locks the door once Riya is inside. When Riya resists Madhav’s attempted seduction (the author writes euphemistically), he gets violent with her. Riya refuses to talk to him after that, triggering a sad musical montage of Madhav screwing up in a basketball game because he’s too upset to concentrate. Boo hoo.
Madhav’s violence toward Riya renders a romance between them unsatisfactory. However, because we know the beats of the male-entitlement Bollywood romance storyline, we know that Riya won’t be able to rid herself of Madhav that easily.
Half Girlfriend is monstrously unfair to Riya. Every man in her life is abusive to her in some way. While Madhav claims to love Riya, he refuses to accept a relationship with her on her terms; he wants to possess her. Rather than protecting Riya, the older women in her life insist that she tolerate the intolerable and put a man’s needs before her own. Riya is utterly alone. If told from her perspective, Half Girlfriend would be a horror movie.
- Half Girlfriend at Wikipedia
- Half Girlfriend at IMDb
- My review of Badrinath Ki Dulhania
- Split Screen Podcast, Episode 28: The “Dulhania” Franchise
But how did you really feel? 😉
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I didn’t hate it quite as much as you, but I got more and more infuriated as I thought about it. My review: https://youtu.be/fYUUxRj_UUU
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U killed it , 😊after reading this review I realised how I could ‘ve put it into words, my friend(sadly is a girl) took me to watch this dumb (I don’t know if we can refer to it as a movie) collection of stills , I read chetan bhagat’s earlier ( I don’t know if we should refer to them as books) collection of random words, it’s horrible how girls in india are excited to watch and read stuff like this I wish they had just left it to those pages and never brought it to 70mm.
Thanks, Shashank! It’s frustrating when women buy into these hurtful stories. Then again, many of us grow up in societies and families where this kind of gender disparity is normalized, so it’s a mind-set that can be hard to break out of. She’s lucky to have a forward-thinking friend like you. 🙂
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Since we’re supposed to be social distancing due to the CoVid19, I decided to watch Half Girlfriend. My standard Bollywood couple friends had suggested it. You covered the movie well but I’m surprised you didn’t mention the music. I thought it had some of the better music lately. Not just one good song, but overall good songs. I might have added a half point for the music. I would suggest people download the music and skip the movie.
I’m glad you at least enjoyed the songs, Jill. I rarely write about the music in Hindi films, I guess because most of it doesn’t make a big impression on me (I’m a K-pop fan). I do like Vishal Bhardwaj’s music and a lot of what Shankar-Ehsaan-Loy put out, including “Kaisi Hai Ye Udaasi” from Karthik Calling Karthik: https://www.youtube.com/watch?v=gGSLQN-dioc